With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou (Bill Murray) rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
When his partner is killed by the mysterious and possibly nonexistent Jaguar Shark, Steve Zissou (Bill Murray) and his Team Zissou crew set off for an expedition to hunt down the creature. Along with his estranged wife, a beautiful journalist and a co-pilot who could possibly be Zissou's son, the crew set off for one wild expedition.Written by
During filming, the Chicago Cubs made a deep run into the Major League playoffs, mounting a 3-1 lead in the NLCS. Bill Murray, a native of the Chicago area, had it written in to his contract that he receive a live feed of all the Cubs' games. The Cubs eventually lost the series to the Florida Marlins, prolonging their World Series drought to ninety-five years. See more »
Steve Zissou demonstrates diving helmets with integrated radio receivers and headphones in order to listen to music under water. As a marine scientist, he would know that radio waves do not propagate in sea water (except very low and extremely low frequencies, both of which need huge antennas to send messages). Given the nature of this film, these diving helmets are due to artistic license. See more »
Ladies and gentlemen, we are very pleased to welcome you to the world premiere of Part 1 of the newest film from a great favorite of ours here at Loquasto, Mr. Steve Zissou. A brief Q & A will immediately follow the screening. Thank you.
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In memory of Jacques-Yves Cousteau and with gratitude to the Cousteau Society, which was not involved in the making of this film. See more »
This story is a lighthearted adventure comedy. I too am guilty of being one of those Wes Anderson fans who salivate over all the small details but while watching this I quickly detached myself from the director and his style and previous work and just let "The Life Aquatic" take me along. And that's what you have to do. It's different from his other stuff in that it's more plot driven. There are some wonderful characters but they have to deal more with outside complications than internal struggles. It is similar in tone and style to Robert Altman's "M*A*S*H," what with all the juggling of fighting and death (serious themes dealt with in an objective comedic manner). There's also some Fellini moments (it was mostly filmed at Cinecitta). I loved it. Don't go into this film as a biased hipster Wes Anderson fan, clean the slate and take it with an open mind. It's certainly sillier than Rushmore or Tenenbaums, but it's just as ambitious and exponentially courageous with shots and tone.
To reiterate: more action oriented, funny as all get out, and quite possibly the funnest I've had in a theater all year.
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