De-Lovely (2004)

Inspecting a magical biographical stage musical, composer Cole Porter reviews his life and career with his wife, Linda.

Director:

Irwin Winkler

Writer:

Jay Cocks

Stars:

Kevin Kline, Ashley Judd, Jonathan Pryce

Nominated for 2 Golden Globes. Another 2 wins & 11 nominations.

Cast

Cast overview, first billed only:
Kevin Kline	...	Cole Porter
Ashley Judd	...	Linda Porter
Jonathan Pryce	...	Gabe
Kevin McNally	...	Gerald Murphy
Sandra Nelson	...	Sara Murphy
Allan Corduner	...	Monty Woolley
Peter Polycarpou	...	L.B. Mayer
Keith Allen	...	Irving Berlin
James Wilby	...	Edward Thomas
Kevin McKidd	...	Bobby Reed
Richard Dillane	...	Bill Wrather
Edward Baker-Duly	...	Boris Kochno
Angie Hill	...	Ellin Berlin
Harry Ditson	...	Dr. Moorhead
Tayler Hamilton	...	Honoria Murphy

Storyline

De-Lovely is an original musical portrait of American composer Cole Porter, filled with his unforgettable songs. In the film, Porter is looking back on his life as if it was one of his spectacular stage shows, with the people and events of his life becoming the actors and action onstage. Through elaborate production numbers and popular hits like "Anything Goes," "It's De-Lovely," and "Night and Day," Porter's elegant, excessive past comes to light - including his deeply complicated relationship with his wife and muse, Linda Lee Porter.

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Plot Keywords:

jukebox musical | horseback riding | love | cole porter | composer | 

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Taglines:

A love that would never die and music that would live forever.

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Genres:

Biography | Drama | Music | Musical

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Motion Picture Rating (MPAA)

Rated PG-13 for sexual content

Details

Official Sites:

MGM

Country:

UK USA

Language:

English French Italian

Release Date:

6 August 2004 (USA)

Also Known As:

Just One of Those Things

Filming Locations:

Café de Paris, Coventry Street, Soho, London, England, UK

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$400,001, 4 July 2004, Limited Release

Gross USA:

$13,337,299, 17 October 2004

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM),Potboiler Productions,Winkler Films

Technical Specs

Runtime:

125 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Black and White Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Kevin Kline played the piano himself in the scenes where his character plays.

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Goofs

Late in the movie the Murphys arrive in a 1956 Cadillac to see Cole Porter for the last time. Parked in front of his Massachusetts house is a 1966 Chrysler. Porter died in 1964.

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Quotes

[first lines]
Gabe: Hello, Cole. I let myself in.
Cole Porter: We're not late, are we? I hate to be late.
Gabe: No, no. We're fine. That sounded lovely.
Cole Porter: I hate funeral music. Though, under the circumstances, I suppose I should say my prayers.
Gabe: Why start now?
Cole Porter: Exactly.

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Connections

References Born to Dance (1936)

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Soundtracks

Another Openin', Another Show
(1948)
Performed by Lara Fabian
Music and Lyrics written by Cole Porter
Music Published by Warner Bros. Inc./Chappell & Co, Inc. (ASCAP)
Produced by Stephen Endelman and Peter Asher
Lara Fabian appears courtesy of Columbia Records

User Reviews

The allure of true love that transcends sex and ego!

As I think of the many dimensions documentaries have taken recently, from the ersatz 'Fahrenheit' to the authentic 'Metallica,' I am pleased to report the biopic remains whole, with Irwin Winkler's ('Life as a House') 'De-Lovely,' the life in song about Cole Porter and his wife, Linda.

I say 'in song' because barely a moment in not accompanied by Porter's music so recognizable I can cite 'Night and Day,' 'In the Still of the Night,' 'Anything Goes,' 'Let's Misbehave,' and 'True Love' without research help or the least provocation. Kevin Kline plays Porter with 1920's tuxedoed charm embracing the true love of his life, Linda, and the many men who helped him fulfill his need to love everything. Kline's refusal to lip-synch or take singing lessons effectively evokes the voice-challenged Porter and the passionate melancholy of a composer who lived for love.

The difference between this version and the 1946 Cary Grant 'Night and Day' is in the hidden homosexuality of the latter and the overt acceptance in the former. Winkler recreates the moment when Linda acknowledges, accepts, and romanticizes Porter's alternative life. About men she affirms, 'You like them more than I do. Nothing is cruel if it fulfills your promise.' This is fine writing by Jay Cocks ('Age of Innocence') and is her love expressed on a plane only Plato could fully appreciate.

Thus Linda defines a story about love as music, a story attempted in 'Evita' and 'Frida' but never so well expressed as in 'De-Lovely.' Although 'Frida' parallels Frida Kahlo's artful life in her paintings, 'De-Lovely' so arranges Porter's music as to suggest each piece was written for that moment in his life. Judd's portrayal relies on her porcelain beauty, wry smile, and serene wisdom in the service of an unconditional love that cost Linda in embarrassment, extorted money, and time away from Porter.

Songs interpreted by Elvis Costello, Sheryl Crow, and Diana Krall, among others, bring the film into the present with the 'timeless' effect without compromising flawless period depiction of the Jazz Age and Tin Pan Alley. In the end this biopic helped me understand the rewarding and demanding life of Cole Porter, gave me over two hours of glorious song and dance, and made me see again the allure of true love that transcends sex and ego. 'De-Lovely' is 'music from a farther room,' as Eliot's Prufrock would have heard it.