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Walk the Line (2005)

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A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis, and Carl Perkins.

Director:

James Mangold

Writers:

Johnny Cash (book), Johnny Cash (book) | 2 more credits »
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Popularity
458 ( 179)
Won 1 Oscar. Another 44 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joaquin Phoenix ... John R. Cash
Reese Witherspoon ... June Carter
Ginnifer Goodwin ... Vivian Cash
Robert Patrick ... Ray Cash
Dallas Roberts ... Sam Phillips
Dan John Miller ... Luther Perkins
Larry Bagby ... Marshall Grant
Shelby Lynne ... Carrie Cash
Tyler Hilton ... Elvis Presley
Waylon Payne ... Jerry Lee Lewis (as Waylon Malloy Payne)
Shooter Jennings ... Waylon Jennings
Sandra Ellis Lafferty ... Maybelle Carter
Dan Beene Dan Beene ... Ezra Carter
Clay Steakley ... W.S. 'Fluke' Holland
Johnny Holiday ... Carl Perkins
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Storyline

While growing up in the Great Depression era, Johnny Cash takes an interest in music and eventually moves out of his Arkansas town to join the air force in Germany. While there, he buys his first guitar and writes his own music, and proposes to Vivian. When they got married, they settled in Tennessee and with a daughter, he supported the family by being a salesman. He discovers a man who can pursue his dreams and ends up getting a record with the boys. Shortly after that, he was on a short tour, promoting his songs, and meets the already famous and beautiful June Carter. Then as they get on the long-term tours with June, the boys, and Jerry Lee Lewis, they have this unspoken relationship that grows. But when June leaves the tour because of his behavior, he was a drug addict. His marriage was also falling apart, and when he sees June years later at an awards show, he forces June to tour with them again, promising June to support her two kids and herself. While the tour goes on, the ... Written by kayleigh

Plot Summary | Add Synopsis

Taglines:

Love is a burning thing.


Motion Picture Rating (MPAA)

Rated PG-13 for some language, thematic material and depiction of drug dependency | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany

Language:

English | Russian

Release Date:

18 November 2005 (USA) See more »

Also Known As:

Cash See more »

Filming Locations:

Arkansas, USA See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$22,347,341, 20 November 2005

Gross USA:

$119,519,402

Cumulative Worldwide Gross:

$186,438,883
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Despite what was depicted in the movie, Johnny Cash actually had a drug problem throughout his entire adult life, going only a few years in between without taking any drugs. See more »

Goofs

When Johnny walks back from the Carter house, he is near a railroad crossing. The scene is set in the 1960s, but modern crossing gates are shown. In addition, a signal shanty with a white light on the front is to the right of the crossing. The shanty didn't exist in the 1960s. The white light, a sign that the power is on, was introduced in the 1990s. See more »

Quotes

[first lines]
Warden: M-Mr. Cash? M-Mr. Cash?
See more »

Crazy Credits

In the opening credits, Robert Patrick's name appears to pass through the prison bars, like his T-1000 character did in Terminator 2: Judgment Day. See more »

Alternate Versions

Originally released on DVD in its theatrical incarnation. An extended cut, adding about 16 minutes worth of additional footage into the movie, was released later on. The French Blu-Ray version contains the extended cut, while the American version contains the theatrical version. See more »

Connections

Referenced in Blackcatloner Reviews: The Wolverine (2017) See more »

Soundtracks

Highway '61 Revisited
Written and Performed by Bob Dylan
Courtesy of Columbia Records
By Arrangement with SONY BMG MUSIC ENTERTAINMENT
See more »

Frequently Asked Questions

See more »

User Reviews

 
the best film of 2005
4 September 2005 | by hemphill-1See all my reviews

I've long thought that James Mangold was one of the most underrated American directors; while other acclaimed auteurs like Wes Anderson and David Gordon Green have made names for themselves by essentially repeating themselves with each film, Mangold has attracted considerably less attention for actually having the gall to show some range. Like the great directors of the Hollywood studio system, Mangold shows visual and narrative skill across a wide array of genres: character-driven crime (COPLAND); horror (IDENTITY); issue-oriented drama (GIRL INTERRUPTED), etc. What each of these films shares in common is a stunningly elegant and expressive visual style, an attention to character reminiscent of Renoir, and an economy of storytelling that would make Howard Hawks envious.

Now Mangold has delivered his masterpiece, and it's the best studio release I've seen so far this year. WALK THE LINE, Mangold's story of the relationship between Johnny Cash and June Carter, is deliriously romantic, exhiliratingly entertaining (as a musical it invites and earns comparison with the best of Vincente Minelli), and profoundly moving--all set to a spectacular soundtrack. Joaquin Phoenix and Reese Witherspoon are both brilliant as Cash and Carter, but not only in the ways you would expect. Their most impressive achievement is to convincingly portray two people falling in love in a manner that's sincere and sweet but never cheaply sentimental. This is the most unabashedly romantic American movie since THE NOTEBOOK, but it's totally authentic and lacking in melodrama; the subtlety with which Mangold and his performers delineate the one step forward, two steps back nature of Cash and Carter's love affair is staggering. Phoenix is particularly brilliant, not only in the romantic scenes but in moments in which Cash discusses his brother's early death; in these scenes the major tragedies of both the character and the performer's lives merge in a way that is heartbreakingly real. And the movie gets across the intoxicating nature of creative collaboration between two people in love better than any film I've ever seen--perhaps no coincidence given that Mangold and his closest collaborator, producer Cathy Konrad, are married. I could (and will) go on about this movie for hours, but let's just say that it's the movie to beat for the rest of the year.


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