In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A giant, reptilian monster surfaces, leaving destruction in its wake. To stop the monster (and its babies), an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann is its grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. But Carl has another plan in mind.Written by
In the chasm scene, when Lumpy is fighting off worm-like creatures, we can see that his sword is made of rubber. See more »
That's a funny one. Isn't that funnier?
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The end credits are set against an art deco backdrop rather than the traditional black screen. The backdrop is an exact replica, in Technicolor, of the same backdrop that was used for the opening credits in the 1933 version of "King Kong". See more »
I am not one of those classic buffs that automatically dislikes a re-make. Hey, sometimes they are better.....sometimes. This is definitely NOT one of those cases. Of course the special effects far more advanced than something in the 1930s but, other than that, the original is far better than this one, in story and in likable and believable characters and beasts. This could have been have super - a fabulous and memorable re-make - but director Peter Jackson went the way of most filmmakers and media people of today........meaning OVERKILL a story.
Instead of King Kong fighting one dinosaur, he fights about a half dozen, sometimes while hanging on to cliffs with one hand and squeezing the heroine in the other!! Instead of being chased by one wild beast, a stampede occurs against the island visitors! Instead of causing a traffic pileup in New York city, we get dozens of car crashes at every intersection. Instead of zero profanity, we now get 20 blatant uses of the Lord's name in vain. Instead of an action-packed two hour film we get three hours.....you get the point.
As Jackson did in the final Lord Of The Rings trilogy after two super films, he screws it up by doing everything in excess. That's two films in a row for him in which the violence goes on so long and is so cartoon-like, it has no credibility and turns off most of the audience long before the movie ends.
Not only is the audience insulted and dumbed-and-numbed down with the ridiculous action scenes in here, we are supposed to believe that young-and-pretty "Anne Darrow" (Naomi Watts) quickly gets over any fear of this giant ape (which should have scared the crap out of her the entire way). In no time, she's entertaining Kong with vaudeville acts and cartwheels! And, by the end of the film, is in love with him. We sit through an interminably-long last 5-10 minutes watch "beauty and the beast" staring at each other with moist eyes before Kong gives it up.
When compared to the original - and what COULD have been produced here, this re-make is sickening. What a disappointment!
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