An accidental discovery near a doctor's estate stirs up some painful memories eight years after his wife's hideous murder, and now, things are bound to take a turn for the unexpected. Does the good doctor know more than he's letting on?
Five close friends, all of them married, share a loft to meet their mistresses. One day they find the body of a young woman in the loft. Since there are only five keys to the loft, the five men begin to suspect each other of murder.
Erik Van Looy
Koen De Bouw,
Shattered by the unexpected news of their irreversible break-up, an aspiring orchestra conductor is puzzled by his girlfriend's mysterious and seemingly inexplicable case of disappearance. But, can he look beyond the facts?
María Soledad Rodríguez
The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
In the MARSHLAND a serial killer is on the loose. Two homicide detectives who appear to be poles apart must settle their differences and bring the murderer to justice before more young women lose their lives.
The pediatrician Alexandre Beck misses his beloved wife Margot Beck, who was brutally murdered eight years ago when he was the prime suspect. When two bodies are found near where the corpse of Margot was dumped, the police reopen the case and Alex becomes suspect again. The mystery increases when Alex receives an e-mail showing Margot older and alive.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Originally, author Harlan Coben had optioned off his novel to Hollywood, with director Michael Apted attached. During this time, director Guillaume Canet, who had loved the novel, had been calling up Coben with his take on the novel. Coben was immediately impressed with Canet's passion for the story, and his vision, stating that Canet understood that the novel was a love story first, and a thriller second, which Hollywood never got. When the option with Hollywood fell through, Coben contacted Canet and decided to give him a chance. See more »
Early on in the film at a show jumping scene, the announcer says the video screen shows the rider winning at the European championships, but the video shows the rider jumping over jumps with the Olympic logo on them. See more »
I owe this guy from 3 years ago. I took my kid to the hospital, all bruised up. Fuckers thought I'd beat up on him. This guy tells the cops it wasn't me, my kid's a haemophiliac. As long as he needs us, we're there, okay?
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frantic, intelligent, and exciting: what more do you want?
Tell No-one is the debut feature from Guillaume Canet, a guy arguably best known outside of France for being that bloke in The Beach who shouts "Francoise!" a lot. While he may not have seemed to be up to much then, judging from this stunning adaptation of Harlan Coben's novel of the same name, he certainly is now.
Tell No-one is the story of Dr. Alexander Beck, a man who gets an email from his wife. Boring, you say? Beck's wife was killed eight years ago in an attack that left him (in a sense) lucky to be alive. The email instructs him to "tell no-one" and with nobody to turn to, Beck throws himself into a desperate search for the woman he loved and lost.
What follows is arguably a typical array of thriller conventions: the secrets, the lies, and the inevitable betrayals, but what sets this movie apart is its pacing. Canet sheds some of Coben's superfluous subplots which ramps the tempo up so effectively that you soon forget that it's all in French. The move from the States to France also works in its favour, especially for foreign markets (as in the UK & US), as it makes the movie feel edgier and more unfamiliar than a standard American cop-chase movie. The combination of these factors give Tell No-one a freshness and intelligence that a lot of modern thrillers are lacking.
The quality of the acting (especially from Cluzet) and the dialogue, no doubt helped by Coben's writing, keeps the story believable as everyman Beck races ever closer to the truth, and to round it off, the score is great too, with clever use of familiar tracks to help keep the audience somewhat comfortable as Beck's search becomes more and more dangerous.
Tell No-one may sound like another average thriller, but its pacing and finesse place it head and shoulders above the rest of the crowd.
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