A small provincial town is buzzing with excitement: the town's most illustrious son, a world-famous opera singer, is coming home. Meanwhile, Sebastian, a kitchen boy who is as good as ... See full summary »
Ronja Mannov Olesen,
Helene Reingaard Neumann
It's All About Love is the story of two lovers and their attempts to save their relationship in a near-future world on the brink of cosmic collapse. John, and world-famous ice skating star,... See full summary »
DEAR WENDY is a story about the young loner Dick who lives in the poor mining town of Estherslope. When he happens upon a small handgun one day, he finds himself strangely drawn to it, despite his fervent pacifist views. Together with his newfound partner he soon convinces the other young outcasts in the town to join him in a secret club he calls The Dandies. A club based on the principals of pacifism and guns. Despite their firm belief in the most important Dandy rule of all - never draw your weapons - they soon find themselves in a predicament where they realise that rules are made to be broken. Written by
Both director Thomas Vinterberg and screenwriter Lars von Trier state that there is no hidden meaning or message against weapons in the film, and that the story is not meant as a political allegory against guns or America. See more »
[Huey has just shot Marshall Walker in the head]
Officer d-d-down, I'm afraid!
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Vinterberg aims at something, but doesn't really hit anything
There is something very fundamental that shouldn't go wrong in a film, and that is the so-called "suspension of disbelief". When you sit watching a film and can't keep yourself from thinking that it's all just a film with actors saying their lines on a film set, then it's obviously gone wrong. And that's the very thing that happens to "Dear Wendy". It's a cleverly thought-out, well conceived plan, but it doesn't come to life. The characters feel two-dimensional all the way through, I didn't care for any of them, so I just kept watching from the outside, which felt a bit like looking at fish in an aquarium. Furthermore, the story is painfully predictable - once people take a gun in their hands, it's always an easy guess to tell what will happen in the end, and so it does. Cinematography and everything is good as usual, but cinematography and everything never made a boring film good. "Festen" was such a great, deep, human film - where did the guy go who made it?
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