LOC: Kargil

When I was watching this movie, I was simultaneously being hit by two things

• the ordinariness of the 'production' quality. What is called 'production values' - lighting, sound, authenticity of effect, bullets hitting people, the environment. See 'Saving Private Ryan', 'Thin Red Line', 'Black Hawk Down', which have you shivering, and diving for cover as bullets fly. I know we don't have the kind of money that they have, but as a member of the audience I have become terribly spoilt by Hollywood, what more can I say. Remember that I WANTED to like the movie, so I am not being careless when I comment that it came across as too artificial and stage like. All the hill storming scenes for e.g., are all from the same camera angle and all have a hill bathed in a uniform light, as if from a lamppost, and just did not pull me into forgetting it was happening on screen. I was too cognisant that I was watching from an aloof medium, a seat facing a stage on what this was all happening perhaps.

• The story, the challenges our men faced, their pain, their courage, the difficulty of the situation, all of that.

It struck me that as a movie buff, I should try to somehow be able to differentiate the two even in the midst of 'enjoying' the movie. Differentiate all that is hitting me because of what happened out there from that which is hitting me only because of the way it has been treated / presented by JP. I found, limited as I was in my ability to do this, that despite my best wishes to conclude otherwise, I was being only 'moved' by the facts of the former, and not at all by the effort of the latter. If a young guy, who is about to get married to his childhood fiancée dies while bravely storming a hill currently occupied by miserable mother*&£$£s I would strangle personally if I had the guts, its going to move me in tears by just hearing about it. What I couldn't find was a camera angle, a single feature of the presentation that added to this impact. In fact, I will go so far as to claim that the artificiality of the treatment took away some of it.

That's about it - was very moved by what the story had to convey, and the research etc has no doubt been brilliant, but as a celluloid 'creation' , didn't find any 'value add' - as a documentary of what happened in itself its priceless, if only because film reaches out to a lot more people than any other media, including newspapers etc.

The long hyped LOC Kargil movie turned out to be a load of crap, once again, much to the disappointment of eager viewers. When it comes to movies like these, the director should concentrate most on the battle scenes but those are the most flawed portions of the film. Basically ever single battle is the same where two groups of soldiers keep shooting each other until the Indians finally bring a Carl Gustav Rocket launcher and blow up the enemy position. The fight sequences are corny and poorly done. One wonders why they did'nt do that in the first place? Next, the Indian airforce is hardly ever seen. Next, there are long and pointless and crappy songs. Next, there is no story nor any subplots nor any satisfaction of seeing any objectives achieved by the soldiers. Watch it on TV or DVD but I would'nt waste my time in the theatre. Watch it for the witty dialog and some amusing scenes. If you want to watch an Indian war movie, go watch Lakshya instead.

First of all, the movie was 4 hours long. Normally it wouldn't be that much of a problem, but I think in LoC the movie just dragged on for too long. The assortment of actors and actors is incredible, save that fool Sunjay Dutt: his acting alone ruins any of the talent of the other actors. Usually I wouldn't be so harsh but I think in LoC he's especially bad. The dialogue is also way too deep; my 9 year old sister was really struggling with just following the plot. Moreover, I think the movie is too concerned with being popular with audiences than what the original screenwriters perhaps intended. What I mean is simply - the movie had the potential to send a strong message about the war, but the director got too bogged down with flaunting the cast, so much of the seriousness of the movie becomes lost. I think there's a shortage of good movies on all the fighting and violence that's going on, so part of my displeasure at LoC stems from that frustration; the younger generations of India, and indeed, of the world, need to be well-informed about the atrocities that are occurring. Movies like LoC turn the seriousness of the situation into a big joke. Slowly, we're brainwashing people and normalizing people to the idea that violence in the world is not as terrible, when in fact we need to be teaching the opposite. I think it'd be a waste of time to watch this movie, and while I was dumb enough to see it (I plead ignorance), I urge the denizens of the world to boycott this movie and any future movie that fails to relay the significance of world politics and makes a mockery out of war.

Storyline: The film spanning 4-odd hours covers in adequate details the happenings at the Kargil sector near the LOC in 1999 when the Pakistani infiltrators had crossed the LOC and had entered deep into the Indian territory and the Indian Retaliation. To know more about the story, I would suggest readers to read the news-items pertaining to Kargil.

Comment: If one is looking for a formula story in this movie, then one can be sure that it is absent. LOC is a story of Pure sacrifice, patriotism, courage and lots and lots of bullets and Blood. The movie hall where I saw this film was full of whistles and cheers when the Film shows Indian Bravery. Movie audience seemed similar to Audiences like in an India vs Pak cricket match.

Watch the movie as a tribute to the Army's sacrifice and for the characterization of the real-life war heroes (4 PVC honoured heroes) who have sacrificed their lives so that we could see this day. The movie has made a brilliant portrayal of the Army who have battled all odds in rough weather conditions. The film's negatives are that it is too stretched and the songs are extremely boring.

In 1999, under the scheme of General Parvez Musharraf, our perennial enemy backstabbed us and Pakistani soldiers crossed the LOC in the disguise of civilian infiltrators. Some of the regular patrol parties of Indian soldiers went missing and later on, the damaged corpses of our young soldiers were found. And then the eyes of the sleeping Indian politicians and the intelligence bureau got opened to the fact that there has been large scale illegal infiltration on our soil from the other side of the LOC. A formally undeclared war started which lasted for around 50 days and we lost several precious lives of Indian soldiers. The war had to be won in the end and we won it but the price that was paid was just too much.

The memory of the Indian masses is short and we very easily forget the sacrifices of the sacrificing ones and get back to our routines of earning a living. Hence, filmmaker J.P. Dutta tagged the line to the title of this movie - 'BEFORE WE FORGET'. Yes, he did an exemplary thing by making this movie before the invaluable sacrifices of the young bravehearts were forgotten by the Indian public. Mr. Dutta used real locations and even real ammunition to shoot this movie. And thereby he has brought the passionate and emotional tales of the real Indian soldiers alive on the screen. All the small and big tales with less footage to some and more footage to some other, are real and sensitive to the hilt.

Mr. Dutta has presented everything with utmost authenticity on the screen which shows his deep research work in this regard. He had brought that period of May-July 1999 alive on the screen. A great effort indeed which entitles him for a big hand by the audience. Besides, he has been able to extract exemplary performances from the complete cast. Whether the role is a smaller one or a bigger one, everybody has given his best. Females did not have much to do. The best female performer is undoubtedly, Maaya Alagh. This veteran actress has delivered a highly touching performance as the mother of Lieutenant Manoj Pandey (Ajay Devgan).

Anu Malik's music with Jaaved Akhtar's lyrics could not top up the charts but if you just listen to the songs peacefully and patiently, you will feel the quality of both the words and the tunes. The songs are quite long because the director had to accommodate the scenes of several actors while the song was continuing, but they are highly patriotic as well as touching. My favourite is Seemayen Bulaayen Tujhe Chal Raahi. But the other songs - Main Kahin Bhi Rahoon Har Kadam Har Ghadi, Pyar Bhara Geet Koi Dekho Piya Tumko Gaana Hi Hoga, Aao Jo Laut Ke Tum Ghar Ho Khushi Se Bhara etc. are also impressive and perfectly in line of the mood and the genre of the movie.

In my view, Mr. Dutta himself committed two major mistakes which he should have avoided. Firstly, he has shown the soldiers mouthing highly obscene abuses. He had not done so in Border (1997) and it was correct. In this movie, on one hand, the soldiers are getting enthusiasm through religious slogans like Raja Raamchandra Ki Jai, Durga Maata Ki Jai and Jai Mahakaali whereas on the other, they are mouthing so bad words that the females (and also the decorous males) may find it difficult to keep their ears open. Swearings of mother and sister have been given so freely that the decency level has come down to very low. Though such words have been partially beeped, yet it can be understood with ease in each such case what is the complete word. This minus point has snatched the characteristic of a family movie from it. In the ending scenes, Colonel Y.K. Joshi (Sanjay Dutt) asks his subordinates to respect the dead bodies of the Pak soldiers. Then was it necessary to show disrespect to the mothers and sisters of the soldiers of either side ? Patriotism is not enriched by expletives Mr. Dutta.

Secondly, he has tried to include as many incidents from the Kargil war as possible in the movie (still he could not include all such battles covered in that war) forgetting that the movie has to be completed within a reasonable time-duration. The fact that he overlooked is that unlike Border which was based on a particular battle in the 1971 war, the canvas of the story of this movie was many times more extensive and hence the temptation to cover everything had to be kept under check. Besides, we all know that the soldiers away from their homes miss their families and their beloved and vice-versa. This is an aspect which fills the gaps in a war-based movie with sentiments and tender feelings. However when there are so many characters (of soldiers), all of them cannot be accommodated in common songs. Mr. Dutta's attempt to do so have not only made the songs extremely long but also monotonous.

All things said and done, irrespective of its commercial outcome, J.P. Dutta has made an honest and highly impressive movie. It's able to arouse love for your country in your heart. The complete unit of the movie including all those appearing on the screen and all those who worked behind the screen deserves a standing ovation from the audience.