With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
When his partner is killed by the mysterious and possibly nonexistent Jaguar Shark, Steve Zissou and his Team Zissou crew set off for an expedition to hunt down the creature. Along with his estranged wife, a beautiful journalist and a co-pilot who could possibly be Zissou's son, the crew set off for one wild expedition.Written by
The shot of Steve Zissou feeding a fish to a killer whale, which appears during a montage on Zissou's island, was also in the script for Wes Anderson's earlier film Rushmore (1998) (where it was written into a montage when Bill Murray's character is looking at fish specimens for his new aquarium). See more »
On the deserted island, a red vehicle can be seen traveling in the background behind the hotel. See more »
Ladies and gentlemen, we are very pleased to welcome you to the world premiere of Part 1 of the newest film from a great favorite of ours here at Loquasto, Mr. Steve Zissou. A brief Q & A will immediately follow the screening. Thank you.
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In memory of Jacques-Yves Cousteau and with gratitude to the Cousteau Society, which was not involved in the making of this film. See more »
This story is a lighthearted adventure comedy. I too am guilty of being one of those Wes Anderson fans who salivate over all the small details but while watching this I quickly detached myself from the director and his style and previous work and just let "The Life Aquatic" take me along. And that's what you have to do. It's different from his other stuff in that it's more plot driven. There are some wonderful characters but they have to deal more with outside complications than internal struggles. It is similar in tone and style to Robert Altman's "M*A*S*H," what with all the juggling of fighting and death (serious themes dealt with in an objective comedic manner). There's also some Fellini moments (it was mostly filmed at Cinecitta). I loved it. Don't go into this film as a biased hipster Wes Anderson fan, clean the slate and take it with an open mind. It's certainly sillier than Rushmore or Tenenbaums, but it's just as ambitious and exponentially courageous with shots and tone.
To reiterate: more action oriented, funny as all get out, and quite possibly the funnest I've had in a theater all year.
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