Conquering ninety percent of the known world by the age of twenty-five, Alexander the Great (Colin Farrell) led his armies through twenty-two thousand miles of sieges and conquests in just eight years. Coming out of tiny Macedonia, Alexander led his armies against the mighty Persian Empire, drove west to Egypt, and finally made his way east to India. This movie concentrated on those eight years of battles, as well as his relationship with his boyhood friend and battle mate, Hephaistion (Jared Leto). Alexander died young, of illness, at the age of thirty-two. Alexander's conquests paved the way for the spread of Greek culture (facilitating the spread of Christianity centuries later), and removed many of the obstacles that might have prevented the expansion of the Roman Empire. In other words, the world we know today might never have been if not for Alexander's bloody, yet unifying, conquest.Written by
The movie was originally scheduled for release on November 5, 2004 in the U.S., but was moved to November 24, 2004. Studio executives stated that the move was to put it in a more competitive position for Oscar consideration, but, unfortunately, it never received one nor a Golden Globe nomination nor a BAFTA nomination. See more »
Philotas is depicted as fighting on foot alongside his father on the Macedonian left flank at Gaugamela. Philotas was always recorded as riding with the Companion Cavalry. However, his arrogant disposition and tendency to draw unwanted attention to himself are accurately portrayed, particularly in the Revisited Cut. See more »
Our world is gone now. Smashed by the wars. Now I am the keeper of his body, embalmed here in the Egyptian ways. I followed him as Pharaoh, and have now ruled 40 years. I am the victor. But what does it all mean when there is not one left to remember - the great cavalry charge at Gaugamela, or the mountains of the Hindu Kush when we crossed a 100,000-man army into India? He was a god, Cadmos. Or as close as anything I've ever seen.
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A third cut of the film was released in 2007 under the title "Alexander Revisited: The Final Cut". Running at three and a half hours (45 minutes longer than the original). See more »
Hard to digest for hoi polloi, but true to history and Greek epic and tragedy
Oliver Stone consulted Robin Lane Foxe, Oxford historian and the premier Alexander expert, before making this film. It shows. The film certainly ranks as one of the closest-to-the-real-story Hollywood historical mega-films. To viewers with any background in Aristotelian drama and the Greek epic, it will immediately become clear that Stone has tried hard to emulate the epic form while integrating the culture of the Greek tragedy into his film. There is plenty of fear and pity here and there are plenty of tragic elements. The aging Ptolemy as narrator even takes on some of the functions of the chorus/choir. Tragic destiny in a larger-than-life man plagued by doubts over his own decisions, his consuming passions, is the universal here; the gripping story of Alexander the historical incidental, as it were. Not surprisingly, characterization and character interaction must loom large. Which explains the numerous and lengthy monologues and dialogues. Bravo, Mr Stone. Those who can appreciate will. But I fear that hoi polloi will not appreciate. They will simply fail to understand. Postscript: If there were any episodes in Alexander's life I missed and would have liked included (at the risk of making this film even longer) it would have been the Gordian Knot and the Oasis of Siwa.
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