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The Life Aquatic with Steve Zissou (2004)

Trailer
2:32 | Trailer
With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou (Bill Murray) rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.

Director:

Wes Anderson
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Popularity
2,652 ( 159)
3 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bill Murray ... Steve Zissou
Owen Wilson ... Ned Plimpton
Cate Blanchett ... Jane Winslett-Richardson
Anjelica Huston ... Eleanor Zissou
Willem Dafoe ... Klaus Daimler
Jeff Goldblum ... Alistair Hennessey
Michael Gambon ... Oseary Drakoulias
Noah Taylor ... Vladimir Wolodarsky
Bud Cort ... Bill Ubell
Seu Jorge ... Pelé dos Santos
Robyn Cohen ... Anne-Marie Sakowitz
Waris Ahluwalia ... Vikram Ray
Niels Koizumi Niels Koizumi ... Bobby Ogata
Pawel Wdowczak Pawel Wdowczak ... Renzo Pietro
Matthew Gray Gubler ... Intern #1
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Storyline

When his partner is killed by the mysterious and possibly nonexistent Jaguar Shark, Steve Zissou (Bill Murray) and his Team Zissou crew set off for an expedition to hunt down the creature. Along with his estranged wife, a beautiful journalist and a co-pilot who could possibly be Zissou's son, the crew set off for one wild expedition. Written by FilmFanUK

Plot Summary | Add Synopsis

Taglines:

The deeper you go, the weirder life gets


Motion Picture Rating (MPAA)

Rated R for language, some drug use, violence and partial nudity | See all certifications »

Parents Guide:

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Did You Know?

Trivia

In Wes Anderson's earlier movie, Rushmore (1998), there is a shot of Max Fischer (Jason Schwartzman) on his go-kart, which is a direct homage to a Jacques Henri Lartigue photograph. The man in this photo, as well as others taken by Lartigue, was named "Zissou". See more »

Goofs

During long dolly shot in the end credits, when Steve is walking left to right with the young boy on his shoulders, you can see the camera crew shadows pass in front of them several times. See more »

Quotes

[first lines]
[in Italian]
Festival Director: Ladies and gentlemen, we are very pleased to welcome you to the world premiere of Part 1 of the newest film from a great favorite of ours here at Loquasto, Mr. Steve Zissou. A brief Q & A will immediately follow the screening. Thank you.
See more »

Crazy Credits

In memory of Jacques-Yves Cousteau and with gratitude to the Cousteau Society, which was not involved in the making of this film. See more »

Connections

Featured in Half in the Bag: Aquaman (2018) See more »

Soundtracks

Space Oddity
Written by David Bowie
Performed by Seu Jorge
See more »

User Reviews

Swimming Beneath and Yet Breathing
2 June 2008 | by tedgSee all my reviews

I'm not generally a fan of Wes Anderson. He relies too heavily on the charm of detachment. Burton has this problem too, hidden under the humorous tone. The appeal is a generational thing and I guess I'm too old to simply find that enough.

But here, he does something different than what I have seen elsewhere from him. I think it is because the Owen influence is small here. The form is a movie about making a life which is a movie. Both the movie and the movie within have fantastic elements, but we do have a clear shift to brighter colors and crisper landscapes when within the inner world.

Its all based on synthetic notions of drama: love, purpose, worth. When you sneak up on things this way, you have to play a delicate game, one I think Wes usually flubs. You have to engage by setting a distance that is far enough from the norm that we as viewers can lean into it, and near enough to what we think of as real flesh that we want to.

Bill Murray doesn't understand this balance, because he's all about distance. Never mind, he's just an actor. So you select actors that try for the closeness. Dafoe and Blanchett get this. What they choose to do is simple: they form a real person and layer some cartoonish mannerisms on top. We see through the play and value the real underneath, where we cannot with Murray and Wilson.

Because the whole thing can blend together, we get a wonderful balance of this tension: engagement and studied apartness. I credit Anderson with maintaining this container. It works. And it works because he was smart. You can see that he understands this dynamic well enough to know that we will be impatient with his tricks for very long. So the movie changes tone as it moves along. It changes slowly with less emphasis on the personal abstraction and more on abstracting the physical: the ship, the rooms, beds, sub. It allows Cate to present her womb, which is quite a miracle.

If you read the trivia at IMDb, you find that many top actresses wanted this part. So it is pretty amazing that Cate's condition as a pregnant woman who knows how to turn herself inside out was able to have that condition become so central to the world we see.

This isn't quirky. This isn't comedy. This is extremely sensitive positioning of the audience to allow for deeper penetration. Its a triangulation of "Incident at Loch Ness" and "Cowards Bend the Knee ."

I felt blessed watching it.

Ted's Evaluation -- 3 of 3: Worth watching.


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Details

Country:

USA

Release Date:

25 December 2004 (USA) See more »

Also Known As:

The Life Aquatic See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$113,085, 12 December 2004

Gross USA:

$24,020,403

Cumulative Worldwide Gross:

$34,808,403
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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