Erik Palladino's driver's license is still blood stained from his battle with a chainsaw. See more »
Goofs
As the female character fights off the zombies attacking her, the camera shot from the second floor reveals the walls of the staircase are covered in red wallpaper. However, as her friends get into the house and save her on the same staircase, there's no wallpaper but blank walls. See more »
Quotes
Kate:
Do you know how long we've been dating?
David:
You're kidding, right?
Kate:
I'm asking you a question!
David:
And you think this is the right time to ask a question like that?
Kate:
[laughs]
there's always some excuse for not wanting to talk about these things.
David:
I think defending ourselves from a demon spirit that's now inhabiting your best friend's cousin ranks pretty damn high on the list of good excuses for not wanting to analyze our relationship right now. Could-could you hand me that loaded pipe so I can take care of this...
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Alternate Versions
The Unrated version is the director's cut that was originally given an NC-17 by the MPAA for violence and gore. Nearly 15 seconds was cut out before the film received the R rating, and these included shots of the zombie's partly severed head and more footage of David with the chainsaw in his neck. See more »
I just saw this for free at an AFM screening, and, well, I got what I paid for. Poor Jeremy Sisto -- from "Six Feet Under" to this. Not one good laugh in the film. And when you're hiring out of a union with a 92% unemployment rate, at least get some young adults who are reasonably attractive. The last great mystery of the cinema is: why is it so hard to get the color of stage blood right? This is the usual Karo-syrup-and-red-food-coloring stuff and -- oh, what should I expect? No one on this film can shoot, light, apply cosmetics, sing, dance, dress, act, write, or edit. Please, if anyone can tell me where this director went to film school, leave its name on here so I can go slap the admissions clerk.
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I just saw this for free at an AFM screening, and, well, I got what I paid for. Poor Jeremy Sisto -- from "Six Feet Under" to this. Not one good laugh in the film. And when you're hiring out of a union with a 92% unemployment rate, at least get some young adults who are reasonably attractive. The last great mystery of the cinema is: why is it so hard to get the color of stage blood right? This is the usual Karo-syrup-and-red-food-coloring stuff and -- oh, what should I expect? No one on this film can shoot, light, apply cosmetics, sing, dance, dress, act, write, or edit. Please, if anyone can tell me where this director went to film school, leave its name on here so I can go slap the admissions clerk.