Brigitte's on the run from Bailey Downs, and she tries to prevent what happened to her sister, Ginger, from happening to her by shooting up with monkshood. Eventually she collapses and the police that find assume the monkshood is an illegal drug, and she is sent to rehab. She is deprived of the only thing that will stop her from turning into a beast and killing everyone and everything in her way. She meets a girl who is quiet and not well-liked, and much like herself, by the name of Ghost that helps her deal with her new problem and to escape the werewolf curse.Written by
The dilapidated hospital used in filming is located in Edmonton, Alberta, Canada and was built in 1967. It had not been in use for many years. It is named Charles Camsell; named after Canadian Geologist, Charles Camsell (February 8, 1876 - December 19, 1958). See more »
On the scene where Tyler injects Brigitte for the first time at the mental hospital, the content of the syringe varies from 1/3 to almost 1/2 full. See more »
[throws penny at Ghost's head and laughs, everyone else joins in]
This is getting so boring.
It's an ancient game, the throwing of pennies at the local moron or midget!
I can't see the TV
[laughing and throwing continues]
I said I can't see the TV!
[grabs Beth-Ann and slams her into a wall]
Would you like me to throw YOU at her head?
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No animals or werewolves were harmed during the making of this film. See more »
Both the US and Canadian DVD releases contain deleted scenes. The additional footage is as follows.
Additional footage during the opening scene showing Brigitte walking along the street before entering the library and walking to the back row.
An alternate introduction for Ginger. Brigitte marks in her journal the time it took her latest wound to heal. Ginger appears on the bed behind her, reading a book and telling Brigitte that the monkshood isn't a cure.
When Brigitte wakes up in the clinic, she bangs on her door to get someone's attention. Ghost sees her and walks up to the door. Through the door's window, Ghost tells Brigitte that she's in "Oscar Hamilton's Body Farm," and that the doctors are going to harvest Brigitte's limbs. She also tells Brigitte that she is lucky, and that the doctors only want Brigitte's feet. Ghost then points to Barbara in the full body gauze, and says that the doctors took all of Barbara's skin. Ghost then hears Alice approaching and runs away.
After her failed attempt to escape, Brigitte gets escorted back to her room by Tyler. Along the way, Alice tells her that there are no easy escapes.
Brigitte uses a piece of meat in her dinner to lure the dog to her door. Tyler and Ghost follow. Brigitte asks Tyler to let her out. He refuses. Outside, Ghost feeds the piece of meat to the dog.
The dog barks at Brigitte as she walks down the hall. She reaches out to pet it, and the dog pees. A counselor asks Ghost why she brought the dog inside, and Ghost says because "Rocky knows evil."
Alice talks to Brigitte and offers her a deal. Brigitte's door will be unlocked if Brigitte agrees to spend some social time with the other girls.
Alice tells Brigitte a story of when she was a junkie. After Alice leaves, Brigitte makes herself vomit on her gown so the nurse will let her take a bath.
Brigitte now has the virus in her blood that destroyed her sister Ginger in the first film. So to prevent herself from changing into the beast she injects monksblood into her system, but after an overdose she wakes up in a rehabilitation clinic. Which now she has become so attached to the syrup and without it, the affects of the curse starts to transform within her. From the physical to the mental attributes. But also on her tail is that of a male werewolf who wants to mate with her and Ginger is keeping a tab on her by haunting her mind.
I remember when I picked up 'Ginger Snaps' I was expecting another mediocre or below-average werewolf flick. Gosh, I was wrong! Just like 'Dog Soldiers' it was more then good and added some new life to the whimpering sub-genre. And I'm happy to say it worked out again in this monstrous sequel and I was actually digging this one a tad more, though that was up until the stalling sequences involving hiding out in a house. It would've been great to see more Katharine Isabelle as Ginger too, but you can't have it all your own way I guess. I wasn't expecting anything incredibly special, but it did have big boots to fill and we all know the law of diminishing returns. Well, this sequel keeps far away form that trend and doesn't lean away from the quirky and offbeat nature of its predecessor, but it actually enhances it with a very morbid and cold-hearted appeal. It's depressing to the bone, I but I get kick out of any films that create this sort of tone! Though what made the original rejuvenating was that it had warm and natural relationships between the characters, especially between Bridget and Ginger, but also with the parents. Because of the sequel's depressing vibe, it does lack the heartache of the horrifying matter that drove the sisters even closer in the first film. Also it sorely does miss the characteristic interactions between the sisters. Although saying that they do share some screen time here, but only in small doses meaning far less impact.
The plot is an absorbing one, which doesn't break a whole lot of new ground like the original, but still comes up with enough hunger to set it out from most other horror flicks of the last decade, but also adding another dimension to the tale. Just like in the first film and like many reviewers have painted it's a metaphor for adolescent life, from angst, drugs and sex. But this cocktail is mixed with a refreshing twist involving the werewolf mythology, introducing the metaphor part of all of this. The snappy script holds up well and the story moves along pretty quickly with enough excitement initiated and the twists are far from easy to detect. No way is this story's structure predictable! The actual ending was kind of clever, but felt odd and left me feeling a little unsatisfied. The editing was swiftly sharp and potent to the pacing. It also recaptures the slickly handled production of that of the original, but it looks like it had more to work with here. That's especially because the special effects and werewolf designs were vastly better this time around and the attacks were more callous and bloodier. The isolated setting was made to great use with its cold wintry backdrop and gloomy awe. The action might have up the ante in this sequel, but so did the soundtrack by igniting itself with the Gothic and haunting tunes that made the original great. The upbeat tempo of the soundtrack bounds the mood. The spectral sound effects also worked its way into the picture and it was hard to shut out its thumping vibration throughout. The out-and-out stylistic camera-work sinuously develops some inventive shots. The direction by Brett Sullivan is above par and he hones down his skills with preciseness but adding such tautness and tension to the picture. The performances were magnificent. Emily Perkins comes out of the shadow of Katharine Isabelle here, and she made the most of it by turning in a convincing performance. Tatiana Maslany as Ghost one of the kids in the clinic provides on the humour side of things and Eric Johnson is perfectly scummy as one of the workers at the clinic. Katharine Isabelle makes some small but yet effective glimpses and adds in with some voice-overs. This production most definitely went one step bigger.
After two worthy werewolf films, I wonder if the film makers can repeat this winning formula in their third flick of the series Ginger Snaps Back: The Beginning (2004) or will it come crashing back to earth with a thud. The sequel is very much on par with the original and definitely well worth the look. Actually I would say it's a must-see if you seen the original.
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