With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
When his partner is killed by the mysterious and possibly nonexistent Jaguar Shark, Steve Zissou and his Team Zissou crew set off for an expedition to hunt down the creature. Along with his estranged wife, a beautiful journalist and a co-pilot who could possibly be Zissou's son, the crew set off for one wild expedition.Written by
When the team is in the submarine towards the end of the movie Steve's hands are on the steering wheel. As the neon fish swim towards the sub (from the crew perspective) you can see the steering wheel without any hands on it, but when the jump to Steve, he hands remain on the wheel. See more »
Ladies and gentlemen, we are very pleased to welcome you to the world premiere of Part 1 of the newest film from a great favorite of ours here at Loquasto, Mr. Steve Zissou. A brief Q & A will immediately follow the screening. Thank you.
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During the end credits the filmmakers acknowledge that the real Steve Zissou is a prominent attorney in New York City specializing in complex federal litigation. See more »
This is my all time favorite movie. The comedic intricacies are unmatched, combined with rich visuals and a compelling plot. I am not a fan of most Wes Anderson films, they tend to be a bit too subtle for my taste (DarJeeling Limited, Royal Tenenbaums...). However, Bill Murray hits it out of the park with his deadpan lines (I'm right on the edge. I don't know what comes next....I'm about to blow my stack). Understated performances abound which fits the film perfectly, which means the film may require a few viewings to appreciate it fully (it took me awhile to warm up to it). The soundtrack is amazing also, both the Seu Jorge (sp?) tracks and the Devo instrumentals. All in all, I feel this is Anderson's best work, and I know I am probably in the minority on this, but it's much better on many levels than his previous and subsequent films.
Ann Marie?? Do the interns get Glocks? "No, they all share one."
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