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Title: Kinsey (2004)
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| Cast overview, first billed only: | |||
| Liam Neeson | ... | Alfred Kinsey | |
| Laura Linney | ... | Clara McMillen | |
| Chris O'Donnell | ... | Wardell Pomeroy | |
| Peter Sarsgaard | ... | Clyde Martin | |
| Timothy Hutton | ... | Paul Gebhard | |
| John Lithgow | ... | Alfred Seguine Kinsey | |
| Tim Curry | ... | Thurman Rice | |
| Oliver Platt | ... | Herman Wells | |
| Dylan Baker | ... | Alan Gregg | |
| Julianne Nicholson | ... | Alice Martin | |
| William Sadler | ... | Kenneth Braun | |
| John McMartin | ... | Huntington Hartford | |
| Veronica Cartwright | ... | Sara Kinsey | |
| Kathleen Chalfant | ... | Barbara Merkle | |
| Heather Goldenhersh | ... | Martha Pomeroy | |
Called Prok as an adult (short for Professor Kinsey), Alfred Kinsey has been interested in biology since he was a child growing up in the early twentieth century, despite the criticisms of such being evil nonsense from his overbearing and devoutly Christian father, professor Alfred Seguine Kinsey. Prok goes on to become a biology professor at Indiana University, initially focusing on the study of gall wasps. But those studies in combination with questions from his students, coming to terms with the needs of sex with his own wife, a former student of his named Clara McMillen (who he calls Mac), and what he sees as the gross misinformation on the subject currently within popular belief makes him change his focus to human sexuality. Many of those gross untruths - as he sees them - are that oral sex and masturbation cause a slew of maladies, which are perpetuated by what is presented in the university's hygiene class taught by Professor Thurman Rice. With the approval of faculty head ... Written by Huggo
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One of the mid-20th century sexologists, Alfred C. Kinsey, is brought to life through a stellar performance by Liam Neeson. Screenplay writer & director, Bill Condon, who should have won an Oscar for "Gods and Monsters," uses an enticing technique of switching between B&W scenes & color ones. In the former, Kinsey is depicted as a subject, in a clinical setting, responding to his own sex survey questions. In the latter, Condon takes us through flashbacks of choice intimate events during Kinsey's younger life. This combination of screenplay & direction movement between the past in color & the present in B&W seems contradictory. However, it is quite effective to draw out the importance of how significant, if not 'colorful', Kinsey's upbringing was while living in his father-preacher's (John Lithgow) anti-sexual & puritanical home.
Kinsey's sexology includes so many open-ended questions that they leave room for respondents to elaborate upon their true sexual experiences. Their thousands of responses included in Kinsey's research {published as "Sexual Behavior in the Human Male (1948) & "Sexual Behavior in the Human Female (1953)} are anything but black & white! It is to Kinsey's credit, his passion, the effectiveness of his research techniques, that sexology discovered US respondents were eager to speak about sex. Since Kinsey's findings are not what the US public expected to learn, his research became controversial. For instance, the first book found males had many more same-gender sexual experiences than anyone imagined. The second book really rocked the world when Kinsey's research showed that females shared the same sexual desires as males! From the start of the film to the end it is loaded with sexological words: in other words, the clinical names for genital body parts & sexual activities. Sexual activities are spoken of scientifically & sometimes depicted. This is not by any means a pornographic motion picture. It is about the science of sexology. But, most especially, it is a fine film that aptly portrays both the research & intimate passions of the world famous US sexologist, Kinsey.
It's not necessarily an adults-only film; depending upon how well prepared & educated teens are in studies of human sexual behavior. I feel Condon masters the topics of sexology & sexualities.