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A love story between an 18-year-old girl named Sophie, cursed by a witch into an old woman's body, and a magician named Howl. Under the curse, Sophie sets out to seek her fortune, which takes her to Howl's strange moving castle. In the castle, Sophie meets Howl's fire demon, named Karishifâ. Seeing that she is under a curse, the demon makes a deal with Sophie--if she breaks the contract he is under with Howl, then Karushifâ will lift the curse that Sophie is under, and she will return to her 18-year-old shape.Written by
In the novel the movie is based on, the black door is actually a portal to Howl's homeland, which is in Wales in our current time and dimension. See more »
When Sophie leaves her bedroom, her dress has turned from green to blue. However, she couldn't have changed dresses because none of them would fit her after she was transformed (wider, much shorter, etc.). See more »
You shouldn't keep flying around like that. Soon you won't be able to turn back into a human.
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Howl's Moving Castle is as marvelous and magical as Miyazaki's other great work. Something in Disney's advertising or the description I read gave the false impression that it was going to be sub-standard work meaning it was still going to be better than anything DreamWorks Animation was doing (Madagascar was sooo pedestrian).
While not as awe-inspiring as Spirited Away or action-packed as Mononoke, it does work on the level of Kiki's Delivery Service as a girl is forced to be better than she thinks she can be (well, that's not a big surprise, that's all his films). And as with all Miyazaki stories, the story teaches without being preachy. And the lessons learned are represented in character changes and in the character's physical appearance as well. It's that same attention to detail that has made Pixar so great.
The animation is wonderful. The castle is itself is a mesh-mash of so many haphazardly arranged pieces that an engineer would have an aneurysm just sorting them all out and yet it works. Through magic, of course. The magic being Howl's and the authoritative hand of Miyazaki's direction. The airships (wow, airships in a Miyazaki film? Who would have thunk?) are great variations of one's he's used before and there are some rather dark and beautiful scenes of a world at war.
Most of the voice work was very strong including Christian Bale (Howl) and Emily Mortimer (as the young version of the heroine, Sophie). The voice that surprised me was Billy Crystal as Calcifer, the little flame that could. He's the heart of the castle and only annoyed at his first few scenes then becomes a very likable character.
There a few clunky moments in the plot line where transitions between story points weren't very strong, but overall it's another outstanding film from Studio Ghibli. Even my 40 year old partner, who had spent the day mountain biking, was dead tired and had never seen a Miyazaki film stayed awake for the entire 2 hours. When we left at 3:30 in the morning still jabbering away about all the imagery and meaning, we realized we had seen true art.
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