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Notre musique (2004)

Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times.

Director:

Jean-Luc Godard

Writer:

Jean-Luc Godard

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1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sarah Adler ... Judith Lerner
Nade Dieu Nade Dieu ... Olga Brodsky
Rony Kramer Rony Kramer ... Ramos Garcia
Simon Eine Simon Eine ... Ambassador
Jean-Christophe Bouvet ... C. Maillard
George Aguilar ... Indian
Ferlyn Brass Ferlyn Brass ... Himself
Leticia Gutiérrez Leticia Gutiérrez ... Indian
Aline Schulmann Aline Schulmann ... Spanish Translator
Jean-Luc Godard ... Himself
Juan Goytisolo Juan Goytisolo ... Himself
Mahmoud Darwich Mahmoud Darwich ... Himself
Jean-Paul Curnier Jean-Paul Curnier ... Himself
Pierre Bergounioux Pierre Bergounioux ... Himself
Gilles Pecqueux Gilles Pecqueux ... Himself
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Storyline

"Notre Music" is divided in three kingdoms: Hell, Purgatory and Paradise like in the Dante's Inferno in the Divine Comedy. Hell shows footages of many wars; Purgatory mixes reality and fiction in Sarajevo; and Paradise is a surrealistic view of a beach "protected" by the American Marines. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

France | Switzerland

Release Date:

19 May 2004 (France) See more »

Also Known As:

Our Music See more »

Filming Locations:

Bosnia-Herzegovina

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Box Office

Opening Weekend USA:

$8,210, 28 November 2004, Limited Release

Gross USA:

$139,922, 22 May 2005
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Quotes

Jean-Luc Godard: Killing a man to defend an idea isn't defending an idea, it's killing a man.
See more »

Connections

Features Kiss Me Deadly (1955) See more »

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User Reviews

 
Godard makes sense of it all.
8 July 2005 | by fredjohnjohnSee all my reviews

I am not sure if this amazing film has only just got into the Art Cinema Circuit here. Seeing it some 36hrs after the London Bombings was to experience something quite extraordinary and to confirm JLG as a filmmaker of unique relevance. If you haven't seen it-Get out there NOW.You will be probably appreciate it more if you haven't read any other reviews!JLG chooses a rather complex framework for this study of violence and the Human Condition.Indeed his own appearance within the film as JLG-auteur,could distract from the hugely powerful simplicity of any one of several interlocking "stories",in the end however my companion and I felt that this was the pinnacle of our 25years of film-going.Cheers and be excellent to .......!


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