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The 61st Annual Academy Awards (1989)

Award of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of ... See full summary »

Director:

Jeff Margolis
Reviews
Nominated for 1 Primetime Emmy. See more awards »

Photos

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Cast

Credited cast:
James Acheson ... Himself - Winner
Harry Andrews ... Himself - Memorial Tribute (archive footage)
Anne Archer ... Herself - Presenter
Army Archerd ... Himself - Performer
Hal Ashby ... Himself - Memorial Tribute (archive footage)
Bille August ... Himself - Winner
Lucille Ball ... Herself - Presenter
Drew Barrymore ... Herself
Judith Barsi ... Herself - Memorial Tribute (archive footage)
Ronald Bass Ronald Bass ... Himself - Winner
Candice Bergen ... Herself - Presenter
Jacqueline Bisset ... Herself - Presenter
Peter Biziou Peter Biziou ... Himself - Winner
Eileen Bowman ... Snow White
Beau Bridges ... Himself - Presenter
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Storyline

Award of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematographic art for their contribution to creation of movies.

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Details

Country:

USA

Language:

English

Release Date:

29 March 1989 (USA) See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The violent clip from Mississippi Burning (1988) shown during the reading the nominations for best actor in a leading role startled and disturbed Gene Hackman and made him think long and hard about the portrayal of violence in his films, especially if scenes are shown out of context. As a direct result he passed on directing and starring in The Silence of the Lambs (1991). See more »

Connections

Follows The 59th Annual Academy Awards (1987) See more »

Soundtracks

Proud Mary
Written by John Fogerty
Performed by Rob Lowe and Eileen Bowman
See more »

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User Reviews

 
The birth of digital cinema
15 March 2009 | by higuitamaxSee all my reviews

I think Elileen, here, has her award ceremonies mixed. I have this particular chow on a BETA tape I would watch several times as a teenager (I was the lamest teenager, I know). I only had this show recorded, and the next one. I remember Lucille Ball standing there with Bob Hope, the two Bonds (Connery and Moore) with Michael Caine, the thing with Martin Short and Princess Leia and Robin Williams dressed as a "Big Rat". This year was important for it was the advent of a new era. We now go to the movies and everything is CGI. Hollywood had already toyed with computer effects on movies like Tron (I like it!) or The last starfighter (kind of dumb), but with Willow the era of digital cinema was born. For the first time computer graphics and effects looked real (or at least, credible). We had a good witch, Raziel, who could transform herself into practically every creature imaginable. So, ILM gave birth to a then new technique called the Morph. If you want to see how it was done optically (before digital cinema) you only have to see Krull, from 1980. There, Ergo the magician had the same power exactly complete with the mess-up transformations. Anyway, Willow, for such a breakthrough, it was only nominated for Sound effects editing and best visual effects at the Oscars. I think Die hard got the award.


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