Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history.Written by
The Massie Twins
During the card game, Bridget's card reads "Genghis Khan". However, since the game was played entirely by Germans, they would have used the German spelling, "Dschingis Khan". (Also, when leaving the table, Bridget comments that she never would have guessed it and uses the English pronunciation, even though she's speaking German.) See more »
Col. Hans Landa:
So when the military history of this night is written, it will be recorded that I was part of Operation Kino from the very beginning as a double agent. Anything I've done in my guise as an SS Colonel was sanctioned by the OSS as a necessary evil to establish my cover with the Germans and it was my placement of Lieutenant Raine's dynamite in Hitler and Goebbels' opera box that assured their demise. By the way, that last part's actually true. I want my full military pension and benefits under my ...
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Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier and subsequent Tarantino films. See more »
An fun, engrossing, beautifully crafted piece of nonsense, the likes of which we hadn't seen in a long long time. The silliness of the story is marvelously camouflaged with great dialogue and some superb performances. Christoph Waltz must be thinking already about his acceptance speech. What a performance! The civilized monster, polyglot, refined and deadly. He gets us going from the first, sensational scene. Brad Pitt is also wonderful. Was he putting a Mussolinni chin while impersonating (hilariously) an Italian? I thought so. His character's name sounds like Aldo Ray and I'm sure that's no accident. The film is full of movie references. Another character is named Fenek, as an homage to his 1970's sexpot, Edwige Fenech. What is already one of Tarantino's trademarks is his sure step along the most immediately recognizable bits of pop culture. He's clearly not a cultured man but a pop expert, king in a world where people get their news from TV, don't read, other than magazines and comics, etc. That's how it happens, to be in the right place at the right time. For better or worse this are Tarantino times.
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