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The Aviator (2004)

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A biopic depicting the early years of legendary Director and aviator Howard Hughes' career from the late 1920s to the mid 1940s.

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Won 5 Oscars. Another 81 wins & 130 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Howard Hughes
... Katharine Hepburn
... Ava Gardner
... Noah Dietrich
... Juan Trippe
... Senator Ralph Owen Brewster
... Professor Fitz
... Jack Frye
... Jean Harlow
... Errol Flynn
... Johnny Meyer
... Glenn Odekirk
... Faith Domergue
... Mrs. Hepburn
... Robert Gross
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Storyline

Biopic of billionaire Howard Hughes, starting with his early filmmaking years as owner of RKO studios but mostly focusing on his role in designing and promoting new aircraft. Hughes was a risk-taker spending several fortunes on designing experimental aircraft and eventually founding TWA as a rival to Pan AM airlines owned by his great rival Juan Trippe. When Trippe's politico Senator Ralph Owen Brewster accuses Hughes of being a war profiteer, it's Hughes who gains the upper hand. Hughes also had many women in his life including a long relationship with actress Katharine Hepburn. From an early age however, Hughes was also germophobic and would have severe bouts of mental illness. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

For some men, the sky was the limit. For him, it was just the beginning. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, sexual content, nudity, language and a crash sequence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook | Official site |  »

Country:

|

Language:

Release Date:

25 December 2004 (USA)  »

Also Known As:

El aviador  »

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Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend USA:

$858,021, 19 December 2004, Limited Release

Gross USA:

$102,608,827, 27 May 2005

Cumulative Worldwide Gross:

$213,741,459
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Alan Alda avoided watching newsreel footage of the real Senator Owen Brewster. Alda felt that public figures did not speak or behave naturally in front of the newsreel cameras and he wanted his performance to be more natural. However, Alda did make use of photographs of the real-life Senator and used Brewster's legendarily ugly appearance in crafting the role; because it wouldn't work to make Alda look that disgusting, Alda instead used Brewster's looks as an example of how his inner ugliness emerged, and made that the key to his interactions with Howard Hughes. See more »

Goofs

Hughes has cellophane wrapped on the yoke of the plane he flies Katharine in, yet the stick of the H-1, the yoke of the XF-11, the yokes he has to choose from for the Hercules, the yoke and the throttles of the Hercules, and his car's steering wheel on have nothing wrapped on them. See more »

Quotes

[first lines]
Allene Hughes: Q-u-a-r-a-n-t-i-n-e.
Young Howard Hughes: Quarantine. Q-u-a-r-a-n-t-i-n-e. Quarantine.
See more »

Crazy Credits

Aside from company logos and the film's title, there are no opening credits. See more »

Connections

Referenced in Dinner for Five: Episode #3.8 (2004) See more »

Soundtracks

Brazil
(1939)
Music by Ary Barroso
Lyrics by Bob Russell (uncredited)
Performed by Vince Giordano and His Nighthawks Orchestra
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Frequently Asked Questions

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User Reviews

 
Falling Short of Greatness...Again
21 December 2004 | by See all my reviews

Scorsese has such an encyclopedic knowledge and understanding of cinema that every shot, however inventive and daring, is effortlessly composed. The direction, editing and cinematography are all the first-rate work by individuals who are clearly masters of their profession and the production design, costumes and makeup are the best you'll see all year. Their efforts combine to create a world of rich and lavish color, of excitement and glamour. Who wouldn't want to visit THIS Cotton Club in 1935? It's hard to imagine who could trump the technical team for Oscars this year.

With such a perfectly realized world in which to perform, the actors universally do an outstanding job. Despite the criticism of the hardcore DiCaprio-haters, the unprejudiced will observe an excellent performance that takes genuine risks and convincingly conveys the passing of more than twenty years. Importantly, DiCaprio more than holds his own when paired with Cate Blanchett and especially Alan Alda, who both give equally note worthy performances. Blanchett's interpretation of Katherine Hepburn seems spot on, and anyone familiar with the late actresses mannerisms will appreciate the hard work that clearly went into the recreation. Alda, one of the most consistently underrated actors around, delivers another masterclass in restrained character building as he oozes ambition and political dishonesty from every pore.

And yet, despite the obvious talent of all those involved and Scorsese's ability to effortlessly fill three hours, something about The Aviator fails to completely satisfy. Without wanting to sound like a film student, movies should, ultimately, be ABOUT something; love, honor, courage, redemption, the BIG ideas and themes that are the fuel of the plot. What was the drive of The Aviator? A rich guy recklessly spends lots of money to indulge his personal obsessions and gets away with it. We're never told how his experiences change him, and without change there's no journey. Considering the screenplay was written by John Logan, who usually displays a keen interest in showing the emotional evolution of his characters, the oversight is inexplicable. Ultimately then, much like Gangs of New York, The Aviator is simply the sum of it's parts, and however brilliantly those parts are realized, there doesn't seem to be a bigger theme to underpin and drive them.

The Aviator is a perfectly realized recreation of the era and one well worth experiencing. But the lack of a real emotional journey suggests 'all gloss and no substance', and ultimately prevents the movie from being truly great.


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