Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history.Written by
The Massie Twins
The film in which Fredrick Zoller appeared as himself is hardly a novel concept. Karl von Müller, a Navy Captain aboard the S.M.S. Emden in World War I, starred as himself in a 1932 feature film about his wartime exploits. See more »
When Landa orders the strudels, the server first puts the milk on the table, at which point the espresso is on the server's plate. In the next shot, the espresso is on the table already. See more »
Very entertaining, that's for sure. Great little moments "inspired" by other movies. "The Guns Of Navarone", "Operation Crossbow" and a myriad of 70's B exploitation Italian movies. Tarantino is certainly clever and knows how to use the camera but then, I have to say it, nothing. The childish "divertimento" dressed in smart ass dialog remains there. The entertainment value is, perhaps, the most one should expect from a movie but it seems a damn shame that such a talent should be put at the service of something so one dimensional. I can't help but remember Ernst Lubitch's "To Be Or Not To Be" that was also a comedy with remarkable, inventive dialog but it also had so many other layers that "To Be Or Not To Be" after 70 years still resonates with whoever has seen it. Christoph Waltz is terrific and Brad Pitt is always great fun to watch but the experience is purely epidermic in spite of some truly gruesome moments. Am I expecting oranges from an apple tree? If that's so forget what I've just said and run to meet Tarantino's basterds.
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