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Alexander (2004)

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Alexander, the King of Macedonia and one of the greatest army leaders in the history of warfare, conquers much of the known world.

Director:

Oliver Stone
Popularity
1,330 ( 56)
6 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anthony Hopkins ... Old Ptolemy
David Bedella ... Scribe
Jessie Kamm Jessie Kamm ... Child Alexander
Angelina Jolie ... Olympias
Val Kilmer ... Philip
Fiona O'Shaughnessy Fiona O'Shaughnessy ... Nurse
Connor Paolo ... Young Alexander
Patrick Carroll Patrick Carroll ... Young Hephaistion
Brian Blessed ... Wrestling Trainer
Peter Williamson Peter Williamson ... Young Nearchus
Morgan Christopher Ferris Morgan Christopher Ferris ... Young Cassander
Rob Earley ... Young Ptolemy (as Robert Earley)
Aleczander Gordon Aleczander Gordon ... Young Perdiccas
Christopher Plummer ... Aristotle
Gary Stretch ... Cleitus
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Storyline

Conquering 90% of the known world by the age of 25, Alexander the Great led his armies through 22,000 miles of sieges and conquests in just eight years. Coming out of tiny Macedonia (today part of Greece), Alexander led his armies against the mighty Persian Empire, drove west to Egypt, and finally made his way east to India. This film will concentrate on those eight years of battles, as well as his relationship with his boyhood friend and battle mate, Hephaestion. Alexander died young, of illness, at 33. Alexander's conquests paved the way for the spread of Greek culture (facilitating the spread of Christianity centuries later), and removed many of the obstacles that might have prevented the expansion of the Roman Empire. In other words, the world we know today might never have been if not for Alexander's bloody, yet unifying, conquest. Written by austin4577@aol.com

Plot Summary | Plot Synopsis

Plot Keywords:

greek | gay | king | india | army | See All (423) »

Taglines:

Fortune favors the bold See more »


Motion Picture Rating (MPAA)

Rated R for violence and some sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK | Germany | Netherlands | France | Italy

Language:

English

Release Date:

24 November 2004 (USA) See more »

Also Known As:

Alexander Revisited: The Final Cut See more »

Filming Locations:

UK See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut) | (final cut) | (Ultimate Cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Angelina Jolie, who plays Colin Farrell's mother, was less than a year older than him. See more »

Goofs

Antigonus, portrayed in the film as one of Alexander's childhood friends, was in fact 26 years older than Alexander. See more »

Quotes

[first lines]
Old Ptolemy: Our world is gone now. Smashed by the wars. Now I am the keeper of his body, embalmed here in the Egyptian ways. I followed him as Pharaoh, and have now ruled 40 years. I am the victor. But what does it all mean when there is not one left to remember - the great cavalry charge at Gaugamela, or the mountains of the Hindu Kush when we crossed a 100,000-man army into India? He was a god, Cadmos. Or as close as anything I've ever seen.
See more »

Alternate Versions

The director's cut is nine minutes shorter than the 175-minute theatrical version. It is a reworked version although seamless to many. Eighteen minutes were cut and nine added. Many of the added or extended sequences involved Val Kilmer and Angelina Jolie's characters. With battle of Gaugamela now starts earlier. Taking a cue from classic movie epics, the opening reels now set up the basic themes with greater economy: Alexander's Oedipal relationship with his parents, Olympias' ambitions for her son, the boy's need to surpass his father, and the entirely natural way in which myth/religion is shown as integral to the ancients' behavior. Oliver Stone reworked the third act, juxtaposing events in India and Greece. And Jolie's Olympias emerged more as a genuinely pathetic figure in the whole tragedy. Stone wanting to isolate her character's own ambition from the one person she loves. Ptolemy's final scene was edited. Stone also reworked Alexander's death scene secondary to audience feedback, adding 17 seconds to the scene. See more »

Connections

Referenced in Midnight Screenings: Horrible Bosses/Zookeeper (2011) See more »

Frequently Asked Questions

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User Reviews

My take on this
5 December 2004 | by bolender-1See all my reviews

At first, I didn't feel much of a need to comment on the film, since so many others have written and have said so many things. But I think there are some really important points to made, and I haven't seen anyone make them. So here I am writing.

In my opinion, almost everyone misunderstood the relationship between Hephaistion and Alexander. In the modern world, especially in the West, two men are either very close to each other, sleep together, and have sex, or they keep a good comfortable distance from each other and, if they're friendly, might punch each other on the arm. In this film, we see a relationship that is hard for most people today to understand, namely a passionate love relationship between two men in which sex is not very important and possibly even absent.

Aristotle essentially explained the whole film near the beginning when he told the young couple something like the following, as best I can remember it, "When two men lie together in lust, it is over indulgence. But when two men lie together in purity, they can perform wonders." Or something like that. Given what I know of that culture, I am sure that "in purity" means no sex, or at least very little. That's why we never see them kiss. In the film, as in many older films, kissing is a metaphor for sex. Even when Alexander kisses his mother, it refers to the idea of sex. That's why Alexander kisses Bagoas, but not Hephaistion.

Now I'm not sure if the real historical Aristotle would have made that remark. That's not exactly what he says about homosexuality in the Nicomachean Ethics. But the remark is plausible enough since Alexander could easily have heard such an idea during his youth. Plato (before Aristotle) expressed that idea, and Zeno of Citium (after Aristotle) did too. So even if Aristotle never said this to Alexander, it is plausible enough that the idea was in the air and that Alexander heard it from someone or other.

Some have complained that the "homosexuality" (assuming that A's relationship with Heph. should even be called that) was thrown in their faces too much. But it's crucial to the plot. Stone is hypothesizing that Hephaistion was essential for what Alexander did. Further, it's a standard Hollywood convention to juxtapose a love story with some great political, military, or otherwise grand event. There are tons of examples. Titanic, Enemy at the Gates, Gone with the Wind, ... the list could go on forever. It really is homophobic to complain about Stone continually going back to this theme, because he has a perfectly good artistic reason to do it.

A few more details: Alexander's hair. I think that Stone was trying to make Alexander look like Martin Potter in Satyricon -- a nod to Fellini.

Alexander's accent and soft appearance. Another nod to a great director passed on, this time Stanley Kubrick. Farrel really looks a lot like Ryan O'Neil in Barry Lyndon. In fact, he really looks like a Ryan O'Neill / Martin Potter coalescence. I think it's deliberate.

The softness of Alexander's personality. In a lot of scenes it made sense. He was gentle enough to know how to approach Bucephalus and tame him without scaring him. He was open minded enough to adopt a lot of Persian culture and encourage intermarriage, while the other more "he-man" folks around him were less comfortable with the idea.

Yes, if you haven't figured it out by now, I do like the film. People's hatred of the film is hard for me to understand.


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