Ruang rak noi nid mahasan (2003)

A suicidal, obsessively compulsive Japanese librarian is forced to lie low in Thailand with a pot-smoking woman coping with the recent loss of her sister.

Director:

Pen-Ek Ratanaruang

Writers:

Pen-Ek Ratanaruang, Prabda Yoon

Stars:

Tadanobu Asano, Sinitta Boonyasak, Takashi Miike

8 wins & 11 nominations.

Cast

Cast overview, first billed only:
Tadanobu Asano	...	Kenji
Sinitta Boonyasak	...	Noi
Laila Boonyasak	...	Nid
Yutaka Matsushige	...	Yukio
Riki Takeuchi	...	Takashi
Takashi Miike	...	Yakuza
Yôji Tanaka	...	Yakuza (as Yohji Tanaka)
Sakichi Satô	...	Yakuza
Thiti Rhumorn	...	Jon
Junko Nakazawa	...	Librarian
Akiko Anraku	...	Japanese Housewife
Nortioshi Urano	...	Salaryman
Phimchanok Nala Dube	...	Girl in Jon's Apartment
Ampon Rattanawong	...	Jon's Underling
Jakrarin Sanitti	...	Jon's Underling

Storyline

A mysterious, obsessive-compulsive, suicidal Japanese man living in Bangkok, Thailand, is thrown together with a Thai woman through a tragic chain of events. The woman is everything he is not. He is a neat freak who keeps his dishes washed and his books neatly stacked and categorized. She dresses like a slob, smokes pot and never picks anything up. It's a match that somehow works, though. Slowly and entertainingly, more is revealed about the Japanese man and why he's suicidal and living in Bangkok.

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Plot Keywords:

loneliness | ambiguous ending | alienation | melancholy | japanese | 

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Genres:

Comedy | Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for violence, sexual content, language and drug use

Details

Official Sites:

Artificial Eye [UK] official site

Country:

Thailand Japan Netherlands

Language:

Thai Japanese English

Release Date:

8 August 2003 (Thailand)

Also Known As:

Last Life in the Universe

Filming Locations:

Bangkok International Airport, Bangkok, Thailand

Box Office

Opening Weekend USA:

$5,833, 8 August 2004, Limited Release

Gross USA:

$31,747, 29 August 2004

Company Credits

Production Co:

Bohemian Films, Cathay Asia Films, Cinemasia

Technical Specs

Runtime:

112 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

In the hospital emergency room scene, a spiky-haired actor in a white lab coat is seen sitting at a desk. This is a reference to Dr Pornthip Rojanasunand, Thailand's best-known forensic pathologist - who's not only a celebrity for her wild hairstyle, but also for her skill and integrity.

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Connections

References Annie Hall (1977)

User Reviews

A South East Asian Beauty!!

This the first film I've seen by Pen-Ek Ratanaruang and without a doubt its one of the most accomplished and satisfying I've seen all year.

Two polar opposite characters - a quiet and meticulous Japanese librarian with a shady past and designs on ending his life (Asano Tadanobu) and a feisty, straight-talking thai female escort (Sinitta Boonyasak) - have one thing in common and not much else it seems. They are both utterly lonely, albeit for different reasons - she is recently bereaved of her sister, he for a reason never fully disclosed is distanced from the world, an introverted outsider with no good reason to go on. Thrown together by a sequence of events (chance or fate?) they take solace from each others presence. From this, lets face it, not original germ grows an enchanting, touching and idiosyncratic movie.One that's not concerned with characterisation, an intricate plot or histrionic's but with how two troubled, contradictory people growcloser and in the process rediscover a reason for being, for going on in the universe. Due to the language barrier (they flit from talking Thai, Japanese and English to understand one another) they may not have meaningful discourse, but here the meaning is hidden behind the formalities, the pedestrian, the everyday.

I'm not going to launch into an extended essay or spew to many superlatives but believe me when I say its a strange delight. Assured, amusing and touching, this multi-lingual film is replete with a dry wit, a surreal element that leaves a lot to interpretation and a deft ability to prick the emotions. There are laudable performances from the two central characters, and a third from Christopher Doyle's shifting oblique camera-work and composition. And despite its clear East Asian cinematic influences (in tone it reminds me of Kitano's Dolls - the lingering pace and melancholy signature theme music– and it features a yakuza based subplot) Last Life evokes modern day Thailand in all its chaotic ramshackle splendour brilliantly.