The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history.Written by
The Massie Twins
The war hero, Frederich Zöller, playing himself onscreen is not unprecedented. Karl von Müller, a Navy Captain aboard the S.M.S. Emden in World War I, starred as himself in a 1932 feature film about his wartime exploits. See more »
On the map behind Adolf Hitler is Turkey shown as "Ottomanien", is German for Ottoman empire. Since 1923 Ottoman Empire is replaced by the republic of Turkey. See more »
Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier and subsequent Tarantino films. See more »
In the German version, the French dialogs referring to English language ("anglais") have been re-dubbed to refer to German ("allemand"), as English dialogs have been dubbed into German. Also, in the scene with Private Butz the translations from German into English and vice versa have been re-dubbed into ironic comments by Wilhelm Wicki (which would not make sense otherwise, as both Aldo Raine and Pvt. Butz are talking German in the German dub). See more »
This movie was garbage. A pretentious, self-indulgent mess. It consisted of interminable dialogue and a paper-thin plot stretching out over nearly three hours. Booooooooring! I realize that this movie was not supposed to be a flat-out action film, but, come on people, the ad campaign for this film was incredibly misleading. And another thing: why do the opening credits have to be modeled after a film from the 60s or 70s? For what possible reason? In Jackie Brown and Death Proof it made sense, as each was an homage to styles past. But why do it for this one? Yes, Quentin, we know what a big fan of these eras you are. We get it. Move on. And why the cartoon title over Hugo what's-his-name? Tarantino didn't do much else like this in the film. It just threw it off balance for me. What'd he make this stuff up as he went along? And is it true that Tarantino rushed production to get the movie done in time to compete at Cannes? If so, that is the dumbest and most narcissistic thing I've ever heard. I'm tired of listening to this guy talk about how much god-given talent he has. Make an entertaining movie, for pete's sake! Reign yourself in! The movies you make shouldn't just be for you and Eli Roth and Robert Rodriguez to watch and pat each other on the backs after. It's getting old, people. Does ANYBODY agree with me, or does everyone still think this guy is God because he had Travolta and Jackson talking about cheeseburgers before killing somebody?
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