Manderlay (2005)

A story of slavery, set in the southern U.S. in the 1930s.

Director:

Lars von Trier (as Lars Von Trier)

Writer:

Lars von Trier (as Lars Von Trier)

Stars:

Bryce Dallas Howard, Isaach De Bankolé, Danny Glover

1 win & 15 nominations.

Cast

Cast overview, first billed only:
Bryce Dallas Howard	...	Grace Margaret Mulligan
Isaach De Bankolé	...	Timothy
Danny Glover	...	Wilhelm
Willem Dafoe	...	Grace's Father
Michaël Abiteboul	...	Thomas
Lauren Bacall	...	Mam
Jean-Marc Barr	...	Mr. Robinsson
Geoffrey Bateman	...	Bertie
Virgile Bramly	...	Edward
Ruben Brinkman	...	Bingo
Doña Croll	...	Venus (as Dona Croll)
Jeremy Davies	...	Niels
Llewella Gideon	...	Victoria
Mona Hammond	...	Old Wilma
Ginny Holder	...	Elisabeth

Storyline

After gangster Mulligan's (Willem Dafoe's) cars colony, fleeing northern justice, finds a hiding place in Alabama, spoiled, naive daughter Grace (Bryce Dallas Howard) refuses to travel on after seeing the Manderlay cotton plantation being run under slavery rules, called Mam's (Lauren Bacall's) law, including flogging. She keeps half of dad's goons as guard to force the dying matriarch-owner's heirs, which she shamelessly dispossesses and reduces to "staff", to taste destitution under absurd, gun-imposed contracts. The "slaves" are made free partners, supposed to vote for progress after lessons from Grace. But almost all of her democracy-pupils prove to be fickle, dumb, and selfish, except old Wilhelm (Danny Glover). Her and their ignorance in Southern planting and crafty Dixie ways means more problems are created then solved. By the time dad returns to pick her up or abandon her for good, she's the one who has learned and changed the most.

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Plot Keywords:

male frontal nudity | female frontal nudity | male full frontal nudity | female full frontal nudity | pubic hair | 

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Taglines:

Liberation. Whether They Want It Or Not.

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Genres:

Drama

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Certificate:

Not Rated

Details

Country:

Denmark Sweden Netherlands France Germany UK Italy USA

Language:

English

Release Date:

3 June 2005 (Denmark)

Also Known As:

The Film 'Manderlay' as Told in Eight Straight Chapters

Filming Locations:

Denmark

Box Office

Budget:

$14,200,000 (estimated)

Opening Weekend USA:

$15,117, 29 January 2006

Gross USA:

$78,378

Cumulative Worldwide Gross:

$674,918

Company Credits

Production Co:

Zentropa Entertainments, Isabella Films B.V., Manderlay

Technical Specs

Runtime:

139 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The second film in Lars von Trier's third trilogy titled "USA - Land of Opportunities". The two other parts are Dogville (2003) and Wasington, which (as of April 2019) hasn't been made.

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Quotes

[first lines]
Narrator: It was in the year of 1933, when Grace and her father were heading southward with their army of gangsters.

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Crazy Credits

An official Danish, Swedish, French, British, German and Dutch co-production in accordance with the 1992 European Convention on Cinematographic Co-Production.

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Connections

Follows Dogville (2003)

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Soundtracks

Young Americans
Written and Performed by David Bowie
Courtesy of RZO Music, Inc.
Published by Chrysalis Music Limited
EMI Music Publishing Limited / RZO Music Limited

User Reviews

A Mighty Continuation...

A person may not have to see "Dogville" before they get to this film-- but it helps. Von Trier takes his time getting where he is going, laying tracks in plenty of directions, and if you are not familiar with his style and don't know that it will all end with a colossal crunch, you may feel bored or confused. Fear not, though-- this movie's climax and finish depend wholly on the build-up, and when they happen they are shattering. In a shorter movie with less nuance and fewer ideas presented, it would just be exploitation.

Critics who say that Lars von Trier is just grinding an axe and that his views on America are unwelcome and inaccurate are missing the larger point. So far the two movies of his new trilogy seem to be seething with questions, not preaching answers. The spectrum of perspectives and philosophies presented make these movies themselves as experimental as the moral quests of Tom in "Dogville" and Grace in "Manderlay". We get to share initial outrage, labor for a solution, and then despair in how easily it all falls apart once human weakness and natural disaster are factored in.

Adjusting to the change of casting takes a few moments, but then it just fits right in with the theatrical nature of these movies. Anyone who has seen a play performed with different casts knows that the two productions are weird cousins, and this can make actors shine in their individual gifts. I would have loved to see Nicole Kidman devour this role, but Howard's youth and vulnerability really add to the tenuous nature of her power over Manderlay and its dark secrets.

I think it's lucky that von Trier is not an American. If an American director showed these images of oppression and slavery, he'd be reviled even moreso, especially if he were white. Americans demand "sensitivity" from movies about real issues, and violence and humiliation are really only safe subjects in horror films and art cinema. Sometimes it takes an outsider to show you what you look like to the world and remind you of the work you have left to do. This movie feels distinctly American in its woe and in it's heartsickness at good deeds gone not unpunished. Isn't change impossible? Haven't we given it our best shot already? "Manderlay" agrees with us-- but urges us to keep trying.