| Cast overview, first billed only: | |||
| Matthew Faber | ... | Mark Wiener | |
| Angela Pietropinto | ... | Mrs. Wiener | |
| Bill Buell | ... | Mr. Wiener | |
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Emani Sledge | ... | 'Dawn' Aviva |
| Ellen Barkin | ... | Joyce Victor | |
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Valerie Shusterov | ... | 'Judah' Aviva |
| Richard Masur | ... | Steve Victor | |
| Hillary B. Smith | ... | Robin Wallace | |
| Danton Stone | ... | Bruce Wallace | |
| Robert Agri | ... | First Judah | |
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Hannah Freiman | ... | 'Henry' Aviva |
| Stephen Singer | ... | Dr. Fleischer | |
| Rachel Corr | ... | 'Henrietta' Aviva | |
| Stephen Adly Guirgis | ... | Joe / Earl / Bob | |
| Will Denton | ... | 'Huckleberry' Aviva | |
A fable of innocence: thirteen-year-old Aviva Victor wants to be a 'mom'. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back. Like so many trips, this one is round-trip, and it's hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again. Written by Sujit R. Varma
Obviously the film isn't for everyone and anyone who has seen Happiness or Welcome to the Dollhouse knows what they're in for. The film sat well with me though.. far from the sadistic gut-kickings of Happiness, the characters here are broken softly and with great sadness. The subject matter of the film will turn many people off (violently), but the actual execution I found inoffensive, and a worthwhile trip. I'm convinced that Mark Weiner's reappearance at the end of the film is a stand-in for Solondz himself, as he dryly confirms that he is not a pervert, and is in return told by the protagonist that he is too passionless to be a pervert. There's more soul searching in this film than misanthropy and it's a positive turn for the director.