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Avinash, an M.A. student, is an idealistic young man with socialist views and stern principles. He is not affected by materialistic nature of his generation and strongly opposes acquiring ... See full summary »


Raman Kumar


Raman Kumar


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Credited cast:
Deepti Naval ... Geetanjali Gupta 'Geeta'
Farooq Shaikh ... Avinash Verma
Satish Shah ... Satish Shah
Iftekhar ... Mr. Gupta
A.K. Hangal ... Professor Chaudhary
Rest of cast listed alphabetically:
Rakesh Bedi ... Rakesh
Sudha Chopra Sudha Chopra ... Professor
Avtar Gill ... Avtar
Neena Gupta ... Neena
Helena Helena ... Helena
Javed Khan ... Javed
Helena Luke Helena Luke
Yunus Parvez ... Jagat Murari
Madhu Shah Madhu Shah
Gita Siddharth Gita Siddharth ... Mrs. Gupta (voice)


Avinash, an M.A. student, is an idealistic young man with socialist views and stern principles. He is not affected by materialistic nature of his generation and strongly opposes acquiring wealth, more than needed. He is son of a wealthy landlord but has left his father's house because of philosophical differences. He works as a part time writer to meet his daily living. He finds an admirer in Geeta, his classmate and daughter of a textile mill owner, who falls in love with him for his outlook. Geeta also leaves her father's house and get married and soon to have a child. Avinash finds it difficult to manage this extended family. Financial insecurity forces him to join a publishing house owned by his classmate Satish Shah. Soon he starts transforming into a ruthless businessman and treads the very path, once he loathed. Geeta is surprised of his easy withdrawal of principles. She decides to leave him. Avinash realizes his mistake, leaves his job and joins his ex-professor Choudhary's ... Written by Vinod Arya

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Release Date:

4 March 1982 (India) See more »

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Did You Know?


Many actors had their screen names same as their original names. See more »


Referenced in Aiyyaa (2012) See more »


Ek Bangla Bane Nyara (old movie song)
Performed by K.L. Saigal
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User Reviews

The true meaning of love and togetherness
25 April 2010 | by jmathur_swayamprabhaSee all my reviews

Saath Saath is one those outstanding movies of bollywood which did not get their due. I feel sorry for this movie and the people associated with it when I read accolades for average but over-hyped movies. Saath Saath had got average box office success, neither a flop, nor a big hit. It had received admirations too but not the way, any 3 Idiots or My Name is Khan receives. The fact is, Saath Saath is simply an outstanding movie with several pluses to its credit - story, treatment, crispness of narration, performances and music. It provides entertainment, romance, laughs, thoughts to ponder and inspiration; all rolled into one. A gem of a movie by the director Raman Kumar.

Saath Saath got released in 1982 with the charming next door pair of Farooq Sheikh and Deepti Naval and the timeless ghazals and nazms penned by Javed Akhtar, composed by Kuldeep Singh and sung by Jagjeet Singh and Chitra Singh. The story portrays how the might of money and hardships of life get the better of the ideals of an idealistic person. However a girl loving not just him but his ideals is not ready to compromise on this count for the sake of love, family or anything. When she is about to leave him, then he realises that he had digressed from his right path, his ideals. And then he stops his wrong steps getting the Saath or the state of togetherness with his sweetheart in return. The punchline of the movie comes in the end - Love does not mean looking at each other, it means looking together in the same direction. This punchline sums up the plot of the story and the intention of the storyteller.

The story starts with the college life love of Farooq and Deepti in which there are teasings and light moments provided by their buddies. After their love marriage, starts their hard life in which they hardly get any time to see each other, leave aside talking. All this has been portrayed in a highly emotional, natural and loving manner. Family responsibilities and circumstances lead Farooq to work in association with Satish Shah, a corrupt publisher whose thoughts centre around enhancement of cash inflow, by whatever means possible. Deepti who had married Farooq for the sake of his ideals only because his idealism was the foundation stone of her love towards him, is dumbfound to see the change in her husband and lover, courtesy the job and the company of Satish Shah. Farooq is getting more and more transformed from an idealistic person to a money-minded person, looking a pale shadow of his college days. Deepti's objections are not affecting him and this is something even more painful for Deepti. Finally Farooq's decision to get involved in publication of pornography proves the proverbial last straw on the camel's back for Deepti. She decides to leave him and his home and then only curtain fallen on the eyes of Farooq gets removed and he is able to see where he faltered.

The story and its narration both are heart-touching. The transformation of Farooq from a man of principles and ideals to a money-minded person has been shown quite realistically. It has reminded me of a legendary Hindi novel - Jhootha-Sach written by Yashpal which shows similar transformation of a patriotic and idealistic freedom-fighter in the wake of the changed scenario post independence. Farooq who says a SHER in the beginning - 'MAANA KI MAIN MAJBOOR HOON, LAACHAR NAHIN HOON, INSAAN HOON, BIKNE KO MAIN TAIYAR NAHIN HOON' (I am hard-pressed ,yet not compelled to follow the wrong path, I am a human-being who is not ready to be sold for money), becomes more and more money-minded later on, giving justifications for his wrongdoings; looks utterly real. In the ending scene when Farooq conveys Deepti his decision to leave the wrong path and join his roll model, A.K. Hangal's newspaper, Deepti asks him whether he is doing it just for her sake; Farooq's reply simply touches the heart of the viewer - 'NAHIN, APNE LIYE BHI AUR UN SACHCHAIYON KE LIYE BHI JINHEN HAM DONO NE MILKAR PYAR KIYA THA' (not just for your sake, for own sake also and also for the sake of those truths we had loved together).

The music of this movie is timeless, the performances of the lead pair Farooq and Deepti with the complete supporting cast are heart-warming, art direction and background score are perfect and good editing has kept the movie crisp and engrossing. A perfect movie.

Saath Saath reminds you that when you love somebody, it is not just physical love or the love for his or her outer persona, the true love happens for the character, thoughts and inner nature of that person. That love remains intact only when both the lovers continue to look together in the same direction. That togetherness only matters and not just the physical togetherness. I strongly recommend Saath Saath to all those who are fond of watching good, intelligent and inspiring movies and have not watched this masterpiece yet.

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