Monster

Why would someone want to be comment number 458? Because it might mean something to somebody. This movie meant a lot to me.

I spent about four hours, sole-to-sole, in the back of a pickup truck hitch hiking with her and a friend of mine in Florida. This was before she had killed anybody, I believe.

Years later, I saw the "wanted" drawing. It sort of rang a bell, but a lot of usual suspects look like that, don't they? What are the chances? Then, they caught her and showed the first photo, then gave both the nickname (like a cousin), and the real name (like another cousin, only spelled in Irish.) At the time, she mentioned the spelling with an "A." I asked her if she was Irish and told her about my two cousins. What a small world, right? She either told me her last name and I assumed it, or told me she was Greek. The point being, the whole name aspect was the first part of a four hour life story discussion we had. And you don't forget four hours of a face like that either. The life stories matched. It was her.

The mood swings Charlize Theron portrays are perfect, as are the mannerisms, body language, clothes, teeth, complexion, hair, the body fat, manner of speaking, that strutting walk and just everything. It was absolutely uncanny. You never forget someone like that, and then when they pop up alive like that again. It was just unreal.

She was mood swinging, or perhaps "cycling," the whole time I was with her. I imagine if that was portrayed realistically, the movie would be unwatchable. I remember thinking at the time, her behavior seemed like the popular portrayal of those "possessed."

After I saw Monster more than twenty years later, I called the other guy that was with me. We have remained friends over the years. I told him "Oscar this, Oscar that," blah blah blah, just out of the shock of reliving the experience of Aileen again. The fact that she was played by the glamorous, beautiful, Charlize Theron on top of it, was beyond all comprehension. What a transformation! Of course, my beloved, goof-ball buddy was sitting beside her sleeping most of the time in the truck. His head kept on falling on her shoulder and she would push it off. It was like Three Stooges. They shared the Doritos like it was the school cafeteria or something. Can you imagine, in hindsight? Yes, it is good for a few jokes, I admit it. She hadn't killed anyone yet, so far as I can tell from reading about her and piecing the time-line back together. This was the first and only time I had been in Florida in those college-age days, so putting that together was fairly easy.

I don't know if I ever met anyone, before or since, that I have felt more sympathy for at the time. She was very talkative, about herself and the hard times she'd had. She was believable. She wasn't scamming us or anything, as I first suspected, just shooting the breeze. I wanted to cry for her. I think I even did so later, in hindsight. She was unreal. She had, what I thought, were "multiple personalities." Really just two, she would laugh one second, cry the next. She was like a big, tough hard-ass girl of eight years. She told me all about her childhood abuse, the horror of being a prostitute, and taking beatings and abuse from the men. She mentioned living in hotels. She didn't seem like too much of a drinker or a druggie. I just thought she was deeply, emotionally disturbed. In those days, we should have said "mental." My friend and I were a couple of happy middle-class college snowbird guys on Christmas break. She had about the worst kind of life of anyone I had ever met. She was only about four or five years older than us, but looked twice her age. When I thought later about the hand she was dealt, compared to mine, you better believe the religious feelings and tears well up. They still do. I can't bear to watch the movie sometimes, or at least parts of it.

Yes, what she did was wrong, if not evil. I don't think she was evil though, at all. She had the innocence lost, naive but semi-funny sweetness portrayed in the movie. I don't usually contemplate these things, its just that you could see there was a good person there, just profoundly _____ed up. For some reason, I was proud of her when she wanted the execution. She was nothing if not honest. As an outside observer, I don't know how you feel sorry for someone like that, but if you knew what happened, you just might. I have no agenda in that regard. Watch this and ask yourself if monsters are made, or are they born? This movie captures my feelings perfectly. If you have read this far, you can see the conflict. The movie reflects that so well, I can not do it justice by praising it with words.

If you were a victim of her actions, I wouldn't blame you for hating what I'm writing. If I read something like this about Charlie Manson, I'd never believe it.

I just want to thank everyone involved in telling this bizarre story.

I would advise people to see this if they want to be challenged, not just entertained. I've read some of the headlines on the index. So should you.

I had my reservations before watching this. I was sceptical cause of the buzz. Everyone was talking about the way Theron, "the most gorgeous woman alive", transformed herself into Aileen. A prostitute who killed several clients. I thought Theron was just looking for success, another ambitious actress wanting a gold statue. That director Jenkins had a reason to make the film didn't matter for me then.

But everyone involved in this film deserve the credit. Monster is gripping. It's a film that makes you feel almost every emotion you can think of: sadness, anger, compassion, wrath. It confuses you. Do you identify with Aileen or do you disapprove of her actions? I guess both. You despise her for killing the men. But the film challenges that. You can almost explain (and thus condone) her actions. I guess the one thing that stayed with me was that it occurred to me what it must feel like to be really and utterly alone in this world.

Based on a true story this movie is about Ailen Wuornos, a prostitute, who killed quite a few men who she "serviced". She was convicted in 1990 and executed in 2002.

She's played by Charlize Theron who's just incredible. It starts off just before she began murdering men and has met Selby (Christina Ricci), an adorable lesbian who loves her. It basically chronicles their relationship and what led Wuornos to kill these men. Also she reaccounts her childhood and how she became a prostitute. It's more than a little depressing--it's a tragic story of a beaten woman who saw murder as the only way out. Only three murders are shown and that's more than enough. The violence is not glorified--it's bloody and sick and one is the most harrowing thing I've seen in years. What's so fascinating (and scary) about this film is that I actually began to sympathize with Wuornos! While I could never condone her actions you can see clearly what led her to it. This is a rare film--it makes a serial killer look sympathetic.

Theron is a wonder in this--she became Wuornos (who was very unattractive). She gained weight, shaved off her eyebrows, colored her hair, used contacts and dentures to change her appearance completely. Never once did I think I was seeing Theron acting--she BECAME Wuornos. A great performance--she'll easily get the Oscar for this one. Ricci is also good here. She's been ignored in the press but she nicely underplays the role of Selby and is a perfect contrast to Theron's acting. Also nice to see Bruce Dern in a small role.

Music is used very effectively here. They play songs of the time it took place (1980s) so you know when this is happening and also nicely complements the actions on screen (especially with Journey's "Don't Stop Believing").

A very good movie but a very depressing one. Proceed at your own risk.

Let me begin by saying that Charlize Theron gives the best female performance that I have ever seen on film. Theron deservedly won the Best Actress Oscar for her portrayal of serial killer Aileen Wuornos. I can not recall a performance, male or female, with such raw intensity. For those who may not know, MONSTER is the true story of Aileen Wuornos, a Florida prostitute who was executed a couple of years ago for killing men that picked her up on the highway. However, this is much, much more than a deranged serial killer flick. This film shows us, very convincingly, how a person can be led to a life of violence. Aileen had an awful childhood and an awful life. She was molested as a child by her father as well as other male relatives. As a child, she was surrounded by abuse, drug addiction, and domestic violence. Men horribly abused her as a child, and she began prostituting at age thirteen. In her later years, Aileen became a prostitute because it had been grilled into her head all her life that she was just a whore. As MONSTER opens, Aileen's car breaks down and she wanders into what she doesn't know is a gay bar. Sitting alone at a table is lonely, confused lesbian Selby (Christina Ricci), who strikes up a conversation with the dirty, unkempt Aileen, who washes her hair in gas station sinks and uses the hand dryer to fix her hair. After many drinks, Aileen and Selby become close, and soon enter into an unhealthy, torrid, tragic love affair. Selby is naive and has always been sheltered, and she just wants genuine love. However, Aileen has issues that Selby doesn't see at first. There is certainly nothing positive or redeeming about serial killers, but you often feel yourself having a small bit of sympathy for Aileen because you realize why she kills the men who pick her up...SHE HATES MEN. Aileen has always hated men, and the only love scenes in which any tenderness and emotion is shown are the lesbian love scenes between Aileen and Selby. You also feel some sorrow for Aileen because she DOES want to improve herself, but has no way of knowing how to do so. There are scenes where Aileen applies for jobs because she really wants to do right, but she is always rejected. She applies for secretarial jobs at law offices and is laughed right out of the building while she curses and screams at everyone. She doesn't know any better because she has no social skills. In one of the most powerful scenes, Aileen is hitch hiking and is picked up by a genuinely nice man who offers to help her. He is sincere and doesn't want sex. He is a decent man who offers a helping hand, but Aileen just can not trust any man. She tells him she doesn't want to kill him, but because her previous killings are all over the news, she has to kill him so she won't be identified. Selby, meanwhile, learns of Aileen's murderous rampage and tearfully decides to go to the authorities. What makes this film so powerful is that this is A TRUE STORY. Aileen Wuornos had a miserable life. Life dealt her a s@@@@y hand. She never had a chance. Growing up, nobody....teachers, parents, relatives....reached out to her. You can't excuse a serial killer rampage, but this is the only "serial killer" film that I have seen that at least offers some reasoning behind the insanity. Again, this is intense, and Charlize Theron is AMAZING.

After just seeing this film, I'm pretty much speechless. This is a tough film to comment on. This is mainly due to the fact that it's a serial killer film where you actually end up feeling sympathy for the killer. Near the end of the film, when it goes completely out of control for Aileen Wuornos, there's no feeling of "justice is done once again"... quite the contrary, actually. It's so moving and disturbing, following this person's life, through the last part of it. In the beginning, we get a fairy tale-like presentation of Aileen's hopes and dreams in her young years. Without warning, we're thrust into the hard reality of her current years, immediately afterward. From there on out, we're in her world, feeling her pain, experiencing her failures. We get to know her as the film goes on, but we feel for her from the very beginning, without even knowing why she is like she is. That says something about the masterful direction and writing of Patty Jenkins that is featured in this film. The plot is great, and it's surprisingly easy to follow the thought process of Aileen... we understand why she kills. The pacing is very good, there are only few scenes that seem to move slow, and I don't think there was really any point where I was bored. The locations is incredibly authentic. Jenkins actually went out of her way to get shooting done at several places where the real Aileen had been, and even cast people who had met her in smaller roles. Cinematography is great. Acting is pretty much flawless; both Theron and Ricci shine in their roles. The movie also has a unpleasant view of prejudice from the 'other side'(the people who become victims to prejudice), and hopefully this will act as a much needed wakeup call for the people who believe in and go by prejudice. What really makes this film have an impact is how dark and real it is. No happy ending, no silver lining... just tough, uncut reality. When you see it, you can't help getting engulfed in this person's world. The raw horror of her life moves you. I can't see anyone, no matter ignorance, beliefs or moral and ethic standpoint coming out after seeing this film and believing that Eileen was the 'bad guy' in this story. It's just not possible. I haven't seen any of the interviews with the real Aileen Wuornos and I didn't follow her case, but I would like to know more about her, find out what she was like to a greater extent than a movie of 1 hour and 45 minutes can tell me. That's what this movie did to me. It made me care for this person, and that says more than anything I can put in this review. You need to see this film, unless you refuse to watch anything that has harsh reality instead of a happy ending. I recommend this to anyone who can take it. This movie will depress most people, but after this one viewing, I consider it required viewing for just about anyone. 8/10