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King Kong (2005)

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In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.

Director:

Peter Jackson

Writers:

Fran Walsh (screenplay), Philippa Boyens (screenplay) | 3 more credits »
Popularity
996 ( 253)
Won 3 Oscars. Another 43 wins & 100 nominations. See more awards »

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Cast

Cast overview, first billed only:
Naomi Watts ... Ann Darrow
Jack Black ... Carl Denham
Adrien Brody ... Jack Driscoll
Thomas Kretschmann ... Captain Englehorn
Colin Hanks ... Preston
Andy Serkis ... Kong / Lumpy
Evan Parke ... Hayes
Jamie Bell ... Jimmy
Lobo Chan ... Choy
John Sumner ... Herb
Craig Hall ... Mike
Kyle Chandler ... Bruce Baxter
William Johnson William Johnson ... Manny
Mark Hadlow ... Harry
Geraldine Brophy ... Maude
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Storyline

Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann is its grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. But Carl has another plan in mind. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

The eighth wonder of the world.


Motion Picture Rating (MPAA)

Rated PG-13 for frightening adventure violence and some disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

New Zealand | USA | Germany

Language:

English

Release Date:

14 December 2005 (USA) See more »

Also Known As:

Peter Jackson's King Kong See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended edition)

Sound Mix:

Dolby Digital EX | SDDS | DTS-ES

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

King Kong's roar is a lion's roar played backwards at half speed. See more »

Goofs

In the chasm scene, when Lumpy is fighting off worm-like creatures, we can see that his sword is made of rubber. See more »

Quotes

[first lines]
Manny: [practicing sneezes] That's a funny one. Isn't that funnier?
See more »

Crazy Credits

The end credits are set against an art deco backdrop rather than the traditional black screen. The backdrop is an exact replica, in Technicolor, of the same backdrop that was used for the opening credits in the 1933 version of "King Kong". See more »

Connections

Featured in Smagsdommerne: Episode #2.17 (2005) See more »

Soundtracks

Bye Bye Blackbird
Written by Mort Dixon, Ray Henderson
Performed by Peggy Lee
Courtesy of Geffen Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more »

User Reviews

Attempts at depth are worthy enough even if they don't work but the rest still produces a commendable special effects blockbuster
28 May 2006 | by bob the mooSee all my reviews

1933 New York and two people find themselves in difficult circumstances, albeit for different reasons. Carl Denham is a movie producer who wants to make his big picture but finds the studio unwilling to support him. Ann Darrow is an actress who has hit hard times and is one meal away from having to become a performer in a seedier version of "acting". While frantically searching for an actress that he can quickly convince to come on a mystery voyage to shoot on a distant island, Carl meets Ann and convinces her to come along on the strength of the involvement of writer Jack Driscoll. After an eventful journey, they arrive at the island but to suggest that they face a "troublesome" shoot is a real understatement.

In my 12 hour wait for my "First Class" seat for a transatlantic flight to America I discovered that "First Class" to Continental means "you pay lost more cash but we extend you just the same (dis)courtesy as the economy passengers". With my laptop with me I was at least able to find some distraction with a DVD copy of King Kong. Although I'm sure it loses something by being seen on a comparatively small screen I still enjoyed the film as a big budget b-movie, which is pretty much what it was. Sure, Jackson may have had aspirations to deepen the story and bring real pathos out of his "characters" but he doesn't particularly pull it off and most of the viewers will have been there for the big effects rather than the chance to explore the emotions within a cinematic legend. So in this regard the film works by kicking out the action after a comparatively slow start where we spend a lot of time with lesser characters who don't matter that much in the wider context of the narrative.

However when the action comes it is slick, noisy and visually impressive. The only thing I did have a problem with was how hollow it all was. Jackson does attempt to develop a tender relationship between Kong and Ann, but the material struggles to deliver the goods and all that we are left with is lots of "meaningful" looks as the pair get some sort of unspoken (and unseen!) understanding. At this level the film didn't really engage me – I respected what he was trying to do with it, but I'm afraid I can't relate to those who claim to have cried and felt so much from this "beautiful" relationship.

Faced with such big effects, noise and spectacle, the cast cannot do much other than try and hold their own. Watts has the hardest role as she tries to react and bond with a creature that was never actually there with her in reality – only in a computer. When you remember this, her performance is pretty commendable but when I was watching the film I must admit that I thought she relied far too much on staring and looking sad or having a half-smile on her face; she still did as well as one could have hoped but again I don't get the claims that she was brilliant here when she clearly wasn't. Black and Brody are very much supporting performances that have little to do; Brody didn't suit his role and Black never convinced as a larger than life movie producer. Yet again Serkis does a good job to bring an effect to life although for obvious reasons he is nowhere near as good as he was in the Lord of the Rings films and he can only do so much with expressions.

Overall then a solidly enjoyable blockbuster that produces plenty of noise, action and impressive visual effects. The attempts at depth and meaning are laudable and do add something to the mix but I'm afraid that it doesn't really work as well as some viewers have claimed. Still worth seeing as a blockbuster experience though, despite some of the flaws inherent in the approach and the rather cumbersome running time.


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