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Inglourious Basterds (2009)

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In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.

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Top Rated Movies #96 | Won 1 Oscar. Another 129 wins & 165 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Lt. Aldo Raine
... Shosanna
... Col. Hans Landa
... Sgt. Donny Donowitz
... Lt. Archie Hicox
... Bridget von Hammersmark
... Fredrick Zoller
... Sgt. Hugo Stiglitz
... Cpl. Wilhelm Wicki
... Marcel
... Pfc. Smithson Utivich
... Pfc. Omar Ulmer
... Major Hellstrom
... Perrier LaPadite
... Joseph Goebbels
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Storyline

In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by The Massie Twins

Plot Summary | Plot Synopsis

Taglines:

"We're in the Nazi killin' business and cousin, business is a-boomin'." See more »

Genres:

Adventure | Drama | War

Motion Picture Rating (MPAA)

Rated R for strong graphic violence, language and brief sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

21 August 2009 (USA)  »

Also Known As:

Inglorious Bastards  »

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend USA:

$38,054,676, 21 August 2009, Wide Release

Gross USA:

$120,540,719, 17 December 2009

Cumulative Worldwide Gross:

$313,600,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

The peculiar glove guns Donny (Eli Roth) and Omar (Omar Doom) use to breach Hitler's box, are known as Sedgley OSS .38s. They were originally designed as a last-resort weapon for U.S. Navy construction crews in the South Pacific. See more »

Goofs

In the tavern, the Gestapo major demonstrates his knowledge of German accents as if he had a superior talent for it. However, this isn't impressive at all, once you consider that the English language equivalent would be the ability to distinguish between accents from places such as Cornwall, Birmingham, Newcastle, Edinburgh etc. See more »

Quotes

Joseph Goebbels: [in German; subtitled] How many seats in your auditorium?
Francesca Mondino: [translates into French]
Shosanna Dreyfus: [in French; subtitled] Three hundred and fifty.
Francesca Mondino: [translates into German]
Joseph Goebbels: That's almost four hundred less than the Ritz.
Fredrick Zoller: [in German] But Herr Goebbels, that's not such a bad thing. You said yourself you didn't want to indulge every two-faced French bourgeois taking up space currying favor. With less seats it makes the event more exclusive. You're not trying to fill the house, they're fighting for seats. Besides, to ...
[...]
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Crazy Credits

Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier and subsequent Tarantino films. See more »


Soundtracks

IL MERCENARIO (ripresa)
(1968)
Written by Ennio Morricone
Performed by Ennio Morricone
Courtesy of EMI Music Publishing Italia srl
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Frequently Asked Questions

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User Reviews

 
No Matter How You Spell It
25 August 2009 | by See all my reviews

..."Inglorious" as our local theater decided to display its title on their marquee, minus the second word. It is terrific cinema.

I don't hesitate to recommend this film to all but the over-squeamish. Let them never know what they're missing.

I did hesitate to give it ten stars because of my experience of Tarantino's previous films. In every case, save "Reservoir Dogs," they have improved with additional watching.

So although I gave it ten stars, I did so reluctantly. It leaves me no "up" to go to.

Yes Christoph Waltz is the Nazi we've all imagined the worst to be. He is cultured, sophisticated, suave and most sadistic, the kind of man who can make a glass of milk a threat and who puts out his cigarette abruptly in a strudel, grinding it into the whipped cream as if he were grinding his heel into a victim.

To understand Tarantino's films, you need only have a sense of dialogue, color and pacing. The colors are as bright as necessary and when necessary, brighter yet. In the French farmhouse of the opening scene, they are muted and dark, but excessively so. Outside a brilliant sun is shining, but in the one room of the house, everything is bathed in shadows and black.

It is a brilliant setting for an interrogation by Waltz, as the "Jew Hunter" of the SS, who dangles his host French farmer over the precipice of revealing what he cannot reveal numerous times, then pulls him back with obsequious lines of friendship and understanding.

A second sadistic German, well-played by August Diehl, later functions as important actor in the final plot twist. Diehl's Nazi Major, who has an ear for German accents, is almost as good as Waltz....almost.

Film classes will study much from this movie. They should look lovingly at the superb pacing. Tarantino knows just how long to draw out a scene, building suspense in the manner of Hitchcock, then at just the breaking point, suddenly coming to a resolution.

For color, look for a final shot at a French Theater, where its secretly Jewish proprietor is staging a surprise for the upper reaches of Nazi leadership.

We see her, played by Melanie Laurent, awaiting the hated German dignataries who will arrive for a film preview of the latest Deutsch film masterpiece, a propaganda piece about a German hero and his dubious accomplishments.

Laurent is framed on a balcony, reflected in the glass mirrors of the gorgeous theater, her red lips and low cut dress reflecting everywhere the intensity of her designs on her guests. It is a single shot that would be worth an entire film.

There are thankfully many more such images, many more paced scenes of exquisite dialog and suspense.

In short, see it. I'm sure you'll see it again and again.


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