A former assassin known as The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.
In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history.Written by
The Massie Twins
Bela B.: The drummer of the German punk band Die Ärzte (The Doctors) appears as an usher at the movie premiere. He is known to be a huge fan of horror and Quentin Tarantino movies. See more »
La Padite starts his pipe and it should produce a decent billow of smoke to some of the air, but he soon puts it down and there is no trace of smoke anywhere in the small farmhouse. See more »
[in French; subtitled]
I am going to burn down the cinema on Nazi night. And if I'm going to burn down the cinema, which I am, we both know you're not going to let me do it by myself. Because you love me. And I love you. And you're the only person on this earth I can trust. But that's not all we're going to do. Does the filmmaking equipment in the attic still work? I know the film camera does. How about the sound recorder?
Quite well, actually. I recorded a new guitarist I met in a ...
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Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier and subsequent Tarantino films. See more »
Once again, revenge is at the center of a Quentin Tarantino movie. This time a Jewish dirty dozen takes things on their own hands. Tarantino re-writes history and shortens WWII with a comic stroke that is as entertaining as it is vacuous. A fantasy that re-arranges some controversial historical points. Okay, it's a movie and as such it works for most of its two and a half hours. Christoph Waltz opens things up in the most promising way. The opening sequence is filled with a subtle but unbearable tension. Weltz amalgamates all the Nazi villains we have loved and hated in the movies into one glorious creation. (I will advise my countrymen to see it in its original multi-language version - the Italian version is another movie altogether. Some of the extra pleasures are in the dialog that, naturally, are not to be found in the Italian version) Brad Pitt, rapidly becoming one of the best character actors in the world, with a leading man's face and billing, is truly fantastic. Diane Kruger makes a credible Barbara Bouchet (one of Tarantino's muses from trash action Italian movies from the 70's) and the rest of the cast has some exquisite touches like Rod Taylor as Winston Churchill. Highly recommended for a Sunday afternoon.
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