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The 75th Annual Academy Awards (2003)

Award of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of ... See full summary »
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Won 3 Primetime Emmys. Another 3 wins & 7 nominations. See more awards »

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Cast

Credited cast:
Steve Martin ... Himself - Host
Rest of cast listed alphabetically:
Ben Affleck ... Himself - Presenter
John Agar ... Himself - Memorial Tribute (archive footage)
Wayne Allwine ... Mickey Mouse - Presenter (voice)
Agustín Almodóvar ... Himself - Audience Member
Pedro Almodóvar ... Himself - Winner & Nominee
Mie Andreasen Mie Andreasen ... Herself - Winner
Julie Andrews ... Herself - Presenter & Past Winner
Royce D. Applegate ... Himself - Memorial Tribute (archive footage)
Eric Armstrong ... Himself - Winner
Colleen Atwood ... Herself - Winner
Anne Bancroft ... Annie Sullivan (archive footage)
Kathy Bates ... Herself - Nominee, Presenter & Past Winner
Philippe Bergeron ... French interpreter
Milton Berle ... Himself - Memorial Tribute (archive footage)
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Storyline

Award of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematographic art for their contribution to creation of movies.

Plot Summary | Add Synopsis

Genres:

News

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Details

Country:

USA

Language:

English

Release Date:

23 March 2003 (USA) See more »

Also Known As:

75-я церемония вручения премии 'Оскар' See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

An ambulance was placed on standby outside the theater for Catherine Zeta-Jones, who was eight months pregnant at the time with her daughter. See more »

Quotes

Catherine Zeta-Jones - Winner: Best Actress in a Supporting Role & Co-Performer: 'I Move On': Thank you so much my Scotsman giving the Welsh here, I can't believe it. Oh my gosh. This is too - I mean, my hormones are just too way out of control to be dealing with this. But, thank you so much, the Academy. To be nominated with such amazing women and an amazing year for women. Thank you very much. Everyone involved in "Chicago". There's so many people involved. Rob Marshall, Harvey Weinstein, Craig, Neil and everybody, all the cast and crew. Everybody in Swansea, South Wales, I love you. ...
See more »

Connections

Features The Piano (1993) See more »

Soundtracks

Hooray for Hollywood
(1937) (uncredited)
Music by Richard A. Whiting
Played during end credits
See more »

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User Reviews

 
One of the more bitter-sweet (emphasis on the bitter) award shows in recent memory
23 March 2003 | by MisterWhiplashSee all my reviews

This year's Academy Awards showed how politics are always in the mix, and I don't mean with America's current situation with Iraq. What I mean is that there seems to be an (unintentional?) fix with two particular movies of the evening- Chicago and Gangs of New York. Chicago went away with six, SIX Oscars, for being merely an over-rated re-tread of dumb, glitzy, Hollywood (Hollwood the key word) musicals, where there are occasionally catchy scenes- terribly brought down by the need for Richard Gere and John C. Reilly to try for big performances and can barely manage mediocre. Gangs of New York, on the other hand (a personal favorite from last year), which was the film with the second most amount of nominations (Chicago had 13, Gangs with 10), walked away with none, NONE. This isn't the first time this sort of syndrome has happened to a great movie (The Insider in 99, Psycho in 60, Clockwork Orange in 71), but this was a tad ridiculous.

Does the Academy feel a certain dis-affection towards the man, Martin Scorsese, and his little gem of a history lesson? I can respect that Roman Polanski got the Oscar for The Pianist, as it did deserve it in many respects (certainly the best European direction, and as the Palme D'Or at Cannes last year it was a clear choice over the numb flamboyancy of Rob Marshall's Chicago); however in all honesty, why give the Oscar to someone who isn't allowed in the country to receive it personally, when the guy who deserved it for best AMERICAN direction, anyway, looses? Is there a curse upon Scorsese that any year he makes a picture worthy of at least ONE Oscar, even outside of direction (i.e. Dante Ferreti's production design is some of the finest and most original ever, loosing to Chicago, which won basically for an adaptation of a design from the musical!). Only time will tell...

Having said that, I did enjoy some parts of the show when it wasn't filled with the usual fodder of montage-adulation, and the song in the background as the winner walking up being "all that jazz". Steve Martin did a respectable, pretty funny job, not to the absolute caliber of the first job, but with some fresh jabs at the industry (the two best being with Nicholson and Borgnine). Michael Moore getting a definitely deserved Oscar, said things in his speech that made some "boo", but really, it made a sense in its audacity. Claps go to Almodovar, Kidman, Cooper, Eminem (what was with the guy who presented, gold chains and all?), the late Conrad L. Hall, Brody (Nicholson and Day-Lewis were equally worthy), and for ol' Peter O'Toole...

And yet, outside of that, I felt a little uneasy watching the awards ceremony, as I probably do watching past ones. With this one though, I just got the feeling that there was a very slight rig in the works throughout. Of course I realize this is the name of the game on such a night, but the fact that most of the films that won for the headline factor of the film instead of the films themselves is eerie...then I remember that in the overall scheme of things in th e industry the Oscars count for very little. For example, years from now, or even now, how many people remember specific images and emotions and scenes in Ordinary People? Not too many, I can guess. But Raging Bull, "that's entertainment"!


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