De-Lovely (2004)

Inspecting a magical biographical stage musical, composer Cole Porter reviews his life and career with his wife, Linda.

Director:

Irwin Winkler

Writer:

Jay Cocks

Stars:

Kevin Kline, Ashley Judd, Jonathan Pryce

Nominated for 2 Golden Globes. Another 2 wins & 11 nominations.

Cast

Cast overview, first billed only:
Kevin Kline	...	Cole Porter
Ashley Judd	...	Linda Porter
Jonathan Pryce	...	Gabe
Kevin McNally	...	Gerald Murphy
Sandra Nelson	...	Sara Murphy
Allan Corduner	...	Monty Woolley
Peter Polycarpou	...	L.B. Mayer
Keith Allen	...	Irving Berlin
James Wilby	...	Edward Thomas
Kevin McKidd	...	Bobby Reed
Richard Dillane	...	Bill Wrather
Edward Baker-Duly	...	Boris Kochno
Angie Hill	...	Ellin Berlin
Harry Ditson	...	Dr. Moorhead
Tayler Hamilton	...	Honoria Murphy

Storyline

De-Lovely is an original musical portrait of American composer Cole Porter, filled with his unforgettable songs. In the film, Porter is looking back on his life as if it was one of his spectacular stage shows, with the people and events of his life becoming the actors and action onstage. Through elaborate production numbers and popular hits like "Anything Goes," "It's De-Lovely," and "Night and Day," Porter's elegant, excessive past comes to light - including his deeply complicated relationship with his wife and muse, Linda Lee Porter.

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Plot Keywords:

jukebox musical | horseback riding | love | cole porter | composer | 

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Taglines:

A love that would never die and music that would live forever.

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Genres:

Biography | Drama | Music | Musical

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Motion Picture Rating (MPAA)

Rated PG-13 for sexual content

Details

Official Sites:

MGM

Country:

UK USA

Language:

English French Italian

Release Date:

6 August 2004 (USA)

Also Known As:

Just One of Those Things

Filming Locations:

Café de Paris, Coventry Street, Soho, London, England, UK

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$400,001, 4 July 2004, Limited Release

Gross USA:

$13,337,299, 17 October 2004

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM),Potboiler Productions,Winkler Films

Technical Specs

Runtime:

125 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Black and White Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Cole and Linda's Hollywood home was also the Martin residence from Bicentennial Man (1999).

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Goofs

When Cole is riding the horse, there's the sound of galloping hoofbeats, but the horse is actually only moving at a canter.

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Quotes

[first lines]
Gabe: Hello, Cole. I let myself in.
Cole Porter: We're not late, are we? I hate to be late.
Gabe: No, no. We're fine. That sounded lovely.
Cole Porter: I hate funeral music. Though, under the circumstances, I suppose I should say my prayers.
Gabe: Why start now?
Cole Porter: Exactly.

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Connections

Featured in Siskel & Ebert: Spider-Man 2/Anchorman: The Legend of Ron Burgundy/White Chicks/De-Lovely/Before Sunset (2004)

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Soundtracks

Anything Goes
(1934)
Music by Cole Porter
Lyrics by Cole Porter
Performed by Caroline O'Connor and Chorus
Music Published by Warner Bros. Inc./Chappell & Co, Inc. (ASCAP)
Produced by Stephen Endelman and Peter Asher

User Reviews

De-Lovely is indeed lovely

As a biography, De-Lovely is not historically accurate, but as drama and a tribute to Cole Porter, a prodigious talent in musical theater, it is sublime. Kevin Kline is perfectly cast in spirit as the songwriter extraordinaire who stormed Broadway as Hollywood beckoned. His marriage to Linda Porter (a terrific Ashley Judd) is a relationship of lasting love fraught with infidelity and heartbreak in which Porter is portrayed as an insatiable artist whose homoerotic dalliances were legend. The timeline spans the 1920's through the 1950's. This is not so much a simple biopic but, rather, an interesting depiction of Porter's constant struggle to find happiness in love and life and it proves to be an addictive intoxication. As his accepting and understanding wife grows increasingly frustrated with his lies and deception amid his growing list of male suitors, Porter's life and health begin to unravel.

Serving as a framework for the life events is a curious narration of sorts by an aged Porter and a mysterious host/angel (a nice theatrical turn by Jonathan Pryce). This bracketing narration is reminiscent of A Christmas Carol, and there are striking similarities to the classic All That Jazz in narrative and tone. The main story is told in a series of mini-vignettes; some scenes are almost too brief. Then there are the songs. It is truly phenomenal just how many wonderful Porter songs became standards. The recreations of many of his top hits are interspersed throughout the film and are performed often by top vocalists including some amusing cameos by Elvis Costello, Diana Krall, Alanis Morissette, and Natalie Cole. The songs serve to parallel and punctuate the life events throughout the story in much the same way paintings served as a co-narrative in Frieda.

Although production values are good for a period and location piece, it feels a little less grand in scope than it ought to be. Perhaps that works in the films favor as a more intimate story. Standout credit goes to the makeup effects especially showing the aging of Kevin Kline's character. The camera work and editing are imaginative especially in a series of circular tracking shots which seamlessly meld one timeframe with another. The music is timeless and enjoyable even when sung in pedestrian fashion by Kline. And regarding Kline, he deserves an Oscar nomination for a richly etched portrait of a tortured soul whose search for true love spanned his entire life. Perhaps in the hands of Bob Fosse or Baz Luhrmann, this could have really launched into a wildly imaginative send-off of a musical genius, but director Irwin Winkler (a respected producer turned director like Alan Pakula) has done Cole Porter proud.