IMDb RATING
6.2/10
5.2K
YOUR RATING
Tale of a former Nazi executioner who becomes a target of hitmen and police investigators.Tale of a former Nazi executioner who becomes a target of hitmen and police investigators.Tale of a former Nazi executioner who becomes a target of hitmen and police investigators.
IMDb RATING
6.2/10
5.2K
YOUR RATING
- Director
- Writers
- Ronald Harwood(screenplay)
- Brian Moore(novel)
- Stars
Top credits
- Director
- Writers
- Ronald Harwood(screenplay)
- Brian Moore(novel)
- Stars
- Awards
- 4 wins
Videos2
David de Keyser
- Dom Andréas Dom André
- (as David De Keyser)
- Director
- Writers
- Ronald Harwood(screenplay)
- Brian Moore(novel)
- All cast & crew
- See more cast details at IMDbPro
Storyline
1992. The French government has passed a law punishing crimes against humanity allowing them to prosecute Nazi collaborators from WWII. Magistrate Annemarie Livi has been assigned the case of Pierre Brossard, a police officer in Dombey, France in June, 1944, when he helped round up a group of Jewish persons and personally chose seven of them to be executed. Brossard was captured and held in police custody in 1955 following a trial where he was sentenced to death for being a collaborator, before he was able to escape. Brossard has since received a Presidential pardon for those crimes. Livi enlists the help of Colonel Roux of the French Army to assist in this case in she not trusting the police who assisted the Vichy regime during the war. While Roux informs her that he is aware of an unknown Jewish organization that is also tracking and wanting to execute Brossard, Livi knows that the pardon was arranged by someone who must have been an associate of Brossard - who she refers to as "The Old Man" - now probably high up in the government. They are also both aware that the Catholic church has actively been assisting Brossard all these years, probably in providing him both with funds and shelter, them being able to break through the closed ranks of the church a major hurdle they will have to overcome. Livi is further given a warning by a close family friend, Armand Bertier, a government minster, that she is walking into a land mine of a case. Brossard, who is aware that he is being tracked both by the Jewish and by the national authorities, is indeed what he considers a devout Catholic in the realm of the traditionalists, he, who trying to stay one step ahead of those tracking him, looking for absolution from the church, while not prepared to give himself up to either the Jewish or the authorities. The Jewish have their own additional motive beyond killing Brossard for his crimes, while those pulling their strings have one more additional motive in protecting themselves. —Huggo
- Taglines
- At the end of World War II, many of those involved in war crimes were prosecuted. Some got away. Until now.
- Genres
- Certificate
- PG
- Parents guide
Did you know
- TriviaThis movie opens with a man seeking Sir Michael Caine with the aid of a photograph. In the photograph, the man seen next to Sir Michael is producer and director Norman Jewison.
- GoofsAs Brossard is about to place the body of the first assassin into the car, he lifts the dead man's arms into the air in order to sit the body up. As he lets go of the arms, they do not immediately drop as they would for a dead man. Instead, they hesitate, then slowly drop to the ground.
- Quotes
Pierre Brossard: Pray that we meet again... in this world.
- ConnectionsFeatures Only You (1994)
- SoundtracksLe Chemin des Forains
Music by Henri Sauguet
Lyrics by Jean Dréjac
Performed by Baguette Quartette
Published by G. Schirmer Inc., administered by Music Sales Corporation
Courtesy of Baguette Quartette
Top review
Far too basic on all levels not bad but just rather disappointing throughout
After the Nazi's were driven out of France, those who had collaborated were mostly rounded up and punished many by death. However some escaped and were hidden, while others rose in power within the new regime. Pierre Brossard is one of the former and continues to live in fear, protected from those that would avenge his victims by his friends within the Catholic Church. However a close encounter shows that some group is closing in on him, meanwhile political pressure from Judge Livi and Colonel Roux's investigation into his whereabouts mean that he is quickly running out of friends willing to shelter him.
It is difficult to know how to approach this film because it itself doesn't seem too sure of what it is trying to do. Is it a drama looking at the idea of fleeing war criminals? Is it a chase movie? Is it a character piece looking at Brossard? It is never clear because it does do some elements of each but it doesn't really do anything that well and I, as a viewer, was a bit confused about what I was supposed to feel or think during it. The story itself is OK, reasonably engaging but not having anything of interest to it. As a chase film I was interested and the themes helped it seem more than the sum of its parts but not in reality. The motivations of the characters are never that well developed; the Livi/Roux parts are dull and quite routine although the sections with Brossard are more interesting.
It is a shame then that the film cannot decide what it wants to do with him do we feel for him, hate him or just watch him? The film doesn't let us decide this in a good way representing the complex nature of the character, but rather just doesn't push out any ideas one way or another. Caine does well despite this and gives a good character a bit of depth. He is where the film is although he probably benefits from the fact that everyone else is quite ordinary. Swinton and Northam are quite ordinary and their parts of the film just seem put of place and half-cooked. Support from Neville, Bates, Rampling and others just about do the job but add little.
Overall this is an OK film but nothing at all more than that. Despite the interesting and complex potential the film just delivers an ordinary chase movie and fails to do anything with the ideas and concepts inherent in it. Caine does well to produce quite a convincing character but he is alone in that, with the material and the rest of the cast failing to do anything that interesting. Not bad but not worth trying to find because it is nowhere near as good as one would have hoped.
It is difficult to know how to approach this film because it itself doesn't seem too sure of what it is trying to do. Is it a drama looking at the idea of fleeing war criminals? Is it a chase movie? Is it a character piece looking at Brossard? It is never clear because it does do some elements of each but it doesn't really do anything that well and I, as a viewer, was a bit confused about what I was supposed to feel or think during it. The story itself is OK, reasonably engaging but not having anything of interest to it. As a chase film I was interested and the themes helped it seem more than the sum of its parts but not in reality. The motivations of the characters are never that well developed; the Livi/Roux parts are dull and quite routine although the sections with Brossard are more interesting.
It is a shame then that the film cannot decide what it wants to do with him do we feel for him, hate him or just watch him? The film doesn't let us decide this in a good way representing the complex nature of the character, but rather just doesn't push out any ideas one way or another. Caine does well despite this and gives a good character a bit of depth. He is where the film is although he probably benefits from the fact that everyone else is quite ordinary. Swinton and Northam are quite ordinary and their parts of the film just seem put of place and half-cooked. Support from Neville, Bates, Rampling and others just about do the job but add little.
Overall this is an OK film but nothing at all more than that. Despite the interesting and complex potential the film just delivers an ordinary chase movie and fails to do anything with the ideas and concepts inherent in it. Caine does well to produce quite a convincing character but he is alone in that, with the material and the rest of the cast failing to do anything that interesting. Not bad but not worth trying to find because it is nowhere near as good as one would have hoped.
helpful•1810
- bob the moo
- Dec 27, 2005
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Exposé
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $27,000,000 (estimated)
- Gross US & Canada
- $765,637
- Opening weekend US & Canada
- $37,220
- Dec 14, 2003
- Gross worldwide
- $1,079,822
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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