Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.
The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne ... See full summary »
Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, ... See full summary »
Agnéz Varda enjoyed making her scavenger film so much she went out with her handi-cam and did it again. The whopping great distribution can't have slowed her down either.
One of the subjects says she shouldn't have been in the first one so much, so she minimises her presence - ineffectively because the winning, quirky first person author is still the star. Detail of the character who lives off garbage and runs in the Paris marathon is particularly intriguing. The insets of the first film, the hand made movie from the early years or the withered heart shape potato that got a mutter of recognition when I saw it, all liven up the film. I liked the second thought ending too.
These films are like spending time in the company of a great raconteur. The fact that she turned out to be possibly the most accomplished Nouvelle Vague director is a bonus. Hope she does another twenty.
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