With his wife on a book tour, Tom Baker finds his life turned upside down when he agrees to care for his twelve children while simultaneously also coaching his new football team.With his wife on a book tour, Tom Baker finds his life turned upside down when he agrees to care for his twelve children while simultaneously also coaching his new football team.With his wife on a book tour, Tom Baker finds his life turned upside down when he agrees to care for his twelve children while simultaneously also coaching his new football team.
- Awards
- 2 wins & 7 nominations total
Featured reviews
While the CHEAPER BY THE DOZEN opening titles credit the authors of the best-selling book the original 1950 film was based on (Frank B. Gilbreth Jr. and Ernestine Gilbreth Carey), don't expect to see a remake of the charming, early-20th century comedy about two efficiency experts (Clifton Webb and Myrna Loy) running a complex but happy family...and this is not a BAD thing!
While the 1950 production is a minor classic, the thrust of the earlier film was with the parents, and oldest daughter (the late Jeanne Crain). Clifton Webb was a gifted, acerbic actor, best known, previously, as 'child hating' author Lynn Belvedere, who proved he was as adept at raising children as he was at EVERYTHING he attempted, in the 1948 hit, SITTING PRETTY. The film was such a success that two sequels were made, and Webb would do several more 'family' comedies before his death in 1966. Playing Frank Bunker Gilbreth, the father of twelve, was a 'natural' for the actor, and the 61-year old Webb 'stole' the film with his self-effacing, 'scientific' approach to child rearing. As his wife, Lillian, Myrna Loy, who had graduated from being 'Nora Charles' in the "Thin Man" series, to being Hollywood's favorite wife/mom, shared Bonnie Hunt's sweetness, sense of organization, and dry humor, but lacked a sexual chemistry with Webb that would have actually produced twelve children (perhaps because of the less 'permissive' time the film was made, or perhaps because of Webb's screen persona). Jeanne Crain, one of 20th Century Fox's favorite ingénues for over six years, had a large fan base, which the studio capitalized on (She was actually second-billed in the film, behind Webb). Her scene at a 1920's prom, with Webb as her 'date', is a film highlight. While the eleven other children were given 'moments' in the film, they barely registered, individually.
Would 2003 audiences have gone to see Martin in a period comedy set eighty years earlier? I doubt it. And had the original story had been simply 'updated', would it have been truly faithful to the source, even in spirit? Unlikely, as so much has changed over the years. Ultimately, the film makers erred, I believe, in using the title of the earlier film, but not in the approach of making a 'family-friendly' comedy about a household of massive proportions.
With Steve Martin, who has become Hollywood's quintessential 'Dad', as a loving, unconventional father/football coach given an opportunity to head his alma mater's team, he displays the same kind of sensitivity that made PARENTHOOD such a wonderful film. Bonnie Hunt, as his wife, is completely believable as a successful author who could handle her large family and still-frisky husband equally well. She is, as always, a treasure!
The children are really the stars of the film, though, and each is special, and individual, from the eldest daughter (Piper Perabo), who, at 22, wants the family to accept the guy she's living with (Ashton Kutcher, in a funny, brief role), to the youngest pair of twins (Brent and Shane Kinsman), who make an art out of wreaking havoc. Tom Welling is quite likable, and proves that he is more than just 'Clark Kent' (For you trivia fans, Kutcher almost got the part of 'Superman' in an upcoming film, which would have put two 'Men of Steel' in the cast). The only discordant note is Hillary Duff's annoyingly brittle second daughter; she may be a 'teen idol', but she is more grating than endearing.
Director Shawn Levy's previous film, JUST MARRIED, was a loud, unpleasant, clichéd bore; in CHEAPER BY THE DOZEN, he redeems himself with a more enjoyable, richer film.
While the movie will never earn the 'classic' status the earlier film achieved, it stands very well on it's own merits!
While the 1950 production is a minor classic, the thrust of the earlier film was with the parents, and oldest daughter (the late Jeanne Crain). Clifton Webb was a gifted, acerbic actor, best known, previously, as 'child hating' author Lynn Belvedere, who proved he was as adept at raising children as he was at EVERYTHING he attempted, in the 1948 hit, SITTING PRETTY. The film was such a success that two sequels were made, and Webb would do several more 'family' comedies before his death in 1966. Playing Frank Bunker Gilbreth, the father of twelve, was a 'natural' for the actor, and the 61-year old Webb 'stole' the film with his self-effacing, 'scientific' approach to child rearing. As his wife, Lillian, Myrna Loy, who had graduated from being 'Nora Charles' in the "Thin Man" series, to being Hollywood's favorite wife/mom, shared Bonnie Hunt's sweetness, sense of organization, and dry humor, but lacked a sexual chemistry with Webb that would have actually produced twelve children (perhaps because of the less 'permissive' time the film was made, or perhaps because of Webb's screen persona). Jeanne Crain, one of 20th Century Fox's favorite ingénues for over six years, had a large fan base, which the studio capitalized on (She was actually second-billed in the film, behind Webb). Her scene at a 1920's prom, with Webb as her 'date', is a film highlight. While the eleven other children were given 'moments' in the film, they barely registered, individually.
Would 2003 audiences have gone to see Martin in a period comedy set eighty years earlier? I doubt it. And had the original story had been simply 'updated', would it have been truly faithful to the source, even in spirit? Unlikely, as so much has changed over the years. Ultimately, the film makers erred, I believe, in using the title of the earlier film, but not in the approach of making a 'family-friendly' comedy about a household of massive proportions.
With Steve Martin, who has become Hollywood's quintessential 'Dad', as a loving, unconventional father/football coach given an opportunity to head his alma mater's team, he displays the same kind of sensitivity that made PARENTHOOD such a wonderful film. Bonnie Hunt, as his wife, is completely believable as a successful author who could handle her large family and still-frisky husband equally well. She is, as always, a treasure!
The children are really the stars of the film, though, and each is special, and individual, from the eldest daughter (Piper Perabo), who, at 22, wants the family to accept the guy she's living with (Ashton Kutcher, in a funny, brief role), to the youngest pair of twins (Brent and Shane Kinsman), who make an art out of wreaking havoc. Tom Welling is quite likable, and proves that he is more than just 'Clark Kent' (For you trivia fans, Kutcher almost got the part of 'Superman' in an upcoming film, which would have put two 'Men of Steel' in the cast). The only discordant note is Hillary Duff's annoyingly brittle second daughter; she may be a 'teen idol', but she is more grating than endearing.
Director Shawn Levy's previous film, JUST MARRIED, was a loud, unpleasant, clichéd bore; in CHEAPER BY THE DOZEN, he redeems himself with a more enjoyable, richer film.
While the movie will never earn the 'classic' status the earlier film achieved, it stands very well on it's own merits!
Just kidding. I truly believe that some people have good intentions when commencing to write a critique. However, it seems to me like some of the people who commented about "Cheaper by the Dozen" were either on drugs or should be. Sheesh guys...it was a movie. It was just plain old entertainment. Time will decide whether or not this film was a classic. Please, take it from me don't hold your breath waiting. I'm not going to hold mine.
Yup, I thought it was going to be a comedy. Yup, I became annoyed with the movie about the time they all moved to Evanston, IL. Yup, the lil red headed dude[Mark] reminded me of the Harry Potter kid. Big deal. Frankly, the last 152 critiques were funnier, though some much more annoying in length, than the kids in that movie.
All in all...it was an okay film. Well worth the 99 cents that I spent to rent it. Musicians1, Victor Field and Katrina Ann Van Tylor were slendid as comedic crictics. Katrina should be given the award for Epic criticism. Victor the award for best music critic and last and thank god not least musician1 The Life Time Achievement Award for lack of any structure, punctuation or thought. Musician1 is the person who I owe my deepest gratitude for getting me to read all 152 comments. I had to see if they were all going to be so rambling. Thank goodness for brevity.
Yup, I thought it was going to be a comedy. Yup, I became annoyed with the movie about the time they all moved to Evanston, IL. Yup, the lil red headed dude[Mark] reminded me of the Harry Potter kid. Big deal. Frankly, the last 152 critiques were funnier, though some much more annoying in length, than the kids in that movie.
All in all...it was an okay film. Well worth the 99 cents that I spent to rent it. Musicians1, Victor Field and Katrina Ann Van Tylor were slendid as comedic crictics. Katrina should be given the award for Epic criticism. Victor the award for best music critic and last and thank god not least musician1 The Life Time Achievement Award for lack of any structure, punctuation or thought. Musician1 is the person who I owe my deepest gratitude for getting me to read all 152 comments. I had to see if they were all going to be so rambling. Thank goodness for brevity.
As a child, I read and loved the book, "Cheaper by the dozen", so I rented the movie expecting an on-screen adaptation of the book. I think the only similarities are the title, and the fact that they have 12 kids. The movie does the book a huge injustice.
Expectations aside, the movie had some plot holes, but I would have appreciated this kind of film if I was a parent looking for a family film. It reminded me of the old Disney classics my family rented when I was growing up. I'm sure that kids would love the mess and destruction that seemed to be the focal point of the movie. They tried to cram too many sub-plots into it when they could have focused strictly on the family dynamics and had a great movie.
I'm just glad I rented it and didn't spend $$ at the theater.
Expectations aside, the movie had some plot holes, but I would have appreciated this kind of film if I was a parent looking for a family film. It reminded me of the old Disney classics my family rented when I was growing up. I'm sure that kids would love the mess and destruction that seemed to be the focal point of the movie. They tried to cram too many sub-plots into it when they could have focused strictly on the family dynamics and had a great movie.
I'm just glad I rented it and didn't spend $$ at the theater.
Mom's parenting skills consist of having all the kids get into the bed with her like puppies. Indeed, when she goes away on tour and has to stay in a hotel, she rings up room service for a dozen pillows in order to get to sleep! Similarly, Dad's parenting skills amount to letting the kids do whatever they please, so the story is not about two parents with twelve children, but rather fourteen children, of which two are somewhat older. There is no structure to this family, and hence when Mom and Dad become distracted by new career choices, it starts breaking down rapidly into anarchy and chaos. The problem isn't the number of children or the new career choices, but that the parents have not provided a family structure sufficient to support any changes in direction or growth.
In short, the story misrepresents a poor example of parenting as though it was a good example, manipulating the audience with feel-good sentimentality at every turn, so that we will not notice how messed up and dysfunctional this family actually is. We are supposed to laugh at all their craziness and antics, the chandelier crashing from the ceiling, the kids slipping on vomit, the frog splattering breakfast on everyone, and so forth, and then feel good in the end, when love conquers all, and they return to the simpler life where they started. In other words, this is just mindless nonsense promoting stupidity and childish values. It has nothing in common with the 1950 film from which it takes its title.
In short, the story misrepresents a poor example of parenting as though it was a good example, manipulating the audience with feel-good sentimentality at every turn, so that we will not notice how messed up and dysfunctional this family actually is. We are supposed to laugh at all their craziness and antics, the chandelier crashing from the ceiling, the kids slipping on vomit, the frog splattering breakfast on everyone, and so forth, and then feel good in the end, when love conquers all, and they return to the simpler life where they started. In other words, this is just mindless nonsense promoting stupidity and childish values. It has nothing in common with the 1950 film from which it takes its title.
I did like this movie in general. There are some funny moments and the performances are spirited from the entire cast. Unfortunately, although as a remake it is acceptable it does have its weak spots. I didn't feel as though it had the charm of the original, by that I mean that doesn't quite have the irreverence and likability that made the original so endearing. There are some pacing problems and major discrepancies in the screenplay, plus the direction wasn't as strong as it could have been. On the whole though, it is not too bad. There is some nice scenery and camera work. The performances from the cast are fun; Steve Martin does very well in the title role, and the ensemble of children have strong chemistry. And despite the weak script, there are some funny moments, like the mince-in-the-trousers part. And there are some heart-warming parts like the ending. Overall, flawed but acceptable. 6/10 Bethany Cox
Storyline
Did you know
- TriviaWhen the "Cheaper by the Dozen" movies were made, neither Steve Martin nor Bonnie Hunt, who played the parents of 12 children, had ever had a child in real life. Steve Martin first became a father years later in Febuary of 2013 when his wife Anne Stringfield gave birth to his first child.
- GoofsFor some reason Sarah and Henry are never shown going to school when the family moves to Chicago, even though there are scenes with the twins, Jake, Mark, and Mike going to the elementary school/junior high, and Charlie and Lorraine going to high school.
- Crazy creditsOver the first part of the credits, we see outtakes.
- SoundtracksThese Are Days
Written by Natalie Merchant and Robert Buck
Performed by 10,000 Maniacs
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Strategic Marketing
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Más barato por docena
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $138,614,544
- Opening weekend US & Canada
- $27,557,647
- Dec 28, 2003
- Gross worldwide
- $190,538,630
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.85 : 1
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