Filmmaker Lars Von Trier challenges Jørgen Leth, the filmmaker behind The Perfect Human (1967), to remake his classic short under circumstances of increasing constraint.Filmmaker Lars Von Trier challenges Jørgen Leth, the filmmaker behind The Perfect Human (1967), to remake his classic short under circumstances of increasing constraint.Filmmaker Lars Von Trier challenges Jørgen Leth, the filmmaker behind The Perfect Human (1967), to remake his classic short under circumstances of increasing constraint.
The movie is based upon the reconstruction of Leth's 1967 work The Perfect Human ( De Fem benspænd ). This 1967 black and white film is starkly minimalist and humourous detailing a Danish point of view - an analysis of a perfect human and how the perfect human acts and interacts with the world. Within the film are two characters : a man and a woman each shot separately and each probed by the camera. How the perfect human eats. How the perfect human lies down. How he falls. This is the human eye. This is the perfect human's ear, eye, knee.
The Perfect Human is the perfect film.
The dialogue between Leth and Van Trier shot in the year 2001 is humourous and philosophical. Van Trier sets out to challenge Leth by making his recreate The Perfect Human but under Van Trier's terms.
The first obstruction for instance is to have shots with no more than 12 frames each, it has to be shot in Cuba and with no set. The audience laughs as each point of the obstruction is set upon the screen.
The camera crew follows Leth around the world and records his reactions to the challenge and the process of how he sets to film the First Obstructions in Cuba. He finds the concept of 12 frames monumentously crazy. He has to find the perfect humans to cast in the country, a country he has never been to. He comes back to Denmark and they view the result: an exquisite little film which is surprising and beautiful.
The rest of the film poses the rest of the Five Obstructions - each a result of Van Trier's subsequent reactions to the films that Leth brings back.
The conversation between the two is akin to a psychoanalyst and his patient yet the two are friends. There is much laughter and delight and the results of the five obstructions are pristinely beautiful. You also get to see Van Trier's ego at work and the wheels spinning as Leth responds to the challenge. The overall film of The Five Obstructions in itself is a delight and a learning experience that should not be missed.
- Sep 11, 2003