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6.0/10
4.7K
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Two high school boys, reenacting historic battles, use learned strategy and team up for war on a school bully. One falls for the other's sister.Two high school boys, reenacting historic battles, use learned strategy and team up for war on a school bully. One falls for the other's sister.Two high school boys, reenacting historic battles, use learned strategy and team up for war on a school bully. One falls for the other's sister.
Shia LaBeouf
- Kelly Ernswiler
- (as Shia La Beouf)
Dale R. Simonton
- Todd
- (as Dale Simonton)
- …
Ellis Williams
- Charlie Hayes
- (as Ellis E. Williams)
Dana Wheeler-Nicholson
- Mathilda
- (as Dana Wheeler Nicholson)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a great little film, about 1000 times better than anyone could have
expected, given the tumultuous "Project Greenlight" backstory and the fact that it was written and directed by novices. The concerns of being too melodramatic
were obviously addressed and taken seriously, given the fact that many scenes -- including the brick wall scene with the father, the group hug and Shia's crying in the hospital -- were all mercifully absent from the version I saw last night at the Arclight, where the filmmakers were in attendance to answer questions.
Also contributing to the film's success were good camerawork, excellent editing, a brisk pace, and a score that, while instrumentally reminiscent of "American Beauty" (in both its use of tablas and quiet piano notes during the romantic
scenes) helped tremendously in conveying teenage angst and confusion.
"Project Greenlight" may seem a rare and wonderful treat for struggling
filmmakers, but it also must be an ungodly ordeal, given not only the media
attention, but the difficulty of the assignment itself (Pete Jones managed, also remarkably, to come through relatively unscathed last year, though his film was not as good as this one).
So whatever you want to say about these guys (and there seems to be quite a
bit of animosity and, understandably, jealousy), the bottom line is they survived making a first feature without going insane, and did it while a documentary crew followed their every move, publicly recording their best and worst moments. To me, that alone is a remarkable achievement, and as a filmmaker myself, I can
guarantee that most moments on a low budget first feature are far less than
great.
As I told them last night before the Q and A, they should be extremely proud of what they accomplished, no matter how the film came out. The fact that it's a funny, entertaining and -- in my view, well-directed -- entry into the coming-of- age genre is merely icing on the cake, and LA and New York Times critics can
be damned -- because they've never made a film, and never will.
Kyle, Efram and Erica, I congratulate you, and wish you the best of luck.
expected, given the tumultuous "Project Greenlight" backstory and the fact that it was written and directed by novices. The concerns of being too melodramatic
were obviously addressed and taken seriously, given the fact that many scenes -- including the brick wall scene with the father, the group hug and Shia's crying in the hospital -- were all mercifully absent from the version I saw last night at the Arclight, where the filmmakers were in attendance to answer questions.
Also contributing to the film's success were good camerawork, excellent editing, a brisk pace, and a score that, while instrumentally reminiscent of "American Beauty" (in both its use of tablas and quiet piano notes during the romantic
scenes) helped tremendously in conveying teenage angst and confusion.
"Project Greenlight" may seem a rare and wonderful treat for struggling
filmmakers, but it also must be an ungodly ordeal, given not only the media
attention, but the difficulty of the assignment itself (Pete Jones managed, also remarkably, to come through relatively unscathed last year, though his film was not as good as this one).
So whatever you want to say about these guys (and there seems to be quite a
bit of animosity and, understandably, jealousy), the bottom line is they survived making a first feature without going insane, and did it while a documentary crew followed their every move, publicly recording their best and worst moments. To me, that alone is a remarkable achievement, and as a filmmaker myself, I can
guarantee that most moments on a low budget first feature are far less than
great.
As I told them last night before the Q and A, they should be extremely proud of what they accomplished, no matter how the film came out. The fact that it's a funny, entertaining and -- in my view, well-directed -- entry into the coming-of- age genre is merely icing on the cake, and LA and New York Times critics can
be damned -- because they've never made a film, and never will.
Kyle, Efram and Erica, I congratulate you, and wish you the best of luck.
I don't know if it was the script...or the directing...or the behind the scenes things that the Hollywood Producers did that we don't know about...but I didn't like this film...mainly because I didn't believe it...I didn't believe one minute of this film...everything seemed fake. Project Greenlight has now used 2 scripts that people don't want to see...There wasn't one scene in Shaker heights that rang true to me...
Shia can act. William Sadler can act. Kathleen Quinlan can act. Amy smart can act. Actors do what directors tell them to do, they must trust the vision of the director(s). That is where this picture went terribly wrong.
I saw the 7:45 show at Denver's Chez Artist Theater. This was the last day of the run and the second to last show. There were three other people in the audience. At $8.50 a ticket that's a whopping $34 for that screening. (hardly the $20K Rick Schwartz wanted).
I had read the original script and the changes made to the script. Frankly I wasn't incredibly inpressed. I watched Project Greenlight and made 2 noteworthy observations. The directors wer very petty and unprofessional. Project Greenlight seemed to be more concerned with creating drama for their reality show than they were in creating a quality film.
In comparison I did watch the first season of Project Greenlight and Stolen Summer. Stolen Summer, as a finished product, was a much better movie than I expected. Shaker Heights wasn't.
In the battle of Shaker Heights the character of Kelly wasn't likeable. He was a disrespectful smart ass in school. He treated his dad like a leper. The attractive girl in the supermarket that liked him he threw canned goods at. Why did she like him? Most reactions looked over acted. Characters didn't act in believeable ways. I was never pulled into the story.
The opinions of the final film expressed by the producers in the final make me wonder if they have made a career of winging confidently talking out of their butts.
I saw the 7:45 show at Denver's Chez Artist Theater. This was the last day of the run and the second to last show. There were three other people in the audience. At $8.50 a ticket that's a whopping $34 for that screening. (hardly the $20K Rick Schwartz wanted).
I had read the original script and the changes made to the script. Frankly I wasn't incredibly inpressed. I watched Project Greenlight and made 2 noteworthy observations. The directors wer very petty and unprofessional. Project Greenlight seemed to be more concerned with creating drama for their reality show than they were in creating a quality film.
In comparison I did watch the first season of Project Greenlight and Stolen Summer. Stolen Summer, as a finished product, was a much better movie than I expected. Shaker Heights wasn't.
In the battle of Shaker Heights the character of Kelly wasn't likeable. He was a disrespectful smart ass in school. He treated his dad like a leper. The attractive girl in the supermarket that liked him he threw canned goods at. Why did she like him? Most reactions looked over acted. Characters didn't act in believeable ways. I was never pulled into the story.
The opinions of the final film expressed by the producers in the final make me wonder if they have made a career of winging confidently talking out of their butts.
The film was one of those small films that packed a lot of heart. I felt everything that Kelly(Shia LaBeouf) was going through. A parent that doesn't care effects the child I don't care what they say. It hurts because are suppose to be there for their children no matter what. It had it's funny moments too because laughter is human nature. The love triangle worked too. It wasn't too long or too short. So that helped me really like the film. I recommend this film to anyone. Especially up and coming filmmakers. I also enjoyed watching it being made, and this is also the reason Shia is a star. In 2003, Holes, this, and "The Even Stevens Movie" is what made him huge overnight, and I really think people should recognize that.
Oh, how I tried to love this movie. I was so emotionally invested in Project Greenlight, and although the directors seemed like idiots, they weren't evil idiots.
It turned out to be an okay movie, which is almost worse than being awful. There were a few laughs, but for the most part I didn't care about the characters in the movie nearly as much as the "characters" in Project Greenlight, and that is the problem that I have with it. If someone has to see Project Greenlight in order to care about the movie, then the movie failed.
It turned out to be an okay movie, which is almost worse than being awful. There were a few laughs, but for the most part I didn't care about the characters in the movie nearly as much as the "characters" in Project Greenlight, and that is the problem that I have with it. If someone has to see Project Greenlight in order to care about the movie, then the movie failed.
Storyline
Did you know
- TriviaBilly Bob Thornton was offered the part of Abe but was unavailable. Bill Paxton turned the part down. Gary Cole auditioned and was offered the part but he could not fit it into his schedule. Christopher McDonald was cast in the role the night before filming started. While McDonald was on the set, he discovered that he could not fit it into his schedule. The role was then offered to Christopher Lloyd but he turned it down to do Haunted Lighthouse (2003). The role was finally given to William Sadler, who arrived on set and had only 60 minutes to meet and form a relationship with Shia LaBeouf before their big emotional scene together.
- GoofsWhen Kelly is talking to Miner just before the wedding starts, the epaulet on his jacket goes from being untucked to tucked under the collar even though both of his hands are on the bicycle.
- Quotes
Kelly Ernswiler: [about his father] He's a VH1 documentary without the music.
- ConnectionsReferenced in Eagle Eye (2008)
- SoundtracksWhen You're Falling
Written and Performed by the Afro Celt Sound System
Featuring Peter Gabriel
Courtesy of Real World Records Ltd. / Virgin Records Ltd. & Geffen Inc.
- How long is The Battle of Shaker Heights?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Битва під Шейкер Хейтс
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $280,351
- Opening weekend US & Canada
- $42,569
- Aug 24, 2003
- Gross worldwide
- $280,351
- Runtime1 hour 19 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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