Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
Lola's a single mom, broke, working as a janitor and maid. Silvia is pregnant, and her lover (her boss) won't leave his wife. Maite, newly a widow, discovers she's penniless but wants to ... See full summary »
Natalia and Carlos, both aged 20, are in love and struggling to survive in today's Spain. Their limited resources prevent them from getting ahead as they'd like to. They have no great ... See full summary »
Ingrid García Jonsson,
American writer in Paris is hired to do a script for an edgy young director he can't stand. When he falls in love with the director's cold and manipulative pretty sister, his life starts to unravel and he realizes that he's been used.
Margo is struggling to deal with her son, Jon a rebellious and free-spirited teenager who runs with a bad crowd. After Jon is expelled from school, Margo sends him to live with his ... See full summary »
Alfredo Lopez is a tired encyclopedia salesman, and Carmen is his faithful wife. The lives of this married couple change forever when the Montoya publishing house, in which Alfredo works, makes a proposal to them to make erotic films that will sold in the Scandinavian countries, under the guise of being a false encyclopedia about reproduction. Unknown to them both, Carmen has become an adult film star in the Northern countries, and a Danish crew flies in to help Alfredo make an Ingmar Bergman inspired feature film called "Torremolinos 73." Instead of a career in show business, Carmen is eager to have a baby, and the tension between the artist and his muse grows.Written by
Sujit R. Varma
The type of Kodachrome cartridge we see cannot have existed at the time of action: only since the end of the 1990s did European Kodachrome cartridges have their serial number printed on the label with black ink, prior to that the serial number was dry-stamped on the label. See more »
I think everyone is being a tad harsh on this film, there is no way they could have kept the pace of the first half of the film up it would have been exhausting.Seeing this film in a packed cinema @ cornerhouse certainly helped, seen Candela Pena in two films recently she shines in both.As for the second half of the film & the transition from comedy to drama the laughs didn't dry up they just were a bit more subtle i thought he bergman stuff especially carrying the sithe on the rollercoaster & playing chess on the pedolo was hilarious. An honourable debut for me it looked like the seventies, all brown & beige. The donkey bit was very funny, definitely not subtle.
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