Two pounds of pressure on a trigger pays really well... Ex special forces mercenary and now hardened criminal Vic, lives in a world of cons, double crosses, crooked cops, mob bosses and drug... Read allTwo pounds of pressure on a trigger pays really well... Ex special forces mercenary and now hardened criminal Vic, lives in a world of cons, double crosses, crooked cops, mob bosses and drug dealing crime lords. Playing by his own rules, Vic and his partner Frank work both sides ... Read allTwo pounds of pressure on a trigger pays really well... Ex special forces mercenary and now hardened criminal Vic, lives in a world of cons, double crosses, crooked cops, mob bosses and drug dealing crime lords. Playing by his own rules, Vic and his partner Frank work both sides of the street, caring only about where they can score and take down the most cash. After a... Read all
- Kane
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That's what I thought too. I was SO wrong.
This is from the school of post-RESERVOIR DOGS filmmakers that believe all you need for a modern crime drama are some cool looking people shooting other people down with cool looking guns, all the while maintaining their cool. Now I'm not a big fan of RESERVOIR DOGS, but Tarantino at least had clever dialog, good blocking, gritty lighting, some nice camera moves, Harvey Keitel, and most of all, a story to tell - he knew guys looking cool and shooting off guns doesn't make a movie. So yeah, Michael Madsen was in DOGS; now he's been in this one, a real dog.
It is difficult for me to describe a film this bad. My viewing experience of MACHINE was something like this: 'Wow, that's the worst camera-work I've ever seen...ever... it's really grainy, like that digital grain Michael Mann got for COLLATERAL with all those cool night scenes with Jamie Foxx and Tom Cruise...except those guys aren't in this one, and this just looks BAD. Oh, there's Neil McDonough, wow he's great as ever...wait, is that all we get of him?' You get the idea.
The really astonishing thing was that Madsen and McDonough STILL knocked out good performances (the only reason there's a star in my rating) - a credit to their professionalism. But when they're not on screen (and that's most of the time), then it's just a painful exercise in what not to do when making your own movie. Your uncle probably frames up a better shot with his little hand-held at family get-togethers, than what these guys did here. This DVD is not what you want to watch; it's what you use when you run out of coasters for your drinks.
Neal McDonough is a pretty good actor (I liked him in Guardian, Flags of Our Fathers, even Hitcher) -- what the hell is he doing in this piece of crap? Well, the answer is "not much" (same is true for the prominently billed -- but mostly absent -- Michael Madsen, although he hasn't been in a good movie since Reservoir Dogs).
I don't know much about the other so-called "actors" in this waste of time, except that they should at least have better judgment about the kind of projects they get involved in. And "star" Michael Lazar (also "writer," "producer," and "director" Michael Lazar)? FOUR strikes and he should be out!
Don't waste your money on this sorry excuse for "entertainment." Hell, even if you can get it as a free rental at your video store, don't waste your TIME!
The whole movie is filmed with a miniDV cam, like the ones u took with u on ur family vacations, with no lighting or any additional cinematic equipment. The lines are absolutely dull and just awful... the main idea of the movie is a debt that Vic (Michael Lazar) has to pay to Santo (Nick Vallelonga), a local mob boss, which is, we all agree, a very new and a revolutionary plot...
To sum it up, if u really have to see this movie (by really I mean REALLY), don't do it alone cus u'll fall asleep before noticing.
Storyline
Did you know
- GoofsMost of the shooters are armed with semi-automatic pistols, which in real life eject a spent cartridge case after every shot. However, in this movie no cases are ejected when the pistols are fired.
- ConnectionsReferences All Quiet on the Western Front (1930)
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- A Máquina
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- Runtime1 hour 30 minutes
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