Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history.Written by
The Massie Twins
The name of Dieter Hellstrom is a reference to the Marvel Comics character Daimon Hellstrom, the Son of Satan (also known as Hellstorm). See more »
In the tavern scene there is a female Nazi sergeant. There were no female soldiers in the Third Reich, except of helpers for AA guns, medical orderlies, and aircraft mechanics in the Luftwaffe. See more »
The film uses the 1963-1990 Universal Pictures logo. See more »
In the German version the first "Who am I?" game in the tavern scene runs slightly (ca. 1 minute) longer. Specifically, 'Winnetou' gets to ask more questions on who he is. Later he orders Schnaps from Mathilda. See more »
Everything is forgiven because "Inglorious Basterds" is so entertaining and at the end of the day that'ìs what matters. I think it's a pity that certain critics, specially in Italy, are determined to transform this clever pulp director into some kind of god. Maybe, partly, because Tarantino has been very clever, elevating some of the Italian pulp movies of the 60's and 70's to a sort of cult status. Italy is very grateful for that, he's rewarded with interminable praise. I fear that's the wrong approach, it's also confusing. He makes popcorn movies, brilliantly. The characters have never anything important to say, Burger King, Superman, that's the extent of its depth and I think he's tapping into a society that's getting shallower and shallower with every passing year. But, if I'm mentioning this instead of talking about all the great things I could be saying about his movie is because there is a strange force trying to brain wash me into believing that Tarantino is the most important influence in movies since time immemorial. No, he's a great director of inconsequential fun movies. I consider myself a fan and I intend to see all his future movies. This one has some wonderful touches, winking at other movies by John Sturges, Robert Aldrich etc. Brad Pitt and in particular Christoph Waltz give wonderful performances. Waltz is at the center of my favorite scenes in the film. Enjoy this movies for what it is and not for what critics are saying it is. You'll enjoy it even more that way.
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