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Ghost in the Shell 2: Innocence (2004)

Innocence (original title)
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In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.

Director:

Mamoru Oshii

Writers:

Shirow Masamune (comic "Koukaku-Kidoutai") (as Masamune Shirow), Mamoru Oshii (screenplay) | 2 more credits »
6 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Akio Ôtsuka ... Batou (voice)
Atsuko Tanaka ... Major Motoko Kusanagi (voice)
Kôichi Yamadera ... Togusa (voice)
Tamio Ohki Tamio Ohki ... Section 9 Department Chief Aramaki (voice)
Yutaka Nakano Yutaka Nakano ... Ishikawa (voice)
Naoto Takenaka ... Kim (voice)
Gou Aoba Gou Aoba ... (voice) (as Go Aoba)
Eisuke Asakura Eisuke Asakura ... (voice)
Yuzuru Fujimoto Yuzuru Fujimoto ... (voice)
Emiko Fuku Emiko Fuku ... (voice)
Masao Harada Masao Harada ... (voice)
Minoru Hirano Minoru Hirano ... (voice)
Hiroaki Hirata ... Koga (voice)
Katsunosuke Hori Katsunosuke Hori ... (voice)
Sukekiyo Kameyama Sukekiyo Kameyama ... (voice)
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Storyline

Batô is a living cyborg. His whole body, even his arms and legs, are entirely man-made. What only remains are traces of his brain and the memories of a woman. In an era when the boundary between humans and machines has become infinitely vague, Humans have forgotten that they are humans. This is the debauchery of the lonesome ghost of a man, who nevertheless seeks to retain humanity. Innocence... Is what life is. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

When machines learn to feel, who decides what is human... See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, disturbing images and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan

Language:

Japanese | Cantonese | English

Release Date:

24 September 2004 (USA) See more »

Also Known As:

Ghost in the Shell 2: Innocence See more »

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Box Office

Budget:

JPY 2,000,000,000 (estimated)

Opening Weekend USA:

$317,722, 19 September 2004, Limited Release

Gross USA:

$1,043,896
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS-ES | Dolby Digital EX

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The 5-minute parade sequence took a year to complete. See more »

Goofs

During the forensics examination, one of the computer screens misspells "research" as "RESAERCH". See more »

Quotes

Bateau: Still with me, pal?
Togusa: [with his head between his hands, looking to the floor] All I could see... were my wife and daughter's faces.
Bateau: That wasn't your wife or daughter. It was Death.
See more »

Connections

References Max Headroom (1987) See more »

Soundtracks

Follow Me
(Theme Song)
Music by Joaquín Rodrigo (as J. Rodrigo)
Lyrics by Herbert Kretzmer / Hal Shaper (as H. Shaper)
Ediciones Joaquin Rodrigo, Madrid
Arranged by Kenji Kawai
Sung by Kimiko Itô
Courtesy of VideoArts Music
(from "Concierto de Arnjuez")
See more »

Frequently Asked Questions

See more »

User Reviews

 
A visually stunning journey through ethics and philosophy of artificial intelligence.
9 December 2004 | by NaturezrevengeSee all my reviews

The first thing that must be said about this film, is that the visuals and imagery are breathtaking. Yet it does not rely solely on our awe. The plot, although very complicated and often convoluted, is rich and laden with allegories, philosophy, analysis and even theology. At first glance, the characters appear to be static and somewhat stoic, but when one thinks about it, the characters are that way to represent the similarities we share with "dolls." Does an effigy infused with meaning and symbol constitute as a being on it's own accord? Or are we simply defined by the mere fact that we are alive? The film is laden with imagery suggesting the war/hybridization of: nature vs. machines/synthetic life, how machines mimic nature, how tradition becomes assimilated by it, and how reality may or may not be a virtual construct based on our own perspective. This is an intellectual, symbolic film that not only gives eye-candy galore, but also delivers more cerebral fare than most films. Although the characters are ultimately forgettable (save the expressive dog owned by Bateau,) one can perceive that too as being a tool to suggest that ultimately, we are all drones living our predictable lives...perhaps unaware of more intricate powers and forces surrounding us. Whether you watch this film for the state-of-the-art visuals or the perceivably potent content, I recommend this film enthusiastically for anyone who would like to think...or just say "ah" at the incredible scenery.


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