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King Arthur (2004)

PG-13 | | Action, Adventure, Drama | 7 July 2004 (USA)
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A demystified take on the tale of King Arthur and the Knights of the Round Table.

Director:

Antoine Fuqua

Writer:

David Franzoni
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Popularity
1,335 ( 247)
4 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Clive Owen ... Arthur
Ioan Gruffudd ... Lancelot
Mads Mikkelsen ... Tristan
Joel Edgerton ... Gawain
Hugh Dancy ... Galahad
Ray Winstone ... Bors
Ray Stevenson ... Dagonet
Keira Knightley ... Guinevere
Stephen Dillane ... Merlin
Stellan Skarsgård ... Cerdic
Til Schweiger ... Cynric
Sean Gilder ... Jols
Pat Kinevane Pat Kinevane ... Horton
Ivano Marescotti Ivano Marescotti ... Bishop Germanius
Ken Stott ... Marius Honorius
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Storyline

Based on a more realistic portrayal of "Arthur" than has ever been presented onscreen. The film will focus on the history and politics of the period during which Arthur ruled -- when the Roman empire collapsed and skirmishes over power broke out in outlying countries -- as opposed to the mystical elements of the tale on which past Arthur films have focused. Written by Scott Summerton

Plot Summary | Plot Synopsis

Taglines:

Rule Your Fate See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense battle sequences, a scene of sensuality and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK | Ireland

Release Date:

7 July 2004 (USA) See more »

Also Known As:

King Arthur: Director's Cut See more »

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Box Office

Budget:

$120,000,000 (estimated)

Opening Weekend USA:

$15,193,907, 11 July 2004, Wide Release

Gross USA:

$51,882,244, 21 December 2004

Cumulative Worldwide Gross:

$203,567,857, 31 May 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS (DTS HD Master Audio 5.1) (5.1 Surround Sound)| Dolby Digital (Dolby Digital 5.1) (5.1 Surround Sound)| SDDS (8 channels) (5.1 Surround Sound)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Despite the fact that this was filmed in Super 35, the theatrical release listed "Filmed in Panavision" in the end credits. It was removed from the credits of the home video releases. See more »

Goofs

In the final battle, the Woads are shown using trebuchets. Catapults would have existed in Europe at this time, but not trebuchets. The traction trebuchet did not reach Byzantium from China until sometime in the late 6th century, over 100 years after the time of the film, and the counterweight trebuchet (the one used in the film) did not reach Europe until the 12th century (over 700 years after the time of the film). See more »

Quotes

[first lines]
Lancelot: [voiceover] By 300 AD, the Roman Empire extended from Arabia to Britain. But they wanted more. More land. More peoples loyal and subservient to Rome. But no people so important as the powerful Sarmatians to the east. Thousands died on that field. And when the smoke cleared on the fourth day, the only Sarmatian soldiers left alive were members of the decimated but legendary cavalry. The Romans, impressed by their bravery and horsemanship, spared their lives. In exchange, these ...
[...]
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Crazy Credits

There are no opening credits, not even the production company and studio bumpers, only the title. See more »

Connections

Version of Sword of Lancelot (1963) See more »

Soundtracks

Amergin's Invocation
Composed by Lisa Gerrard & Patrick Cassidy
Courtesy of Sony/ATV Music Publishing Australia
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Frequently Asked Questions

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User Reviews

 
The realism behind the magic
31 December 2004 | by KendraSee all my reviews

In recent movies coming out of Hollywood there seems to be a trend towards attempting to unveil the true character behind some of history's most mysterious individuals. With most of us having been brought up on tales of a medieval King Arthur and the magic of Camelot, it was a risk for those who initiated this movie to attempt to expose the man behind the myth, so to speak. In my opinion, through a combination of realistic battle scenes, stunning cinematography and well rounded characters this movie is successful.

This tale takes us on a journey with King Arthur's knights as they embark on a final quest for Rome. The issue of religious persecution is raised on numerous occasions in the duration of this movie and relates to contemporary circumstances where religious belief can be used as a form of power and means of superiority. Themes such as this raise the film above the average Bruckheimer production. However, the dialogue is still cliché in places, and mid-battle jokes can fall flat on audiences that have grown weary of them in films such as LORD OF THE RINGS and PIRATES OF THE CARIBBEAN. Fortunately, the battle scenes are realistic and don't bombard us with Jackie Chan like maneuvers that the knights have suddenly and inexplicably learned.

The movie is beautifully shot with a variety of landscapes ranging from Hadrian's Wall to icy snow-covered hills and peasant villages. This ensures that the audience always has something new to look at, but also paints a realistic picture of the poverty and harsh environment of the time.

My only complaint about this film would have to be that some of the acting and characterisation was a little disappointing. Clive Owen's 'Arthur' was a little internalised and predictable. While other characters, such as Lancelot (Ioan Gruffud), are fabulously flawed, Arthur is always thinking of others and making the right decisions. His humanity never falters. Owen delivers his lines woodenly and without the passion one wishes to see from such a great warrior and humanitarian. Whilst the writers have dared to put a different spin on the characters of Lancelot and Guinevere (Keira Knightly), they seem to have stuck with the Arthur of legend. Knightly's performance was certainly nothing special. Her role in the movie was unclear as she seemed to only be there to run around in skimpy outfits, although I'm sure the intention was to create a strong female character. I thought her survival in battle was unrealistic as she was much smaller and weaker than the thousands of large trained warriors she was fighting, particularly since she had apparently nearly starved to death after being walled up in a tomb for her Pagan beliefs. Although Knightly is beautiful, her performances in movies thus far have yet to convince me of her acting abilities.

Overall, I thought this movie was unique in that it depicted a time not often portrayed in modern cinema. It had strong themes with a good mix of humour, romance and action. Although the film had its flaws, I would definitely recommend it as I believe it would appeal to a wide audience.


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