In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.
Caleb Landry Jones,
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.
A semi-autobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War II. For a young boy, this time in history was ... See full summary »
Prince Leo, last in the line of rulers of a long-deposed monarchy on continental Europe and jaded with the frenetic search for kicks with the European jet-set, returns to his father's ... See full summary »
Laura is trying to pick up the pieces of her life after the murder of her husband and son, and goes on vacation with her sister to Burma. After losing her passport at a political rally, she... See full summary »
U Aung Ko,
Langston Whitfield is a Washington Post journalist. His editor provocatively sends him to South Africa to cover the Truth and Reconciliation Commission hearings, in which the perpetrators of murder and torture on both sides during Apartheid are invited to come forward and confront their victims. By telling the unvarnished truth and expressing contrition, they may be granted amnesty. Can the deep wounds of Apartheid be healed through reconciliation? Langston is deeply skeptical. He tracks down Colonel De Jager, the most notorious torturer in the South African Police and tries to penetrate the mind of a monster, an experience that obliges him to confront his own demons. Anna Malan is an Afrikaans poet who is covering the hearings for radio. As a white South African, she is shattered by the accounts of the cruelty and depravity committed by her fellow countrymen. Anna and Langston must question their sense of identity. Where do they each belong? How responsible are they for what is done ...Written by
The term "make a plan" used by Sergeant Dreyer (Greg Latter) is a common one among South Africans. It usually has a positive meaning of being willing and capable of finding a way to resolve something, but here it is used as a euphemism for killing someone. See more »
All number plates on vehicles throughout the film (apart from archival footage) are fake and do not follow the format of older South African number plates. See more »
Never, never, and never again shall it be that this beautiful land will again experience the oppression of one by another.
See more »
Arranged by Murray Anderson & Warrick Swinney
Performed by Princess Soi-Soi Gqeza, Mxolisi Mayekane, Mandia Lande, Michael Ludonga, Simpiwe Matole & The New Teenage Gospel Choir
Published by Hi-Z Sound See more »
While not as powerful as "Hotel Rwanda," John Boorman's look at the relationship between whites and blacks in post-Apartheid South Africa is compelling nonetheless!
Director John Boorman has taken on a weighty and incendiary subject, much like Terry George's recent take on genocide in "Hotel Rwanda." Although "In My Country" is set post-Apartheid, it still covers a hot topic: what do you do with the people that are to blame when a genocide occurs? President Nelson Mandela formed a commission to get at the truth and in return for that information he was offering amnesty for those government officers that were only 'following orders'. An amazing precedent to say the least.
However, director Boorman has chosen to balance the emotional testimony of the victims with a sometimes humorous side-story involving an American journalist, played by the great Samuel L. Jackson ("Coach Carter") and a local 'white' radio reporter, played by the equally great Juliette Binoche ("The English Patient").
Certainly, a story of this import deserves a documentary but as it stands, this is as close as any American will ever get to this story since many newspapers buried it when it originally occurred. Racism is an ugly thing, but forgiveness is a beautiful thing and this movie balances the two in an effective and entertaining manner.
Check this one out, especially if you are a fan of "Hotel Rwanda" and hearing the 'truth' for a change.
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