Two bumbling store clerks inadvertently erase the footage from all of the tapes in their video rental store. In order to keep the business running, they re-shoot every film in the store with their own camera, with a budget of zero dollars.
Following the death of his father in Mexico, Stéphane Miroux, a shy insecure young man, agrees to come to Paris to draw closer to his widowed mother Christine. He lands a boring job at a calendar-making firm and falls in love with his charming neighbor Stéphanie. But conquering her is no bed of roses for the young man and the only solution he finds to put up with the difficulties he is going through is escape into a dream world...Written by
Michel Gondry didn't use any chroma keys in this film (excepts the one you see explicitly in Stephane TV), but he screened the FX sequence (already done before the shooting with step-by-step method) behind the actors, so that they could see it and not imagine it, which gives them a different way of playing their parts. See more »
¡Un, dos, tres, cuatro!
[Stéphane plays the drums, then the piano, then moves the cameras. "Stéphane TV"]
Hi, and welcome back to another episode of "Télévision Educative". Tonight, I'll show you how dreams are prepared. People think it's a very simple and easy process but it's a bit more complicated than that. As you can see, a very delicate combination of complex ingredients is the key. First, we put in some random thoughts. And then, we add a little bit of reminiscences of the ...
[...] See more »
Written by Richie James Eaton
Performed by The Willowz
(c) 2005 Richie James Eaton Music BMI, Alex Nowicki Music BMI, Jessica Reynoza Music BMI,
Dan Bush Music BMI
(p) 2005 Richie James Eaton
Taken from the album "Talkincircles" issued by Sympathy for the Record Industry (2005) See more »
This is a perfect example of a love-it-or-hate-it movie simply because its very nature means it's somewhat plot less -- we're constantly unsure if what we're seeing on the screen is really real or just in Gael Garcia Bernal's dreams, and some moviegoers abhor uncertainty, hence I think the large number of "1" votes for this flick. (Also, the film is ostensibly foreign, but moves from French to English with equal measure, with a little bit of Spanish tossed in, too. So maybe the shifts in language also irked some people, but I found it enchanting.) So don't let those low votes fool you; this is a beautiful, sublime film, and if you let yourself go onto its wavelength, you'll most likely find yourself *enjoying* the (perhaps unsolvable) visual puzzle Michel Gondry has created here. It is the quintessence of magical realism, and yet everything comes across as absolutely effortless, unlike the forced whimsy of, say, last year's Charlie and the Chocolate Factory or the too-clever-by-half Adaptation. I dare say it's probably one of the best films of the year.
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