Vicenarian Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss. Excited and intrigued, he sets out to find it.
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
Biopic of billionaire Howard Hughes, starting with his early filmmaking years as owner of R.K.O. Pictures, but mostly focusing on his role in designing and promoting new aircraft. Hughes was a risk-taker spending several fortunes on designing experimental aircraft and eventually founding TWA as a rival to Pan Am airlines owned by his great rival Juan Trippe. When Trippe's politico Senator Ralph Owen Brewster accuses Hughes of being a war profiteer, it's Hughes who gains the upper hand. Hughes also had many women in his life including a long relationship with Katharine Hepburn. From an early age, however, Hughes was also germophobic and would have severe bouts of mental illness.Written by
Director Martin Scorsese designed each year in this movie to look just the way a color movie from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese re-created the look of Cinecolor and two-strip Technicolor. Watch in particular for the scene where Howard Hughes (Leonardo DiCaprio) meets Errol Flynn (Jude Law) in the club. Hughes is served precisely placed peas on a plate, and they appear blue or turquoise, just as they'd have looked in the two-strip Technicolor process. As Hughes ages throughout the movie, the color gets more sophisticated and full-bodied. See more »
The amount and position of fudge on the sundae that Hughes and Faith Domergue share in the Cocoanut Grove changes with each shot. See more »
Scorsese has such an encyclopedic knowledge and understanding of cinema that every shot, however inventive and daring, is effortlessly composed. The direction, editing and cinematography are all the first-rate work by individuals who are clearly masters of their profession and the production design, costumes and makeup are the best you'll see all year. Their efforts combine to create a world of rich and lavish color, of excitement and glamour. Who wouldn't want to visit THIS Cotton Club in 1935? It's hard to imagine who could trump the technical team for Oscars this year.
With such a perfectly realized world in which to perform, the actors universally do an outstanding job. Despite the criticism of the hardcore DiCaprio-haters, the unprejudiced will observe an excellent performance that takes genuine risks and convincingly conveys the passing of more than twenty years. Importantly, DiCaprio more than holds his own when paired with Cate Blanchett and especially Alan Alda, who both give equally note worthy performances. Blanchett's interpretation of Katherine Hepburn seems spot on, and anyone familiar with the late actresses mannerisms will appreciate the hard work that clearly went into the recreation. Alda, one of the most consistently underrated actors around, delivers another masterclass in restrained character building as he oozes ambition and political dishonesty from every pore.
And yet, despite the obvious talent of all those involved and Scorsese's ability to effortlessly fill three hours, something about The Aviator fails to completely satisfy. Without wanting to sound like a film student, movies should, ultimately, be ABOUT something; love, honor, courage, redemption, the BIG ideas and themes that are the fuel of the plot. What was the drive of The Aviator? A rich guy recklessly spends lots of money to indulge his personal obsessions and gets away with it. We're never told how his experiences change him, and without change there's no journey. Considering the screenplay was written by John Logan, who usually displays a keen interest in showing the emotional evolution of his characters, the oversight is inexplicable. Ultimately then, much like Gangs of New York, The Aviator is simply the sum of it's parts, and however brilliantly those parts are realized, there doesn't seem to be a bigger theme to underpin and drive them.
The Aviator is a perfectly realized recreation of the era and one well worth experiencing. But the lack of a real emotional journey suggests 'all gloss and no substance', and ultimately prevents the movie from being truly great.
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