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Capturing the Friedmans (2003)

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Documentary on the Friedmans, a seemingly typical, upper-middle-class Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes.

Director:

Andrew Jarecki
Nominated for 1 Oscar. Another 25 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Arnold Friedman Arnold Friedman ... Himself (archive footage)
Elaine Friedman Elaine Friedman ... Herself
David Friedman ... Himself
Seth Friedman Seth Friedman ... Himself (archive footage)
Jesse Friedman Jesse Friedman ... Himself
John McDermott John McDermott ... Himself
Frances Galasso Frances Galasso ... Herself (as Det. Frances Galasso)
Anthony Sgeugloi Anthony Sgeugloi ... Himself
Chuck Scarborough Chuck Scarborough ... Himself (archive footage)
Joseph Onorato Joseph Onorato ... Himself
Judd Maltin Judd Maltin ... Himself
Howard Friedman Howard Friedman ... Himself
Abbey Boklan Abbey Boklan ... Herself (as Judge Abbey Boklan)
Ron Georgalis Ron Georgalis ... Himself
Scott Banks Scott Banks ... Himself
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Storyline

In the late 1980's, the Friedmans - father and respected computer and music teacher Arnold Friedman, mother and housewife Elaine Friedman, and their three grown sons, David Friedman, Seth Friedman and Jesse Friedman - of Great Neck, Long Island, are seemingly your typical middle class American family. They all admit that the marriage was by no means close to being harmonious - Arnold and Elaine eventually got divorced - but the sons talk of their father, while also not being always there for them, as being a good man. This façade of respectability masks the fact that Arnold was buying and distributing child pornography. Following a sting operation to confirm this fact, the authorities began to investigate Arnold for sexual abuse of the minor-aged male students of his computer classes, which he held in the basement of the family home. Based on interviews with the students, not only was Arnold charged with and ultimately convicted of multiple counts of sodomy and sexual abuse of these ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Who do you believe?


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

USA

Language:

English

Release Date:

18 July 2003 (USA) See more »

Also Known As:

A Captura dos Friedmans See more »

Filming Locations:

Dannemora, New York, USA See more »

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Box Office

Opening Weekend USA:

$65,154, 1 June 2003, Limited Release

Gross USA:

$3,117,985, 12 October 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Director/producer Andrew Jarecki was in the process of making a documentary about people who work as children's birthday party clowns in New York which led to the discovery of David Friedman's story. David Friedman was considered the most successful of the city's party clowns. The resulting clown documentary, Just a Clown (2004), is included as an extra on the DVD for this movie. See more »

Crazy Credits

Only the immediate members of the Friedman family (listed 1-5) are credited in a standard cast list. The other cast members are identified by on-screen graphics. See more »

Connections

Referenced in Paul (2011) See more »

Soundtracks

Let Me Entertain You
Music by Jule Styne, lyrics by Stephen Sondheim
Performed by David Friedman
See more »

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User Reviews

Andrew Jarecki's `Capturing the Friedmans' is as real as hidden family dysfunction could be on film.
25 June 2003 | by jdesandoSee all my reviews

Forget TV reality shows: Andrew Jarecki's `Capturing the Friedmans' is as real as hidden family dysfunction could be on film. Out of a seemingly-normal Great Neck, N.Y., middle-class family comes a tale too unique to be discounted: Honored teacher father and boyish son are charged with molesting young boys who attended dad's after-school computer class. It's known that dad reads child pornography, but the questionable molesting becomes a crisis fulcrum for the entire film.

`Friedman's' is unique for 2 reasons: 1. Better than almost all other documentaries, even `Paradise Lost,' it reveals the ambiguity and uncertainty in most litigation. 2. It uses copious home movies to reveal the major characters at play and rest without helping to determine guilt or innocence.

Jarecki, a co-founder of the Internet site, Moviefone, has admitted that after all the hours of interviews and miles of footage, he is not certain about the guilt of the father and son. Even the homemade family film, filled with slapstick and confession, is either so disingenuously crafted by another son to create the uncertainty or so naive as to be believable.

With that ambiguity, ironies abound: Award-winning teacher Arnold has a sleazy secret life centering around the very students he is guiding; Arnold's ex-wife is so remote from this male-dominated family that she may not have had a clue, yet her reunion with Jesse after his prison term is amazingly joyful and honest; son Jesse disclaims helping dad with the molestations yet confesses in the end, he says, because the law and the town are stacked against him.

Most fascinating to me, an amateur chronicler of my own family, is the Friedman's (and by inference, America's) obsession with documentation. The night before dad goes to prison is videotaped; the night before Jesse's incarceration, brother David records him in various poses, most of them loose and sometimes laced with self-deprecation.

Jesse is videotaped outside the courthouse the day of his confession dancing a jig and generally goofing. Is this nervous energy, an act to neutralize a fear of imprisonment or an egregious act meant to outrage the judge and jury? Ambiguity rules here.

David, the narrator brother, leads his life as Silly Billy, the most sought after birthday clown in new York. The irony is rich.

I don't know if I can ever believe what I see again. I do know I will more carefully watch every documentary from this day forward. This one unambiguously deserved the 2003 Sundance grand jury prize.


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