6.0/10
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Eros (2004)

Three short films, one each from Directors Michelangelo Antonioni, Steven Soderbergh, and Wong Kar Wai, address the themes of love and sex.

Writers:

Kar-Wai Wong (as Kar Wai Wong), Steven Soderbergh | 3 more credits »

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Director: Michelangelo Antonioni
Stars: Michelangelo Antonioni
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Cast

Cast overview, first billed only:
Li Gong ... Miss Hua (segment "The Hand")
Chen Chang ... Zhang (segment "The Hand")
Feng Tien ... Master Jin (segment "The Hand")
Chun-Luk Chan Chun-Luk Chan ... Hua's Servant - Ying (segment "The Hand") (as Auntin Luk)
Jianjun Zhou Jianjun Zhou ... Hua's Lover - Zhao (segment "The Hand")
Wing Tong Sheung Wing Tong Sheung ... Tailor (segment "The Hand")
Kim Tak Wong Kim Tak Wong ... Tailor (segment "The Hand")
Siu Man Ting Siu Man Ting ... Tailor (segment "The Hand")
Lai Fu Yim Lai Fu Yim ... Tailor (segment "The Hand")
Cheng You Shin Cheng You Shin ... Tailor (segment "The Hand")
Wing Kong Siu Wing Kong Siu ... Tailor (segment "The Hand")
Kar Fai Lee Kar Fai Lee ... Tailor (segment "The Hand")
Chi Keong Un Chi Keong Un ... Hotel Concierge (segment "The Hand")
Robert Downey Jr. ... Nick Penrose (segment "Equilibrium")
Alan Arkin ... Dr. Pearl / Hal (segment "Equilibrium")
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Storyline

A three-part anthology film about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; and a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Three visionary directors. One erotic journey.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexual content including graphic nudity, and for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Warner Bros.

Country:

USA | Italy | Hong Kong | France | Luxembourg | UK

Language:

English | Italian | Mandarin

Release Date:

3 December 2004 (Italy) See more »

Also Known As:

Ерос See more »

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Box Office

Opening Weekend:

€262,275 (Italy), 5 December 2004, Limited Release

Opening Weekend USA:

$53,666, 10 April 2005, Limited Release

Gross USA:

$188,248, 17 July 2005
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Pedro Almodóvar was originally set to direct the third segment, but bailed at the last minute. Steven Soderbergh stepped in at the last minute. See more »

Alternate Versions

The version screened at the Venice Film Festival presented the three short films in the following order: "The Hand" (Kar-Wai Wong), "Equilibrium" (Steven Soderbergh) and "Il Filo Pericoloso delle Cose" (Michelangelo Antonioni). When the film was released theatrically in Italy, "Il Filo Pericoloso delle Cose" was presented as the first and "The Hand" as the third. See more »


Soundtracks

Concerto Alevta
by Peer Raben
See more »

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User Reviews

The Tale Tail And Wong Kar-Wai
20 December 2007 | by madalina_rocaSee all my reviews

Antonioni is not able to direct a 30 min film. Why? The Dangerous Thread of Things deals with a couple trapped in a plain, tasteless life that are no longer able to observe, to feel, to digest the little, happy, natural elements of their lives.What Antonioni wants to show here is that women are passionate, wild , instinctual. Their nudity is not erotic, it's a kind of natural nudity, the original nudity of people lacking shame.Dancing naked on the beach is a kind of Dyonisiac ritual Nietzsche was talking about, the primitive, joyful way of celebrating life. The ideas are nice, he tried to do something great , but he didn't manage because there was not enough time to construct the characters, to make them mean something so by the end of the film we are left with a feeling of dizziness.On the other hand, i didn't like Soderbergh's segment at all maybe because i didn't understand it or maybe I'm trying to get in deep where there is only the surface.

Anyway, Kar-Wai's segment was the best of all three, absolutely wonderful. The story is rather sad(all Kar Wai's characters are melancholic) but the way he works with the camera and the music perfectly combined with the images proves what a great director he is. The scene in which the weaving of the dress is associated with lust, with the wish to penetrate both the mind and the woman's body, well that's Eros, that's how eroticism should be introduced in cinema. Kar Wai proves to be a great tale-or again.


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