A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.
About to stay a summer internship, promising younng medical student, Raymond Aibelli's mother, Susan, breaks her leg. Housebound and immobile, his father, Tom makes Raymond stay home, and ... See full summary »
David O. Russell
Filmmakers Tricia Regan, David O. Russell and Juan Carlos Zaldivar interview dozens of people about the 2004 Iraq war, including soldiers, journalists, politicians, psycholgists, and even a... See full summary »
A small town waitress gets a nail accidentally lodged in her head causing unpredictable behavior that leads her to Washington, D.C., where sparks fly when she meets a clueless young senator who takes up her cause - but what happens when love interferes with what you stand for?
David O. Russell
Raymond L. Brown Jr.,
With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou (Bill Murray) rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
Determined to solve the coincidence of seeing the same conspicuous stranger three times in a day, Albert hires a pair of existentialist detectives, who insist on spying on his everyday life while sharing their views on life and the nature of the universe.Written by
Dawn (Naomi Watts) says "Wake up, pretty girl!" to Heather (Isla Fisher), the exact line that's spoken to Naomi Watt's character by The Cowboy (Monty Montgomery) in Mullholland Drive (1999). See more »
Most cars in the movie have obvious "prop" license plates (with blue and white shading, and no State name, as if to obscure the intended setting.) However, numerous cars are seen to have California plates - often cars not under the control of the production team, for example, driving by on the roads. In one scene in the parking lot, all of the cars in the "background" have California plates, all of the cars in the "foreground" have prop plates. See more »
[Blurry shot of tree]
[Albert's thoughts are voiced aloud to us, but not the audience on camera]
Mother-fucking, cocksucker, mother-fucking, shit-fucker, what am I doing?
[Albert walks out from behind tree, towards camera. As he gets closer to the camera the scene comes into focus]
What am I doing? I don't know what I'm doing. I'm doing the best that I can. I know that's all I can ask of myself. Is that good enough? Is my work doing any good? Is anybody paying attention? Is it ...
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This film was amazing. I'm still not sure if I've completely figured it out, but I thoroughly enjoy the attempt. The entire trip was something fully unexpected from the barrage of F-bombs that makes up the first five minutes to the alluded to (but nonetheless unexpected) cameo of Shania Twain. It's near impossible to explain what the film is actually about in this space, so you'll have to settle for this: The always hilarious Lily Tomlin and the wonderful Dustin Hoffman play a couple of "existential detectives" hired by Jason Schwartzman (in perhaps his best role) to investigate a series of "coincidences" involved a very tall African man. Schwartzman is the head of an environmentalist group trying to make a deal with the Huckabees department store to save a marsh (Jude Law plays the Huckabees exec and Naomi Watts his wife--a Huckabees commercial model). Mark Wahlberg shows one of his best performances thus far as a fireman who has also hired the "existential duo" for help with the Big Questions. Jon Brion provides yet another truly original score (not as eccentric and beautiful as Eternal Sunshine, but definitely more involved than Punch Drunk Love). In short, this film is a masterpiece for everyone involved.
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