Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning ... See full summary »
There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
Eunice is walking along the highways of northern England from one filling station to another. She is searching for Judith, the woman, she says to be in love with. It's bad luck for the ... See full summary »
Journalist Flynn from the U.S., Michael Henderson from the U.K., and their teams meet at the beginning of the Bosnian war in Sarajevo. During their reports, they find an orphanage run by ... See full summary »
This movie is a love story set in a Brave New World-type near-future where cities are heavily controlled and only accessible through checkpoints. People cannot travel unless they have "papeles" (papers in Spanish; words and sentences in many languages, especially Spanish, French, and Chinese are mixed with English in this new world), a special travel permit issued by the totalitarian government, the "Sphinx". Outside these cities, the desert has taken over and shanty towns are jammed with non-citizens - people without IDs forced to live primitive lives. William Geld (Tim Robbins) is a family man who works as a government investigator. When he is sent to Shanghai to solve a case of fake IDs, he meets a woman named Maria Gonzales (Samantha Morton). Although he realizes she is behind the forgeries, he cannot help but fall completely in love with her. He hides her crime and they have a wild, passionate affair that can only last as long as his visa: twenty-four hours. Back home, William is...
Almost all of the city scenes were shot in Shanghai, but there are numerous scenes that mix Hong Kong into the Shanghai setting. Near the end, as Maria Gonzales (Samantha Morton) travels by subway to Shanghai airport to meet William Geld (Tim Robbins), the station at which she arrives is Hong Kong Airport. Later, when William is recovering in a hospital in his home city of Seattle, the city scenes shown are also Hong Kong, including Victoria Harbour and Central. See more »
The numerous seeming "errors in geography" are actually an intentional artistic choice. Because the film is set in a future where global cultures have become thoroughly merged, Michael Winterbottom purposely blended footage shot in Shanghai, Dubai and Rajastahn so that Shanghai has a desert outside it, etc. See more »
code 46 / article 1 / any human being who shares the same nuclear gene set as another human being is deemed to be genetically identical. the relations of one are the relations of all. / due to IVF, DI embryo splitting and cloning techniques it is necessary to prevent any accidental or deliberate genetically incestuous reproduction. / therefore: / i. all prospective parents should be genetically screened before conception. if they have 100%, 50% or 25% genetic identity, they are not...
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There is a looped animation running next to the names during the final credits. It shows a variety of things, including chromosomes, chromosome replication, and chemical structures. See more »
Song No. 6
Written by Fatboy Slim (as Norman Cook) and Ashley Slater
Used by kind permission of Universal Music Publishing Limited
Performed by Freakpower
Courtesy of Universal-Island Records
Licensed by Kind of Permission from
The Universal Film and TV Licensing Division See more »
What an intelligent portrayal
I was blown away by the portrayal of a multicultural community of the future. Languages and races all melded together into one global culture. This film is so coy in displaying its intelligence.
Being an average linguist, I loved the usage of Spanish, arabic, mandarin and more mixed in with English. Enough to entice, little enough to avoid viewer confusion. The backdrops of the scenes looked so natural yet foreign.
I was surprised by the sensuality displayed in the latter part of the film...not being used to seeing Robbins in such scenes. the main actress carries a curious beauty and attractiveness throughout her performance.
I was slightly disturbed by the code 46 violation, but not enough to say that this was not a fascinating experience. 7/10
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