Vicenarian Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss. Excited and intrigued, he sets out to find it.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
Biopic of billionaire Howard Hughes, starting with his early filmmaking years as owner of RKO studios but mostly focusing on his role in designing and promoting new aircraft. Hughes was a risk-taker spending several fortunes on designing experimental aircraft and eventually founding TWA as a rival to Pan AM airlines owned by his great rival Juan Trippe. When Trippe's politico Senator Ralph Owen Brewster accuses Hughes of being a war profiteer, it's Hughes who gains the upper hand. Hughes also had many women in his life including a long relationship with actress Katharine Hepburn. From an early age however, Hughes was also germophobic and would have severe bouts of mental illness.Written by
The film's winning of the Best Cinematography Oscar has been attributed to the unique use of period color palette. The two and three-strip palette that is seen in the film was accomplished by the use of the LUT - 3D Look Up Table - graphics processor. It was designed by Joshua Pines, Research and Development Vice President of Technicolor Digital Intermediates. The processor was slipped into the digital projector, and thus allowed filtering and applying the two and three color look into the negative. See more »
In the restaurant scene with the indoor snowfall, snowflakes on Hughes' shoulders appear and disappear between shots. See more »
There are two different Panavision credits used: the "Filmed with Panavision Cameras and Lenses" credit, and after that, the "Filmed in Panavision" credit, despite being shot in Super 35 (3-perf). See more »
"The Aviator"--a biopic of Howard Hughes-- is clearly one of Scorsese's lesser works. Still, a lesser work from Scorsese is far superior to the greatest work of your average director. Here's the rundown:
The first quarter of the film is a total triumph, showing the young Hughes' bold endeavors in film when he produced what was at the time the most expensive and lavish film ever made. Scorsese tipping his hat to old Hollywood is the most fun he has had since "Goodfellas." The costumes, set designs, and pacing of this portion of the film are stunning and suck the viewer in.
The rest of the film, despite Scorsese's amazing and vivid attention to detail, is a muddled mess, giving us glimpses into Hughes' obsessive (and compulsive) ways, his womanizing, his ambitious foray into aviation and the early days of commercial flight, his fight against Congress at the end of WWII, and the notorious plight and ultimately single flight of his infamous "Spruce Goose." It's all semi-educational and semi-entertaining, but in the end I think the complicated life of Hughes remains a mystery.
As for the performances, they are amazing (thanks in most part to Scorsese, the ultimate actor's director). Leonardo Dicaprio in the title role gives yet another performance that goes against my natural loathing of him, and although he seems a bit too boyish playing Hughes in the latter years (and the film really suffers for it), he's impeccable for the better part of the film. Cate Blanchett as Katherine Hepburn is simply stunning and steals every moment she is on screen. Her look, her mannerisms, and her speech perfectly match the screen legend to a haunting degree. Alan Alda and Alec Baldwin in supporting quasi-villain roles are methodically perfect. And the nicest surprise was Kate Beckinsale, a normally flaccid actress, playing Ava Gardner. She came across as gorgeous, intelligent, and maximized her minimal screen time without ever overtly stealing her scenes. Like Sharon Stone in "Casino" and Cameron Diaz in "Gangs of New York" Scorsese once again coaxes a great performance out of an otherwise unremarkable pretty face.
In the end, "The Aviator" flies high thanks to Scorsese and the acting, even if the real person it depicts remains lost in a muddle of half truths and speculation.
91 of 134 people found this review helpful.
Was this review helpful to you?
| Report this