6.8/10
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Palindromes (2004)

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1:46 | Trailer

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Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.

Director:

Todd Solondz

Writer:

Todd Solondz
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Matthew Faber ... Mark Wiener
Angela Pietropinto ... Mrs. Wiener
Bill Buell ... Mr. Wiener
Emani Sledge Emani Sledge ... 'Dawn' Aviva
Ellen Barkin ... Joyce Victor
Valerie Shusterov Valerie Shusterov ... 'Judah' Aviva
Richard Masur ... Steve Victor
Hillary B. Smith ... Robin Wallace
Danton Stone ... Bruce Wallace
Robert Agri Robert Agri ... First Judah
Hannah Freiman Hannah Freiman ... 'Henry' Aviva
Stephen Singer ... Dr. Fleischer
Rachel Corr ... 'Henrietta' Aviva
Stephen Adly Guirgis ... Joe / Earl / Bob
Will Denton ... 'Huckleberry' Aviva
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Storyline

A fable of innocence: thirteen-year-old Aviva Victor wants to be a 'mom'. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back. Like so many trips, this one is round-trip, and it's hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Hebrew

Release Date:

21 January 2005 (Sweden) See more »

Also Known As:

Palindromes - nyrjähtänyt rakkaustarina See more »

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Box Office

Opening Weekend USA:

$57,251, 17 April 2005, Limited Release

Gross USA:

$553,368, 11 September 2005
See more on IMDbPro »

Company Credits

Production Co:

Extra Large Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

As some characters' names are palindromes, this clever palindrome is trickier to catch. The exact second Dawn's videotaped funeral comes on screen, starting the film, in the upper right hand corner is the video's time. It clearly displays, 01.22:10 = a numerical palindrome, then continues counting down. See more »

Goofs

During the scene where Joyce Victor and Aviva are addressing envelopes, Mrs. Victor is licking stamps which are clearly self-adhesive. See more »

Quotes

Mark Wiener: People always end up the way they started out. No one ever changes. They think they do but they don't. If you're the depressed type now that's the way you'll always be. If you're the mindless happy type now, that's the way you'll be when you grow up. You might lose some weight, your face may clear up, get a body tan, breast enlargement, a sex change, it makes no difference. Essentially, from in front, from behind. Whether you're 13 or 50, you will always be the same.
'Mark' Aviva Victor: Are you the same?
Mark Wiener: Yeah.
'Mark' Aviva Victor: Are...
[...]
See more »

Crazy Credits

In loving memory of Dawn Wiener. See more »

Connections

References Jackass (2000) See more »

Soundtracks

Love Turned Blue
Written by Jai Josefs
Performed by Shelly Rand and The Nashville Six
See more »

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User Reviews

 
A Fascinating Visual Experiment on Hot Button Issues
8 June 2005 | by noraleeSee all my reviews

"Palindromes" is a fascinating visual thought experiment.

Very parallel to Alexander Payne's "Citizen Ruth" in covering some of the same territory about abortion, writer/director Todd Solontz mostly eschews that film's satire and easy jabs for a protean look at an issue that has a more complicated emotional landscape than advocates on either side usually concede.

He does this by literally taking us inside the mind of a young malleable adolescent who intentionally gets pregnant and is surprised at the reactions of those around her. Sometimes we see her as she sees herself, as if we are reading her diary, with her body-hating hopes for a change in hair, skin, age or family, and sometimes we see her as others see her.

Every one wants to control "Aviva" and their hypocritical selfishness is laid bare, regardless of their various good intentions. Her mother sees her still as a baby (a welcome back to the screen for Ellen Barkin who manages to add maternal warmth to hostile dialog) to the discomfiting sexualization (Britney-ization?) of just barely teens that is just barely a step above pedophilia, to how she is seen by pro-life advocates (whose Sunshine Band for "special children" seems almost as exploitative as JonBenet Ramsey's performances) and on in a picaresque dream scape that crosses a nightmare that is a bit extreme, especially for fans of "Welcome to the Dollhouse."

Solontz pulls this off by having every image of "Aviva" (according to the director's production notes) "portrayed by two women, four girls (13-14 years old), one 12-year-old boy, and one 6-year old girl" of widely variant size, shape, color and just about every other possible outward characteristic, even though one haranguer points out that no one can ever really change.

Solontz in a hand-out at the theater defined his use of the title as meaning "a condition of stasis and/or immutability; that part of one's personality or character that resists change, stays the same," but I'm not sure that successfully comes through in this provocative film, especially with some of the acerbic dialog and disturbing actions.

Nathan Larson's music is appropriately eerie, with spooky vocalizations by Nina Persson.

Releasing the film without a rating will probably keep it from being seen by young teens which is too bad as it is a frank and fresh look at the pressures on girls from friends, family and society.


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