While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
In order to keep the woman of his dreams from falling for another guy, Charlie Logan has to break the curse that has made him wildly popular with single women: Sleep with Charlie once, and the next man you meet will be your true love.
After being mistaken for terrorists and thrown into Guantánamo Bay, stoners Harold and Kumar escape and return to the U.S., where they proceed to flee across the country with federal agents in hot pursuit.
It's the dinner shift at Shenanigan's. Dan, the clueless boss, assigns Mitch, 22, a trainee, to Monty, the smooth talker who chases girls for one-night stands. Dean, a waiter, also 22, feels that life is passing him by. Dan offers him the assistant manager job and gives him until midnight to decide. Other waiters, cooks, and bus boys have their issues and personalities. Bishop, the dishwasher, is their counselor. During this shift, Monty may learn something, Dean makes his decision, Dan makes a play for the not-yet-18 hostess, customers get their comeuppance, the guys all play the in-house homophobic flashing game, the gals demonstrate why they won't, and Mitch gets the last word.Written by
When Dean gets to work with Serrena and his girlfriend, the camera is reflected in the window of his door when he opens it. See more »
Mitch, I want you to do a couple things for me. First, I want you to observe very closely your surroundings, today. Take everything in. Leave no stone unturned. Can you do that for me? Then, I want you to think about what your life would be like, if you had been born blind.
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At the end of the credits, Andy Milonakis sets his glass down on one of the set pieces which turns out to be a Rube Goldberg machine. See more »
As far as the unrated cut goes, the 'unrated' portions mostly concern the testicles and vagina shots near the end of the movie that had to be changed for the MPAA. For the vagina shot, the camera is slightly closer than it was theatrically. For the testicles shot in the theatrical, they were just hanging out of the boxers; this take is used on Disc Two during 'The Works' at the beginning of the Luis Guzman casting section. Another unrated change is that the rap video during the credits is uncensored, while the theatrical had words bleeped very arbitrarily. See more »
This movie was everything I thought it would be and more. It'll make you laugh, it'll make you cringe. Most of all, it'll make you think twice about eating at another restaurant or even working at one. Each character is throughly enjoyable as is each interaction between them. It's extremely well-written and realistic. As a waitress, I found it completely therapeutic, because even though I'd never do anything to a customer's food, seeing someone else do it to someone who is deserving of it (even in a movie), is enough to make me feel better. Ryan Reynolds is hysterical in this movie, as is Dane Cook and Luis Guzman. There are so many one-liners that you'll hear for a long time, especially in the kitchen of any restaurant. It ends slightly abruptly and you find yourself wanting more...but I guess that means the writer has done something right. Go see it, and enjoy. Just remember never to break the cardinal rule: "Never, ever, f*ck with someone who handles your food."
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